Ultraviolet

The opening few minutes of Kurt Wimmer's Ultraviolet is a rip roaring, pulse pounding set up of action sequences and chases. Then the film calms down for a little breather until the next amazing fight sequence.

Following a holocaust some humans have become Hemophages, a sub-species with enhanced physical abilities. Violet, must protect a nine-year-old boy who has been marked for death by the human government.

In the wake of 2005's disappointing Aeon Flux, underrated Kurt Wimmer director of Equilibrium (2002) writer of The Recruit (2003) and Salt (2010) set about creating an up-to-the-minute Sci-fi.However, after shooting wrapped Kurt left after being pressured to deliver less emotional PG-13 rated film. In turn, Ultraviolet was completely re-edited by the studio and apparently this marred the finished product significantly.

Acting wise, William Fichtner puts in an unusual performance, Sebastien Andrieu and Nick Chinlund both seem unsure what's going on. With an abundance of forgettable bad guys, Milla Jovovich excellently plays Violet who has enhanced speed, incredible stamina and acute intelligence. Her character at first seems very one dimensional as she plays her usual Resident Evil kick-ass self. But even in the short running time her character develops, you're given glimpses into here past, as she bonds with 'Six' played well by Cameron Bright.

There's great effects, stunts and a thumping score. A lot of reviews have criticised the CGI usage, however, it's stylised, hyper-real and sleek. It's not meant to be faithful representation of a real world. Holograms, swords, a new invented language, gun-fighting and martial arts. It's science fiction entertainment, set in the 21st century, nothing more, nothing less.

It's fast, it's fun - Ultraviolet is an pleasing sci-fi action but possibly could have been so much more if Wimmer was allowed to deliver his cut.

It is a little difficult to imagine why this film was released in its current form. It has some potential, the action sequences look a little mundane as we have seen it all before but they are quick and effective. The story is quirky enough to be interesting and some of the backdrops look good.

The problem is, Ultraviolet neither makes sense nor holds together as a film. Huge chunks of action and story seem to have been lost on the cutting room floor. The film is left overloaded with the expensive bits that had already been paid for. Lots of sweeping city-scapes and shots of Mila walking down corridors don't make a film.

It reminds me of other Japanese live action Manga smash-ups (See Kasshern etc). The problem is that Japanese films have every right not to make sense and be completely over the top, as it is what they do best. Unfortunately, due to a westernised need for slight reality, Hollywood have attempted same thing and ended up with a cheap looking film with a poor script stuck together with a bunch of crap one liners.

In a future totalitarian society, there is a war between humans and the group of beings infected in a government experiment called "hemophages", with enhanced strength and abilities. When the warrior Ultraviolet (Milla Jovovich) is assigned to steal a secret weapon capable of destroying the "hemophages", she discloses that it is actually a boy called Six (Cameron Bright) that has been genetically modified. The maternal instinct of Ultraviolet arises and she fights against the tyrant Daxus (Nick Chinlund) and her mates leaded by Nerva (Sebastien Andrieu) trying to find an antidote and the cure of Six.

"Ultraviolet" is a deceptive movie for many reasons. The first one certainly is the awful screenplay, with a bad story, silly dialogs and no development of the characters. The excessive use of CGI gives the sensation that the viewer is watching a video game, alternating beautiful colorful sequences with very poor special effects, like for example, the motorcycle sequence, when Ultraviolet is chased. I like movies based on cartoons, but Ultraviolet was a great deception. My vote is five.

Title (Brazil): "Ultravioleta" ("Ultraviolet")

Look, let's be serious. The movie is flashy and fantastic, buried in cgi and special effects, and the plot is rather obscure and strange. What makes the movie good is that it does go over the top. This movie dazzles.

If Mila catches your eye, this movie may be the finest piece that she did around this time. So beautiful.

Personally, I love Milla. Even in this, she's still Milla. She's hot, she's fit and she handles the 'tough' role well. I hold the director responsible for bringing it all together. Personally, I didn't 'dislike' this movie. It reminds me of Doom. With the right budget, the right director and time, it could have been the best film of the year. Otherwise, it will leave you feeling like something's been left out. What I liked was the fact I went for a cheesy, mass-action, campy, comic-book/video game movie. I expected fighting, explosions, gratuitous scenes with some nudity and a minimal plot. No, this isn't plot intensive like Silent Hill. (Again, an underlying feature that could have been better handled). So, if you're like me, and you enjoy seeing Milla do her thang, faceless soldiers being under mass slaughter and needless, gratuitous violence, then this is the film for you. Of course, I look for this type of movie only once per year. Just as a break from everything else. The quota has been filled!