Drei Jugendliche entdecken, dass es in dem Nachbarhaus ein wirkliches, lebendiges, atmendes und furchterregendes Monster gibt.Drei Jugendliche entdecken, dass es in dem Nachbarhaus ein wirkliches, lebendiges, atmendes und furchterregendes Monster gibt.Drei Jugendliche entdecken, dass es in dem Nachbarhaus ein wirkliches, lebendiges, atmendes und furchterregendes Monster gibt.
- Für 1 Oscar nominiert
- 4 Gewinne & 23 Nominierungen insgesamt
Mitchel Musso
- DJ
- (Synchronisation)
Sam Lerner
- Chowder
- (Synchronisation)
Spencer Locke
- Jenny
- (Synchronisation)
Ryan Whitney
- Little Girl
- (Synchronisation)
- (as Ryan Newman)
Steve Buscemi
- Nebbercracker
- (Synchronisation)
Catherine O'Hara
- Mom
- (Synchronisation)
Fred Willard
- Dad
- (Synchronisation)
Woody Schultz
- Paramedic #1
- (Synchronisation)
Ian McConnel
- Paramedic #2
- (Synchronisation)
Maggie Gyllenhaal
- Zee
- (Synchronisation)
Kevin James
- Officer Landers
- (Synchronisation)
Nick Cannon
- Officer Lister
- (Synchronisation)
Jon Heder
- Reginald 'Skull' Skulinski
- (Synchronisation)
Kathleen Turner
- Constance
- (Synchronisation)
Erik Walker
- Bully #1
- (Synchronisation)
Matthew Fahey
- Bully #2
- (Synchronisation)
Brittany Curran
- Jenny
- (Synchronisation)
- (Nicht genannt)
Empfohlene Bewertungen
The animation is a bit clunky and grainy, but this somehow adds to the dark atmosphere, which is fairly unique for mainstream American animation. Although it is not explicitly stated, the main protagonist seems to be suffering from depression. The story itself is different from a typical haunted house story, in that the house itself is anthropomorphized, and at its heart lies the cemented-over body of Nevercracker's dead wife, her soul now possessing it. As the movie itself notes, this is the literal (monstrous) definition of "house wife."
Watched in Princeton and in Iowa City 2020, on Halloween night!
Watched in Princeton and in Iowa City 2020, on Halloween night!
I guess you could label this an "edgy animated film." It's certainly wasn't made with little kids in mind. If it was, that was a mistake because this a pretty scary film in parts - much to much for the little ones.
The "edginess" isn't just the violence (a Halloween-type scary house and the comes alive and attacks people), it's most of the characters. They are typical Hollywood-young people meaning they have "attitudes." They aren't exactly sweet, lovable people, except for the one young boy "D.J." (voiced by Mitchel Musso). The dialog on the kids - two boys, the babysitter and her boyfriend - make this more of a film for teens and younger adults. The "attitude" means wise-remarks and general obnoxiousness and rebellious attitudes. The worst in that attitude category is D.J.'s friend "Chowder," the kind of guy who talks you into doing things that wind up getting YOU in trouble.
The best part of the film, besides the animation, is the unpredictability of the story. You kept wondering what was going to happen next. That made the 91 minutes go by pretty fast. It's a simple story but very entertaining despite the not-so-great-role models and, as most pictures do, has a good message and a few heartwarming scenes at the end.
The "edginess" isn't just the violence (a Halloween-type scary house and the comes alive and attacks people), it's most of the characters. They are typical Hollywood-young people meaning they have "attitudes." They aren't exactly sweet, lovable people, except for the one young boy "D.J." (voiced by Mitchel Musso). The dialog on the kids - two boys, the babysitter and her boyfriend - make this more of a film for teens and younger adults. The "attitude" means wise-remarks and general obnoxiousness and rebellious attitudes. The worst in that attitude category is D.J.'s friend "Chowder," the kind of guy who talks you into doing things that wind up getting YOU in trouble.
The best part of the film, besides the animation, is the unpredictability of the story. You kept wondering what was going to happen next. That made the 91 minutes go by pretty fast. It's a simple story but very entertaining despite the not-so-great-role models and, as most pictures do, has a good message and a few heartwarming scenes at the end.
I saw this film as part of a free screening I took my little sister to and was ready for an immature piece of fluff. Preparing for restless children making bathroom trips and throwing an occasional tantrum overshadowing a mediocre movie I was happily proved wrong. Too many CG-generated films ride on the spectacle of the animation technique keeping audiences in awe while forgoing story. While jaws drop at impossible camera angles and while 3-D rendered characters being stretched in a 2-D way we all play spot/ear the celebrity voice. The Dennis Leary as a ladybug joke can only be taken so far. Perhaps a bar is being set by Pixar to work from an entertaining script like "The Incredibles" that would make an good movie no matter how it was made. Drawing from the neighborhood ghost story and a dash of H.P. Lovecraft's "The Shunned House" Amblin delivered an entertaining popcorn movie that ranges in age appeal. The humor could have easily fallen into stereotypical characters, the familiarity of the story, and bathroom laughs, but maintains irony and, while not naive, maintains a reverence for the innocence of the characters and no doubt much of the young audience. This is a popcorn movie, no doubt, and not every gag is spot on, but it makes for a good matinée and a pretty good introduction to horror movies for a younger crowd. As a fan of animation I walked into a second-run screening of "The Iron Giant" and loved it. For me seeing a good movie outside of hype is a lot of fun. I know my expectations were low and the movie was free but I thought it was pretty cool.
I saw the 3D version of Monster House, which I recommend as THE format to see the film in.
The story is pretty simple and not entirely original. But the zest for which the characters jump into your lap (figuratively and literally) makes this a fun ride through a house of horrors.
The overall animation is pretty decent, but the facial expressions are absolutely fantastic. They are so lifelike. The lack of photo realism in other features is quickly ignored as you feel at times like you are watching a real life childhood drama unfold right in front of you.
Who hasn't had a spooky house in their neighborhood that was legend? This film taps into that legend and brings to life through gleeful fun the horror that unfolds.
This continues a great bunch of surprises I have experienced this summer at the local multiplex.
The story is pretty simple and not entirely original. But the zest for which the characters jump into your lap (figuratively and literally) makes this a fun ride through a house of horrors.
The overall animation is pretty decent, but the facial expressions are absolutely fantastic. They are so lifelike. The lack of photo realism in other features is quickly ignored as you feel at times like you are watching a real life childhood drama unfold right in front of you.
Who hasn't had a spooky house in their neighborhood that was legend? This film taps into that legend and brings to life through gleeful fun the horror that unfolds.
This continues a great bunch of surprises I have experienced this summer at the local multiplex.
Well, I think if I saw this movie when I was ten years old, I would have been totally scared and could not sleep for weeks. Now it seems time has changed: ten-year-old children are playing horror-video games so probably what was too scary for them in the eighties is just right and fun now. Actually this is just what you could expect from a movie about a monster house: funny, spectacular, sometimes frightening. Quite a well-developed story - even if it is full of clichés, or should I say homage? - with the usual "two boys, one girl" trio as seen in Star Wars or Harry Potter. The animation is strange at first: they seem like rubber dummies, but thanks to the motion capture, their movement and expressions are first rate. While they look like having plastic hair, there is a great development since Polar Express in one field: their eyes are constantly moving - full of life. And the whole movie is just a typical and fun Spielberg-Zemeckis production with elements of Hitchcock. Besides the extraordinarily dark scenes it just feels like those very entertaining Spielberg productions of the eighties.
Wusstest du schon
- WissenswertesAs of 2018, this is the only motion capture film to feature an entirely original story and not be based on existing source material.
- PatzerWhen the dog which is 'eaten' by the house first appears, it squats to pee in the manner of a female dog. At the end of the movie, when it appears again, it hikes its leg up and pees as a male dog. The dog is referenced in the credits as "Kevin".
Correction: Male dogs are also known to squat in the manner of a female when they pee (quite commonly, in fact), so this is quite a possible thing.
- Crazy CreditsThe little girl that was riding on her tricycle in the beginning of the movie can be heard humming again right at the end of the credits
- Alternative VersionenTwo versions were released in theaters a standard format and a "REEL 3D" digital format
- VerbindungenEdited into Monster House (2006)
- SoundtracksA Little More Love
Written by John Farrar
Performed by Olivia Newton-John
Courtesy of Geffen Records
Under license from Universal Music Enterprises
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Monster house - La casa de los sustos
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 75.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 73.661.010 $
- Eröffnungswochenende in den USA und in Kanada
- 22.217.226 $
- 23. Juli 2006
- Weltweiter Bruttoertrag
- 141.861.243 $
- Laufzeit
- 1 Std. 31 Min.(91 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
- 2.39 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen