Als das Meer verschwand

Once in a while, Cathay@Orchard screens their exclusive showcase selection of films which are not part of your mainstream Hollywood offering. In My Father's Den is one such film, and it is not often that I dive head on into a film without knowing at least a bit of the background or production details.

This film is an NZ-UK production, and it sure is set in NZ alright when I saw the "Pump" brand of bottled water in one of the scenes. Can't get anymore authentic than that! However, I'm in two minds as to how to rate this film. The narrative is painfully slow (butt-numbing 2hrs 10 mins), but necessary to allow you time to think through what is going on, and the revelation of the ending, shocking yet somewhat expected.

Paul Prior is a renowned war photo-journalist who's back in NZ to attend his father's funeral. Although he missed it, being back home gave him the opportunity to touch base with his estranged brother and his wife (Lord of the Rings fan will recognize Miranda Otto here), his nephew, and hook back up with his ex-flame who's now married to somebody else.

During this time, he hooks up with one of his students, 16 year old Celia, whose outlook in life, and passion for writing, brought back memories of himself, as well as memories of his ex-flame Jackie. However, an old photograph triggers suspicion that Celia might be the child Jackie bore him, before he literally walked out on his family, and Jackie. Meanwhile, you get a feeling that Celia is beginning to develop feelings for Paul, which all the more should sound alarm bells.

But things turn for the worse when Celia goes missing, and Paul becomes the prime suspect for her disappearance. It is during the portion of the film that time is juxtaposed, which might make it a little confusing or irate the viewer. There are many characters in this film, and your mind will race as to sieve out the red herrings, and decide who's involved, and who's not.

The "den" in the title refers to a shed that Paul's father has, which is stashed with good books, and good vinyl music discs. Quite a number of good songs are played throughout, which makes the soundtrack appealing. Many pivotal events take place in this shed, being a place of refuge for Paul, to being a key element of suspense and shock to the audience when the twist is revealed.

The multi-faceted relationships between the characters form the theme of this film, and the cast put up excellent performances in bringing their roles to life. The ending, when revealed and when you think through it in its proper chronological order, is fulfilling, yet laced with a heavy dose of sadness.

So if you're in for some classic story-telling, from a plot that really takes its time to unravel, then this is recommended for you. If you'd prefer to get on with action, then you should stick to the blockbuster summer offerings.

Alright, I admit family dramas with long hidden secrets are my favourites, but this has to be one of the best.

I was utterly compelled by the story, I can't remember the last time I was so emotionally engrossed. I was with Paul every step of the way. I have to see it again because I was so caught up I only noticed peripherally that the music,

cinematography and design were all delivering the perfect cinematic

experience.

As for the performances, the actors just disappeared, I was watching Paul and Celia and Jax living their lives. I felt more voyeuristic than Jonathon, as if I was witnessing private moments. What a wonderful film.

Saw it during my vacation in New-Zealand last December. Didn't know the story at all. Haven't read the book or anything. The lady from the B&B where we were staying suggested this one. I thought the movie was amazing. The movie starts slow and if you like high speed action movies this may not be your piece of cake. If you can stand a lower pace this is absolutely one to watch.

I have actually seen it a second time because it was selected for the Rotterdam Film Festival 2005 (little bit closer to home) and I am know hoping for a regular release in the Netherlands. In my opinion this movie does not get enough attention.

When his father dies, Paul Prior (Matthew Macfadyen), a disillusioned and battle weary war photographer, decides to return home to New Zealand. His brother is caught off-guard by Paul's sudden re appearance after seventeen years away. Reluctantly re-visiting the dilapidated family property, he discovers his fathers old den tucked away in the equipment shed. Paul sets about clearing up and stumbles upon sixteen year-old Celia (Emily Barclay) who has been using the derelict hide-away as a private haven to write her stories and to fuel her dream of living in Europe, far away from the small town she longs to escape.

This seemingly uninteresting story-line masks a superb plot that slowly unfolds as the movie progresses. The characters are fantastic and the performances of Barclay, MacFadyen and the supporting cast is excellent. The subtle twists are very well hidden and the final explanation of the whole scenario is mind-blowing. In my opinion, this is a must see movie!

Having had to do NZ fiction at school over a decade ago and hating it, I was not sure what to expect with this film. It has made me want to go and buy the book and get back into the wonder of my country's literary heritage... but that's another story.

This film is beautiful. It's tense, funny (some of the cameos for kiwi's to look out for additional fun!)... it takes you into the heart and soul of the characters. The two main characters are portrayed so wonderfully, you feel you're an extension of them.

Not knowing the story probably helped as I was not expecting everything that comes to pass (don't want to spoil anything). The movie, though desperate at some times, makes you feel somewhat uplifted. Hope. By the way, does anyone know who did the painting? I loved it.