A temetetlen halott

a film for memory. and for understand a period in its basic aspects. useful. impressive. necessary. and this fact, the portrait of Imre Nagy, the delicate way to create the realistic portrait of a time are essential virtues. sure, it is not perfect. but it represents a beginning. to remember. to not ignore the legacy of a fight for virtues important more for present than for define the past.a homage. and the desire to use the right tone for show the pieces defining a dark world. for many reasons, it is a good idea to see it.

I think this movie is pretty useless. It does not give you any perspective on the revolution of 1956. The viewer does not get any idea on the background of the revolution. The film pretty much concentrates solely on the life of Imre Nagy, the prime minister of Hungary during the revolution. You cannot learn too much about him having watched the movie either, since it only shows brief, emotional clips about his life before 56. We do not learn how this man coped with the terrors of Stalin while he was living in Russia, and that he was an agent of Cheka the predecessor of KGB. The film also does not say anything about how many times Nagy withdrew his political opinion and corrected his former point of view under pressure from his comrades and the Party. All in all, until 56 Nagy was pretty much like any of his comrades from the communist party's elite, but strangely, in 56, even after the revolution had been crushed, he was not prepared to make another compromise, or even plead guilty which may have saved his life. This contrast in his personality that makes him interesting, but the film does not show any of these conflicts within Nagy's personality. Overall this movie does not provide too much information about the 1956 revolution, neither does it show Nagy's true personality, and how his view on communism evolved over his life, and worst of all it is quite boring as well.

it is not a film about a man or a event. it is only picture of a state of mind. nothing else. the silhouette of Nagy Imre, the images, music, acting, tension, accounts of details are pieces of this purpose - authentic picture of a society feelings. so, it is impressive work of a great director about a profound Hungary. a Hungary who can be any other country of Europe under Communism. therefore, the message is so realistic. because the testimony is part of a lot of existences. because courage, sufferance, ideals, need of real values are bones of each society. for me, it is reflection about absurd cruelty of a time.homage to forgotten sacrifices. and subtle warning. or, only a letter from a hero out of every definitions.

This is a film like the Braveheart for the Scottish people. I like Márta Mészáros' films because she SAW those dark and dangerous times. If you've ever seen the films "NAPLÓ"(Diary) you know What do I try to say. Imre Nagy was a tragic person who was killed by the will of the Russian communist leaders and by the weak hungarian (also) communist crawlers. I think they had BIG dread from Imre Nagy because he had authority in Hungary, he had HEART for the nation and he was THE alternative for Hungary. The film show Imre Nagy last 2 and-a-half years from the eve of the Revolution to his dead. If you are not hungarian you must see the film to know that we are a little country with BIG righteous-feelings. We has heroes HEROES and one of these is Imre Nagy (I understand it because this film). If you are hungarian you MUST see because you are hungarian. Beautiful and painful film about the Revolution of '56 and about the leader of those victorious and glorious days. NÉZZÉTEK MEG! (SEE IT!)

No question this film is visually beautiful, historically authentic and the theme itself is dealt with humanly and with much humility. Jan Nowicki was a truly authentic Nagy Imre and I guess he will be praised much for this role not only in Hungary. However, I find it quite sad that some of the dialogues were extremely constrained and artificial. Mácsai's part is totally unrealistic for instance, not to mention the parts of the grandchildren (brrr...). The whole project is so important to so many in Hungary that Mészáros Márta (an otherwise excellent director) should have had a little more attention in accuracy and authenticity in the dialogues as well. (My feeling is that Jancsó shouldn't have been allowed close to the script.)