Ein mysteriöser Mordfall bringen einen Privatdetektiv, eine Schauspielerin und einen als Schauspieler getarnten Dieb zusammen.Ein mysteriöser Mordfall bringen einen Privatdetektiv, eine Schauspielerin und einen als Schauspieler getarnten Dieb zusammen.Ein mysteriöser Mordfall bringen einen Privatdetektiv, eine Schauspielerin und einen als Schauspieler getarnten Dieb zusammen.
- Auszeichnungen
- 5 Gewinne & 16 Nominierungen insgesamt
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Directed and co-written by Shane Black; based on a novel, "Bodies Are Where You Find Them" written by Brett Halliday; and starring Robert Downey Jnr, Val Kilmer and Michelle Monaghan.
A terrific opening credit sequence easily sets up the audacity and chagrin of the film for an appreciative audience. In essence, these are the reasons why you need to see this movie: the razor sharp wit, shockingly fast-paced and hysterical dialogue, pulp-fiction-esquire vibe, its pure cheesiness and the cynicism of a beat up old paperback detective novel.
Got you yet? Alright, maybe an explanation of the seemingly simple plot is warranted. It begins with a ridiculously funny set up resulting in Downey's character being paired up with Kilmer to observe the latter in his job as a private detective. They hook up with a down-on-her luck actress who brings a case for the sleuths. This synopsis constitutes gross misrepresentation on my part as things get remarkably complex. How so? Well, even the lead the character (who also is purposefully pathetic as narrator) takes time out within the movie to remember where he is in telling the story. There are even snippets of dialogue where the characters attempt to fill in the gaps or actually remind themselves of what has happened thus far in the movie.
Downey, Kilmer and Monaghan are all caricatures drawn from popular references of literature, movies and art. All however, are larger than life, exhibit great chemistry and for a movie buff, it is heaven to witness the self referential exercises and hear the narrator shred every narrating convention applicable. Downey's performance is remarkable (neurotic, comic, vulnerable and charming). I have never seen Kilmer in such a well-defined, uproarious piece of work. Monaghan is also integral to the trio and shines exuding a brash, fighting and sexy appeal. She brought back fond memories of early Kathleen Turner and Rene Russo. The fact that her look screams Renee Zellweger, is not a bad thing either.
Black became famous in the 1980s for writing the hit buddy movies: Lethal Weapon, The Last Boy Scout and The Long Kiss Goodnight. As a first time director, he does well keeping the frenetic pace and allowing the audience to catch up only to get lost time and time again. The style is so disarmingly effective, that at times I shook my head in confusion or found my hands against my mouth, agape in shock. I also think that in creating such a brilliant script that Black may have blacklisted himself in Hollywood for mirroring its supposed fame and glamor and exposing its not too pretty side. His one-liners and connected sub-plots are not typical and Kilmer and Downey make magic with their banter and clinical delivery.
All the ingredients of a pulp-noir novella can be found, even employing a structure of chapter-type headings within the movie. Parallel story lines unfold and given plot assumptions are turned over, always with achingly funny results. Even the clichés are clever e.g. a tough guy predictably crashes through a glass table, or body after body turns up, to haunt the characters.
I strongly recommend the movie, given the talent of Downey and Kilmer. Downey should be honored with a Lead Actor Oscar nomination; while Kilmer deserves a Supporting Actor nod. It thrilled me to see them both in their element, as I was on the verge of disavowing them as marquee/box-office draws. The screenplay should also attract Oscar consideration.
One of the year's best films and one of those rare movies where you'll consistently find something new to laugh at, when viewed each of a dozen times.
A terrific opening credit sequence easily sets up the audacity and chagrin of the film for an appreciative audience. In essence, these are the reasons why you need to see this movie: the razor sharp wit, shockingly fast-paced and hysterical dialogue, pulp-fiction-esquire vibe, its pure cheesiness and the cynicism of a beat up old paperback detective novel.
Got you yet? Alright, maybe an explanation of the seemingly simple plot is warranted. It begins with a ridiculously funny set up resulting in Downey's character being paired up with Kilmer to observe the latter in his job as a private detective. They hook up with a down-on-her luck actress who brings a case for the sleuths. This synopsis constitutes gross misrepresentation on my part as things get remarkably complex. How so? Well, even the lead the character (who also is purposefully pathetic as narrator) takes time out within the movie to remember where he is in telling the story. There are even snippets of dialogue where the characters attempt to fill in the gaps or actually remind themselves of what has happened thus far in the movie.
Downey, Kilmer and Monaghan are all caricatures drawn from popular references of literature, movies and art. All however, are larger than life, exhibit great chemistry and for a movie buff, it is heaven to witness the self referential exercises and hear the narrator shred every narrating convention applicable. Downey's performance is remarkable (neurotic, comic, vulnerable and charming). I have never seen Kilmer in such a well-defined, uproarious piece of work. Monaghan is also integral to the trio and shines exuding a brash, fighting and sexy appeal. She brought back fond memories of early Kathleen Turner and Rene Russo. The fact that her look screams Renee Zellweger, is not a bad thing either.
Black became famous in the 1980s for writing the hit buddy movies: Lethal Weapon, The Last Boy Scout and The Long Kiss Goodnight. As a first time director, he does well keeping the frenetic pace and allowing the audience to catch up only to get lost time and time again. The style is so disarmingly effective, that at times I shook my head in confusion or found my hands against my mouth, agape in shock. I also think that in creating such a brilliant script that Black may have blacklisted himself in Hollywood for mirroring its supposed fame and glamor and exposing its not too pretty side. His one-liners and connected sub-plots are not typical and Kilmer and Downey make magic with their banter and clinical delivery.
All the ingredients of a pulp-noir novella can be found, even employing a structure of chapter-type headings within the movie. Parallel story lines unfold and given plot assumptions are turned over, always with achingly funny results. Even the clichés are clever e.g. a tough guy predictably crashes through a glass table, or body after body turns up, to haunt the characters.
I strongly recommend the movie, given the talent of Downey and Kilmer. Downey should be honored with a Lead Actor Oscar nomination; while Kilmer deserves a Supporting Actor nod. It thrilled me to see them both in their element, as I was on the verge of disavowing them as marquee/box-office draws. The screenplay should also attract Oscar consideration.
One of the year's best films and one of those rare movies where you'll consistently find something new to laugh at, when viewed each of a dozen times.
Shane Black is a fine writer and his screenplays for Lethal Weapon, The Last Boy Scout, and The Long Kiss Goodnight bristled with witty dialogue, great characters and deftly handled action scenes. Kiss Kiss Bang Bang, his directorial debut, also shares these attributes, but suffers from a convoluted plot and a script so overloaded with witticisms and clever asides that the viewer soon feels overwhelmed by the sheer intensity of the experience.
Robert Downey Jr. plays a low-life criminal who inadvertently becomes a potential movie star whilst escaping from a heist gone wrong (on the run, he stumbles into an audition and gets the part). However, things take a turn for the worse when he goes undercover as a private-eye (in order to gain first hand experience necessary for the role) and witnesses a murder...
Kiss Kiss Bang Bang is an ambitious debut several complex plot threads intertwine and an ingenious narrative links scenes - but despite his best efforts, Black loses control of affairs and the film spirals out of control. Despite my best efforts at keeping up, I just couldn't follow the storyline. It doesn't help matters that half of the lines are spoken in a chaotic scattershot manner and the other half are mumbled, making staying abreast of the story nigh on impossible at times. There are probably many moments of pure genius in Shane Black's script - it's a shame that I missed a lot of them.
The parts of the film that I did manage to follow and understand are actually very good. Kilmer and Downey Jr. work well together and share some incredibly funny scenes, there are some genuine 'classic' moments (Downey pissing on the corpse in the shower is hilarious) and the manner in which the story unfolds is, at times, inspired. If Black hadn't been trying so damn hard to be so clever with his words and had concentrated more on telling the story, this may have been a real gem.
Although the film closes with all loose ends neatly tied up, I suffered the majority of the running time baffled by proceedings and struggled to keep up with the sharp prose that flows thick and fast from the word go.
Maybe this is one of those films that would benefit from an immediate second viewing in order to catch all the bits I missed first time round.
Robert Downey Jr. plays a low-life criminal who inadvertently becomes a potential movie star whilst escaping from a heist gone wrong (on the run, he stumbles into an audition and gets the part). However, things take a turn for the worse when he goes undercover as a private-eye (in order to gain first hand experience necessary for the role) and witnesses a murder...
Kiss Kiss Bang Bang is an ambitious debut several complex plot threads intertwine and an ingenious narrative links scenes - but despite his best efforts, Black loses control of affairs and the film spirals out of control. Despite my best efforts at keeping up, I just couldn't follow the storyline. It doesn't help matters that half of the lines are spoken in a chaotic scattershot manner and the other half are mumbled, making staying abreast of the story nigh on impossible at times. There are probably many moments of pure genius in Shane Black's script - it's a shame that I missed a lot of them.
The parts of the film that I did manage to follow and understand are actually very good. Kilmer and Downey Jr. work well together and share some incredibly funny scenes, there are some genuine 'classic' moments (Downey pissing on the corpse in the shower is hilarious) and the manner in which the story unfolds is, at times, inspired. If Black hadn't been trying so damn hard to be so clever with his words and had concentrated more on telling the story, this may have been a real gem.
Although the film closes with all loose ends neatly tied up, I suffered the majority of the running time baffled by proceedings and struggled to keep up with the sharp prose that flows thick and fast from the word go.
Maybe this is one of those films that would benefit from an immediate second viewing in order to catch all the bits I missed first time round.
KKBB was shown at the Fantasy Filmfest in Germany. This festival for horror, sci-fi and thrillers is touring Germany in several big cities. KKBB was the opening movie in Cologne and it got a feverish applause after wards.
I can only say that this movie is one of the biggest surprises in the Action/Thriller/Comedy-Genre in the last years. If you liked Black's scripts for Last Boy Scout, Long Kiss Goodnight, Lethal Weapon etc. for their tongue in cheek humor, wicked dialogues and sick ideas, you're gonna love this movie.
The cast delivers and gets the movie going. I don't want to spoil it for you, but Black still has some very cool one-liners and dialogue. Downey Jr is really amazing in this role as your typical looser-criminal kind of guy.
The film struggles a bit at the end, but it was so much fun to watch nonetheless. The Teaser Trailer came out today, so you might want to watch that. Luckily doesn't already show you the best parts.
I really hope that this movie attracts a big audience, because Black has definitely written and directed a highly entertaining movie, showing you Hollywood behind the scenes. Watch this movie!
I can only say that this movie is one of the biggest surprises in the Action/Thriller/Comedy-Genre in the last years. If you liked Black's scripts for Last Boy Scout, Long Kiss Goodnight, Lethal Weapon etc. for their tongue in cheek humor, wicked dialogues and sick ideas, you're gonna love this movie.
The cast delivers and gets the movie going. I don't want to spoil it for you, but Black still has some very cool one-liners and dialogue. Downey Jr is really amazing in this role as your typical looser-criminal kind of guy.
The film struggles a bit at the end, but it was so much fun to watch nonetheless. The Teaser Trailer came out today, so you might want to watch that. Luckily doesn't already show you the best parts.
I really hope that this movie attracts a big audience, because Black has definitely written and directed a highly entertaining movie, showing you Hollywood behind the scenes. Watch this movie!
Shane Black is a good writer. Judging by Kiss Kiss Bang bang he is also a fantastic director. This dark comedy is an incredibly underrated comedy and showcases the powerhouse talent of Val Kilmer, Robert Downey Jr. and Shane Black. Laden with one liners and throwaway jokes Kiss Kiss Bang bang should be re watched to get everything in, for only one viewing is not enough. Perhaps this is the reason the film underperformed at the box office. If you are a fan of Robert Downey Jr. you owe it to yourself to watch this film.
Shane Black's films seem to have a very unique sense of humour about them. They don't always work for me but they often contain either very clever humour that makes you smile inwardly, or there will always be a couple of moments of genuine laugh out loud humour along the way. 'Kiss Kiss Bang Bang' is probably the funniest thing I've seen from him.
The film is very self-aware. It is not afraid to break the fourth wall with its narration. I'm not always the biggest fan of narration but it works reasonably well here. In particular because the story is pretty darn complex, so it is good to have a guiding voice that can clear the odd thing up.
The film is boosted by a great cast. Robert Down Jr. And Val Kilmer were perfectly suited for their roles. Kilmer in his prime was such a treat to watch. I had a good time with this one. 7/10.
The film is very self-aware. It is not afraid to break the fourth wall with its narration. I'm not always the biggest fan of narration but it works reasonably well here. In particular because the story is pretty darn complex, so it is good to have a guiding voice that can clear the odd thing up.
The film is boosted by a great cast. Robert Down Jr. And Val Kilmer were perfectly suited for their roles. Kilmer in his prime was such a treat to watch. I had a good time with this one. 7/10.
Wusstest du schon
- WissenswertesAs a show of support for Robert Downey Jr.'s recovery from alcohol and drugs, Val Kilmer refused to drink during the entire production.
- PatzerThe microsurgery needed to reattach Harry's finger is too complicated and extensive for an emergency room visit; it likely would require a hospital stay of days, if not weeks.
- Zitate
Perry: My $2000 ceramic Vektor my mother got me as a special gift. You threw in the lake next to the car. What happens when they drag the lake? You think they'll find my pistol. Jesus. Look up "idiot" in the dictionary. You know what you'll find?
Harry: A picture of me?
Perry: No! The definition of the word idiot, which you fucking are!
- Crazy CreditsAt the end of the movie, Val Kilmer says not to leave, to stay and watch the credits, and if you're wondering who the Best Boy is, he's someone's nephew. (The actual Best Boy credit is Jack Bauer.)
- VerbindungenFeatured in Great Movie Mistakes 2: The Sequel (2011)
- SoundtracksSleigh Ride
Written by Leroy Anderson and Mitchell Parish (uncredited)
Performed by Al Caiola & Riz Ortolani
Courtesy of EMI Records
Under License from EMI Film & Television Music
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Entre besos y tiros
- Drehorte
- Monumental sculpture "Double Ascension" 1973 Herbert Bayer 505 South Flower St, Los Angeles, California USA(shown through window of Standard Hotel)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 15.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 4.243.756 $
- Eröffnungswochenende in den USA und in Kanada
- 180.660 $
- 23. Okt. 2005
- Weltweiter Bruttoertrag
- 15.785.458 $
- Laufzeit
- 1 Std. 43 Min.(103 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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