IMDb-BEWERTUNG
7,0/10
10.252
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuMembers of a dysfunctional family react differently to the suicide of the eldest son.Members of a dysfunctional family react differently to the suicide of the eldest son.Members of a dysfunctional family react differently to the suicide of the eldest son.
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Wow. When I went to this film at the Toronto film festival I had no idea what I was in for. This movie takes you on an emotional roller-coaster in the best sense of the term. Sigourney Weaver was better than I've seen from her in years; Emile Hirsch was great and Jeff Daniels broke my heart. I can see how this won't be every person's cup of tea, as at times it deals with some pretty harsh things that can happen to a family. Don't get me wrong -- it's really funny too -- at my screening the audience burst out in applause after laughing over and over again. I just think if you're open to examining your own life, Imaginary Heroes will sincerely touch you. I can't wait until it comes out in theaters.
This film does not have the outstanding visuals that American Beauty or The Ice Storm offered and because it was made after those films, it cannot be marked as very original either: the music, though subtly brilliant, sounds very much like that of American Beauty.
The story has some similarities with The Ice Storm in particular (besides Sigourney Weaver). Without intent perhaps, the film seems to try to recreate the success of the two aforementioned movies too much. At times, the story tends to stay a bit more shallow than it's bigger, more successful "brothers" by having too much going on, or by not delivering the most effective dialogs. Here, the writing cannot measure with that of American Beauty. But that can be said about most movies ever made, even the best and there is still a lot to like: said music score and (expectable, given the cast) effective performances. Of note is Emile Hirsch who would shine a couple of years later in the outstanding "Into The Wild".
Overall I can recommend this film if you like suburban dramas though it's not the first one on a list of must-sees, which would be topped by: 1 American beauty 2 The Ice Storm 3 Little Children.
After you've seen and liked those, check out this one.
The story has some similarities with The Ice Storm in particular (besides Sigourney Weaver). Without intent perhaps, the film seems to try to recreate the success of the two aforementioned movies too much. At times, the story tends to stay a bit more shallow than it's bigger, more successful "brothers" by having too much going on, or by not delivering the most effective dialogs. Here, the writing cannot measure with that of American Beauty. But that can be said about most movies ever made, even the best and there is still a lot to like: said music score and (expectable, given the cast) effective performances. Of note is Emile Hirsch who would shine a couple of years later in the outstanding "Into The Wild".
Overall I can recommend this film if you like suburban dramas though it's not the first one on a list of must-sees, which would be topped by: 1 American beauty 2 The Ice Storm 3 Little Children.
After you've seen and liked those, check out this one.
"Imaginary Heroes" is a 2004 film starring Sigourney Weaver, Jeff Daniels, Emile Hirsch, Michelle Williams, and Kip Pardue.
The story concerns a dysfunctional family that becomes even more dysfunctional when the oldest child (Pardue) commits suicide.
"Ordinary People" has been mentioned often in relation to this film; it's sort of "Ordinary People" with a role reversal. The mother in this case, Sandy Travis (Weaver) is more accessible than the father, Ben (Daniels) who is clearly devastated and unable to cope. Like "Ordinary People," the younger son Tim (Hirsch) is the focus of the film.
For me, the film was absorbing enough to keep watching but has a curious detachment about it. There were some wonderful interactions - mother and son, mother and neighbor, brother and sister (Williams) and some good offbeat moments. What never clicked was Ben being any part of that family or having any chemistry with Sandy. This seems to have been the goal of director/writer Dan Harris. In one scene in a grocery store, the checkout kid assumes Sandy is "about 30" and gives her his phone number. In almost the next scene, Daniels asks Sandy if she wants plastic surgery for her birthday. Weaver was 55 when this film was made, actually probably 54, and looks phenomenal. So what is Ben looking at? However, there's something askew about Ben's complete detachment because the viewer doesn't really see how Daniels ever WAS attached to that family.
The end has a couple of twists and also some very touching scenes. Everyone is very good, with Weaver and Hirsch being the standouts.
There's not a tremendous amount of dialogue in this movie and lots of stares. The script could have been sharper. But "Imaginary Heroes" is a good effort.
The story concerns a dysfunctional family that becomes even more dysfunctional when the oldest child (Pardue) commits suicide.
"Ordinary People" has been mentioned often in relation to this film; it's sort of "Ordinary People" with a role reversal. The mother in this case, Sandy Travis (Weaver) is more accessible than the father, Ben (Daniels) who is clearly devastated and unable to cope. Like "Ordinary People," the younger son Tim (Hirsch) is the focus of the film.
For me, the film was absorbing enough to keep watching but has a curious detachment about it. There were some wonderful interactions - mother and son, mother and neighbor, brother and sister (Williams) and some good offbeat moments. What never clicked was Ben being any part of that family or having any chemistry with Sandy. This seems to have been the goal of director/writer Dan Harris. In one scene in a grocery store, the checkout kid assumes Sandy is "about 30" and gives her his phone number. In almost the next scene, Daniels asks Sandy if she wants plastic surgery for her birthday. Weaver was 55 when this film was made, actually probably 54, and looks phenomenal. So what is Ben looking at? However, there's something askew about Ben's complete detachment because the viewer doesn't really see how Daniels ever WAS attached to that family.
The end has a couple of twists and also some very touching scenes. Everyone is very good, with Weaver and Hirsch being the standouts.
There's not a tremendous amount of dialogue in this movie and lots of stares. The script could have been sharper. But "Imaginary Heroes" is a good effort.
The Kinks warned about media heroes. Outside the movies, most heroes are also "Ordinary People." Society demands some role playing, but what happens when that extends to the parent-child relationship? Do some parents try to improve themselves through their children rather than vice versa? How do you provide a role-model but not a role? A brilliant swimmer who hates to swim; a brilliant musician who won't play. Offbeat, funny (despite depiction of "serious" problems), very good multi-dimensional acting by everyone. Lots of plot twists complement the emotional tension. Celluloid heroes never feel any pain. I don't recall ever being disappointed in a Sigourney Weaver film (I even liked "The Village"!).
Another slice of darkness and denial hiding beneath the surface of American suburbia, Imaginary Heroes chronicles the lives of the Travis family, all recovering following the suicide of their eldest son.
The pair at the center of the film is mother and son Sandy (Sigourney Weaver) and Tim (Emile Hirsch), both acting out in different ways as a result of the death. While Tim experiments with prescription medication and his own sexuality, Sandy regresses to her former self, smoking marijuana and coming to terms with an old act of infidelity.
The relationship between Sandy and Tim is explored well, especially when references are made to both of them being outcast from their own family: Sandy due to her affair and Tim, initially, due to always being in the shadow of his more successful older brother. Considerably less time is allowed for Sandy's husband Ben (Jeff Daniels) who, in a devastating depiction of denial, orders Sandy to make an additional plate of food for his dead son and place it in his old spot at the dinner table. Michelle Williams' older sister Penny is underwritten and could easily be taken out of the film.
Despite its long runtime, Imaginary Heroes doesn't explore its many subplots as much as the individual stories deserve, while some of the movie's black comedy doesn't translate as well as writer/director Dan Harris may have liked. And the depiction of a disturbed family dynamic isn't depicted as strongly as the many other films out there with similar ideas. But despite some issues, the central performances from Weaver and Hirsch are stunning, and easily carry the film to its successfully subdued conclusion.
Rating: B-
The pair at the center of the film is mother and son Sandy (Sigourney Weaver) and Tim (Emile Hirsch), both acting out in different ways as a result of the death. While Tim experiments with prescription medication and his own sexuality, Sandy regresses to her former self, smoking marijuana and coming to terms with an old act of infidelity.
The relationship between Sandy and Tim is explored well, especially when references are made to both of them being outcast from their own family: Sandy due to her affair and Tim, initially, due to always being in the shadow of his more successful older brother. Considerably less time is allowed for Sandy's husband Ben (Jeff Daniels) who, in a devastating depiction of denial, orders Sandy to make an additional plate of food for his dead son and place it in his old spot at the dinner table. Michelle Williams' older sister Penny is underwritten and could easily be taken out of the film.
Despite its long runtime, Imaginary Heroes doesn't explore its many subplots as much as the individual stories deserve, while some of the movie's black comedy doesn't translate as well as writer/director Dan Harris may have liked. And the depiction of a disturbed family dynamic isn't depicted as strongly as the many other films out there with similar ideas. But despite some issues, the central performances from Weaver and Hirsch are stunning, and easily carry the film to its successfully subdued conclusion.
Rating: B-
Wusstest du schon
- WissenswertesAt an assembly, a student reads "original poetry" by another who had recently killed herself. The poetry is actual an excerpt from the lyrics to "Alive" by Pearl Jam.
- PatzerWhen Tim is asleep on the kitchen table, the contents of the pickle jar he was eating from jumps from empty to half full between shots.
- Zitate
Shelly Chan: [commencement address] These were the best years of our lives. At least that's what they told us. Personally, I hated high school. I hated all of you and I hope you all rot in hell. Thank you.
- VerbindungenSpoofs Die unheimliche Begegnung der 3. Art (1977)
- SoundtracksViolin Concerto No. 1 in E major Op. 8 RV 269 'Spring' I. Allegro
from 'The Four Seasons'
Written by Antonio Vivaldi (as Vivaldi)
Performed by Royal Philharmonic Orchestra (as The Royal Philharmonic Orchestra)
Courtesy of Extreme Music
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Details
Box Office
- Budget
- 4.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 228.767 $
- Eröffnungswochenende in den USA und in Kanada
- 4.696 $
- 19. Dez. 2004
- Weltweiter Bruttoertrag
- 291.118 $
- Laufzeit
- 1 Std. 51 Min.(111 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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