IMDb-BEWERTUNG
6,5/10
8208
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuFailing to make it on his own, twenty-seven-year-old Jim moves back in with his parents and deals with crippling family obligations.Failing to make it on his own, twenty-seven-year-old Jim moves back in with his parents and deals with crippling family obligations.Failing to make it on his own, twenty-seven-year-old Jim moves back in with his parents and deals with crippling family obligations.
- Auszeichnungen
- 1 Gewinn & 3 Nominierungen insgesamt
Nick Boyd
- Man (Driver)
- (Nicht genannt)
Michael Buscemi
- Man (Driver)
- (Nicht genannt)
Thomas Friesner
- Man on Bus
- (Nicht genannt)
Empfohlene Bewertungen
...a few bright moments to break up the grey times.
It's a fair representation of what so much of the midwest is about: a bit about futility, about a lifeless life, yet still containing a few bright moments. And having hope.
The digital film present a dull grey-red tone to the proceedings...not engaging to the eye but it seemed to fit the mood. The characters, while not sympathetic, were nicely developed. The events, even those seemingly "large" ones, do not develop the magnitude that might be expected. But that's how life usually works.
This is a much better view than the low marks indicate, but it's not great film-making either. It is a good Indie movie, and one that encourages a look at Buscemi's future projects.
It's a fair representation of what so much of the midwest is about: a bit about futility, about a lifeless life, yet still containing a few bright moments. And having hope.
The digital film present a dull grey-red tone to the proceedings...not engaging to the eye but it seemed to fit the mood. The characters, while not sympathetic, were nicely developed. The events, even those seemingly "large" ones, do not develop the magnitude that might be expected. But that's how life usually works.
This is a much better view than the low marks indicate, but it's not great film-making either. It is a good Indie movie, and one that encourages a look at Buscemi's future projects.
This is a great film which superbly walks the balance between bleak and hopeful, without ever becoming annoyingly angst ridden or overtly perky. Mary Kay Place, who has been such a solid supporting performer throughout her career, is Oscar worthy as the ever optimistic mom who shows layers upon layers with the simplest gesture -- a wonderful, comic performance. It would be a true tragedy, however likely it is, if the distributors do not put some muscle into a campaign in her favor. Buscemi's direction and the tightrope walk of a script is captivating throughout. Shot on mini-dv and certainly there have been better shot dv features. Film tends to get real noisy in the darks, and the titles during opening credits break to pixels. Too bad too, because it is unlikely this film will be taken as seriously as it deserves to be because the filmmakers/producers failed to take time/cost to make it right.
Casey Affleck does a good job becoming the unlovable loser that you're actually interested in watching in this film. And for what it's worth, I feel like this film did a great job avoiding indie cliché's. Jim is not really overly inept or annoyingly stupid; in the contrary he's just kind of a high minded loser fumbling about for the same things most people fumble about for. Love, self respect and meaning in life. He's someone that's thinking somehow they are above the standard human fare because he has a specialization in literature.
Growing up in the Midwest I can say this captures Midwestern life almost perfectly. The tone of the settings, the reactions of the characters and even the fact that it appears to be shot in that brownish tan time between winter and spring which always reminded me of the Midwest no matter where I went. The supporting actors all turn in very good performances and it's interesting to look at.
This was a good movie. Steve Buscemi has mastered the art of subtlety and after seeing this movie and reading a few user reviews, I gather it's lost to a large number of people. Much like Ghost World which he starred in, he gives you hints and details that allow you to find character motivations and to flesh out their inner workings. In other words, he allows you to use your imagination. The film is like Jim, sad and brooding but with the hint of a good heart trying to find a way out. This is very funny and melancholy piece that's well worth a watch for people who enjoy films like this.
Growing up in the Midwest I can say this captures Midwestern life almost perfectly. The tone of the settings, the reactions of the characters and even the fact that it appears to be shot in that brownish tan time between winter and spring which always reminded me of the Midwest no matter where I went. The supporting actors all turn in very good performances and it's interesting to look at.
This was a good movie. Steve Buscemi has mastered the art of subtlety and after seeing this movie and reading a few user reviews, I gather it's lost to a large number of people. Much like Ghost World which he starred in, he gives you hints and details that allow you to find character motivations and to flesh out their inner workings. In other words, he allows you to use your imagination. The film is like Jim, sad and brooding but with the hint of a good heart trying to find a way out. This is very funny and melancholy piece that's well worth a watch for people who enjoy films like this.
Annika (Liv Tyler) doesn't like the photo of a dour Ernest Hemingway that Jim (Casey Affleck) has on his bedroom wall. Jim says it's real life. She says it's depressing, and he replies, "Isn't that the same thing?" It's a funny line, but it's also much more. It describes the heart of this terrific new picture directed by Steve Buscemi. He's made a wonderful "small" film about the sadness and disappointment that is so much a part of life, and about how we each must choose to respond. Do we wallow in despair, or can we find hope, joy, and purpose? In "Lonesome Jim," we meet a range of genuine people who exhibit a range of choices -- sometimes conflicting responses within the same character. The casting is superb, and between Buscemi's measured pace and first-time screenwriter Jim Strouse's unpredictable (and semi-autobiographical) story turns, we get to know and care about these people...even though they each exhibit traits we definitely do not like. That's real life.
I saw this film at the Philadelphia Film Festival, the East Coast Premiere of the movie. It was extremely well received by the audience with laughter throughout the film.
Having roots in the Midwest myself, I felt this movie did not resort to stereotypes about life in the nation's heartland. Rather I believe the movie accurately shows that small town life is slower paced and that everyone knows you and your business all too well. Even the little sight gag of seeing the 3 bars with similar names felt familiar to me and I couldn't help but chuckle along with the audience.
Jim (Casey Affleck) has returned home dehydrated and depressed and is looking for sympathy and attention from his family. Instead, his brother is soon in an accident and is briefly the focus of the family. Jim meets Anika (Liv Tyler) during his visit and her gentle observations about her small town life offers the grace that his family can never provide.
This movie reminded me of the Kenneth Lonergan film You Can Count on Me in both pacing and the way the return of the brother stirs up issues in a family. It reminded me also of a much less slick and lower budgeted Garden State
If you are in an independent film place, I would recommend this movie. If you are looking for big stars and big production, look elsewhere.
I personally would be interested to see what Mr. Buscemi could do with some bigger stars and a bigger budget. Clearly the director was working with many limitations on this film.
Having roots in the Midwest myself, I felt this movie did not resort to stereotypes about life in the nation's heartland. Rather I believe the movie accurately shows that small town life is slower paced and that everyone knows you and your business all too well. Even the little sight gag of seeing the 3 bars with similar names felt familiar to me and I couldn't help but chuckle along with the audience.
Jim (Casey Affleck) has returned home dehydrated and depressed and is looking for sympathy and attention from his family. Instead, his brother is soon in an accident and is briefly the focus of the family. Jim meets Anika (Liv Tyler) during his visit and her gentle observations about her small town life offers the grace that his family can never provide.
This movie reminded me of the Kenneth Lonergan film You Can Count on Me in both pacing and the way the return of the brother stirs up issues in a family. It reminded me also of a much less slick and lower budgeted Garden State
If you are in an independent film place, I would recommend this movie. If you are looking for big stars and big production, look elsewhere.
I personally would be interested to see what Mr. Buscemi could do with some bigger stars and a bigger budget. Clearly the director was working with many limitations on this film.
Wusstest du schon
- WissenswertesThe movie was filmed in the writer's hometown and the factory is his parents' actual factory.
- PatzerAlle Einträge enthalten Spoiler
- Crazy CreditsJoe and Don are mentioned twice in the thanks section.
- VerbindungenReferenced in Film Junk Podcast: Episode 83: Idiocracy and Lonesome Jim (2006)
- SoundtracksChase Him
Written by Geoff Levin and Bruce Chianese
performed by Geoff Levin
Courtesy of Kid Gloves Music
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Lonesome Jim - Manche Leute sollten keine Eltern sein
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 500.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 154.187 $
- Eröffnungswochenende in den USA und in Kanada
- 13.798 $
- 26. März 2006
- Weltweiter Bruttoertrag
- 182.378 $
- Laufzeit
- 1 Std. 28 Min.(88 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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