Detective

not a bad movie. just not a good one. it is tolerable, the kind of movie you will end up watching if you are sick in bed and can't find the remote. it's a "movie of the week" paced like a mini-series event scheduled during sweeps. Tom Berenger is good (as he always is) and Cybill Shepherd is, well, Cybill Shepherd. Annabeth Gish is totally wasted. She seems to actually be absent through most of her performance except for the occasional shrill outburst towards the end. You can't really blame the actors because the real flaw is the story line and script: back-to-back pointless and clichéd conversations that do nothing to move the plot along.

It took many hours to get through this predictable detective story. With a strong heavy weight cast, it still seems endless with many scenes that were just too long. Is this the writing? Directing? Or acting? Tom Berenger in the lead role as the detective out to solve the crimes, seemed to be going around in a daze, not sure what was happening around him. When he is faced with truths, his face doesn't change expression. I usually like this actor, but not in this. Cybill Shepherd wasted in a thankless role as the wife he left behind. Not much for her to do. Too bad. More of her could have made the story at least exciting. Annabeth Gish, just was bad casting. Not much going on there. One expression throughout the movie. No one cared. Veteran Charles Durning also wasted in a nothing role. Don't see much of him. Sean O'Bryan and David Atkinson, to this viewer turned in the most interesting and challenging roles. Good acting and energy sadly lacking from the others. But, please a four hour movie? It has to have something to hold interest. I welcomed the commercials just to get a break.

As usual with many movies, the "Sound Engineers" on this film should never work again. There was "background music and sound effects" where none should be and it was much too loud covering up the actors.

This movie took a pretty massive book and condensed it somewhat into about three hours of screen time. Condensing I get, but there are other problems: (1) The original book had a fairly straightforward set of flashbacks that really built the suspense for me. This made-for-TV movie rendered the entire plot as a sequential time line, dashing key elements of the original story's suspense. TV viewers can't handle flashbacks? Come on, give me a break! (2) In the movie, Cynthia Ernst, fellow detective of the title role, had not an ounce of the charisma, go-for-the-jugular dynamism and downright sex appeal of the book's character. Worse, she may as well have been dressed in a sweatshirt and stretch pants for most of the movie. Bad choice of actress, too? Maybe. (3) The sexual tension between the movie's Ernst character and Detective-Sergeant Ainslie, a major source of the suspense in the book, was all but undetectable in the movie. Put it down to a lack of chemistry between Tom Berenger and Annabeth Gish, I guess. (Not as bad as Bird On A Wire, but I'm just saying...) (4) The potential for suspense that should attend the discovery of a major public figure's involvement in a major crime, plus the tension of obtaining the final proof, was 99% wasted. That was how the book made my pulse pound! (5) The motivation for the major public figure's crime was revealed in the book, but not in the movie. Another opportunity wasted. ... On balance, Detective-Sergeant Ainslie's wife Karen was played by Cybill Shepherd, and I love watching her do anything.... :)

Tom Berenger plays Malcolm Ainslie, a former priest turned detective, and he has one big case on his hands. A madman is killing elderly residents in gruesome fashion and his actions seem to be somewhat borrowed form The Book of Revelations. As a former priest, Ainslie might just prove to be the perfect one to solve the case.

Mixing in Ainslie's troubled personal life, Detective has a good story throughout it's running time. I can't help thinking this could have been even better had it not been a Hallmark presentation. There's no gore here (but plenty of opportunities) and the suspense seems to watered down somewhat, especially during the climax. It's totally got that TV feel to it, but director choirs are well handled by David Cass, a seasoned television director.

The cast is mostly good. Tom Berenger is good as Ainslie, handling all aspects of the character well. Cybill Sheperd is fine as his wife but Annabeth Gish is completely stone-faced all the way through. It's fun to see Charles Durning but his role is a small one.

Had this movie gotten the theatrical treatment it could have been one hell of a thriller. Sourced from a good book by Arthur Hailey, it really cries out for better production values and some bloody set pieces. Still, it's quite good all the same.