Eine Dramatisierung des schockierenden Mordfalls Barbara Daly Baekeland, der sich am Freitag, dem 17. November 1972, in einer schicken Londoner Wohnung ereignete.Eine Dramatisierung des schockierenden Mordfalls Barbara Daly Baekeland, der sich am Freitag, dem 17. November 1972, in einer schicken Londoner Wohnung ereignete.Eine Dramatisierung des schockierenden Mordfalls Barbara Daly Baekeland, der sich am Freitag, dem 17. November 1972, in einer schicken Londoner Wohnung ereignete.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Gewinn & 3 Nominierungen insgesamt
Lorea Uresberueta
- Ticket Agent
- (as Lorea Uresberuéta)
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A movie so disturbing that it can only be based on a true story. And, if you go into the movie not realizing it is a true story (like I did) you will get the shock of your life when you reach the final credits!
This movie rockets through an incredible number of heavy issues at a breath taking pace, while treating the audience with respect by not making all issues blatantly obvious and forcing the audience to put some of the puzzle together.
It explores a dangerously codependent relationship between mother and son. Their relationship is truly cringe worthy and disturbingly fascinating. No yawn moments here.
This movie rockets through an incredible number of heavy issues at a breath taking pace, while treating the audience with respect by not making all issues blatantly obvious and forcing the audience to put some of the puzzle together.
It explores a dangerously codependent relationship between mother and son. Their relationship is truly cringe worthy and disturbingly fascinating. No yawn moments here.
I'm a fan of "Swoon" I loved the semi documentary approach at another, true, high society horror story. In "Swoon" the distance the director took from his subject helped us to understand and to involve ourselves in the twisted mind of the protagonists. In "Savage Grace" it works the opposite way. I needed to be closer I needed to be taken step by step in any way you want it but step by step. The shrill performance by Julianne Moore didn't give me and 8th of what Judy Davis gave me in "A Little Thing called Murder" Here you're on your own. No sense of period or class no dramatic structure and feeble performances. What a pity. I had waited for this film with feverish anticipation.
The idle rich are boring, which is why the movie is paced so slowly. The subject matter, based on truth is shocking because it is real and sick. You can see where this is going early on, but somehow, it's like a car accident. You don't want to watch but you do? Those of us who don't have money would like to think money cures problems, but as this material shows, if you're sick, you're sick. I thought the actors did a good job portraying their characters. When these things happen to ordinary people, they're statistics. When they happen to rich people, they become the material for books and movies.
Very dark subject matter, played out very frankly, which makes this all the more disturbing.
Very dark subject matter, played out very frankly, which makes this all the more disturbing.
Story of Barbara Daly Baekeland, who married the heir to the Bakelite fortune. We watch as the relationship with her husband slides, the relationship with her son (who narrates) goes weird and everything collides in tragedy.
This is a dark little movie. Almost from the first frames the whole world seems wrong and off. The interaction between Barbara and her husband now that they have a son is at best awkward, at worst strained. Its clear from the start that Mom is paying way too much attention to her baby. Its unnerving. Whats also clear up front is that no one is "normal". Everyone is clearly in their own little damaged world (Dad travels, mom is isolated and the kid just tries to cope with all of the weirdness). As a means to an effect, namely making the audience feeling uneasy, it works in spades. As a means of making a film that is something that we can either relate to or want to watch for any reason other than it intrigues our baser instincts its not really the way to go. Forgive me, but I don't know why I was watching this, I mean let me put it simply, these people are nuts. These are rich people who are just strange.
Its doesn't help that the performances seem very mannered. All of the actors are very good but I felt as though I was watching a very very British mannered drama.The characters seem to be more a collection of ticks and manners then anything else. Yes I understand that everyone is wrapped up in themselves; behavior thats so guarded that each act (especially sex)seems to be for some ulterior reason, and that any unmannered act is one of self revelation, but at the same time it kept me distant. I never cared about anyone or anything, I only wanted to see how twisted this all got(And it gets pretty funky).
Is it any good? Yea, he says begrudgingly. The performances are good, especially Juliane Moore, the film is extremely well crafted and as much as I bitch, it does hold your attention in the same way that a bloody car wreck does (you keep watching to see how bad it gets because you know it has nothing to do with you). I wish it was just slightly better than it is, I wish there was some sign of what life was before the baby came along, I mean why did her husband marry her, I have no clue, nor do I know why he bothered to stay married to her as long as he did. I also wish this was about real people, instead of "martians", I mean most of the characters outside of the central ones seem reasonably normal, I cared more about them then the ones the film was about.
Is it worth seeing? I don't know if I would go out of my way to see it. Frankly the chance to see this kind of fell into my lap so I took it, especially since a friend had asked about the film at the instant the chance to see the film arrived. Would I have wanted to pay for it? In the end no, I want to get some thing else from the film then just feeling dirty.
This is a dark little movie. Almost from the first frames the whole world seems wrong and off. The interaction between Barbara and her husband now that they have a son is at best awkward, at worst strained. Its clear from the start that Mom is paying way too much attention to her baby. Its unnerving. Whats also clear up front is that no one is "normal". Everyone is clearly in their own little damaged world (Dad travels, mom is isolated and the kid just tries to cope with all of the weirdness). As a means to an effect, namely making the audience feeling uneasy, it works in spades. As a means of making a film that is something that we can either relate to or want to watch for any reason other than it intrigues our baser instincts its not really the way to go. Forgive me, but I don't know why I was watching this, I mean let me put it simply, these people are nuts. These are rich people who are just strange.
Its doesn't help that the performances seem very mannered. All of the actors are very good but I felt as though I was watching a very very British mannered drama.The characters seem to be more a collection of ticks and manners then anything else. Yes I understand that everyone is wrapped up in themselves; behavior thats so guarded that each act (especially sex)seems to be for some ulterior reason, and that any unmannered act is one of self revelation, but at the same time it kept me distant. I never cared about anyone or anything, I only wanted to see how twisted this all got(And it gets pretty funky).
Is it any good? Yea, he says begrudgingly. The performances are good, especially Juliane Moore, the film is extremely well crafted and as much as I bitch, it does hold your attention in the same way that a bloody car wreck does (you keep watching to see how bad it gets because you know it has nothing to do with you). I wish it was just slightly better than it is, I wish there was some sign of what life was before the baby came along, I mean why did her husband marry her, I have no clue, nor do I know why he bothered to stay married to her as long as he did. I also wish this was about real people, instead of "martians", I mean most of the characters outside of the central ones seem reasonably normal, I cared more about them then the ones the film was about.
Is it worth seeing? I don't know if I would go out of my way to see it. Frankly the chance to see this kind of fell into my lap so I took it, especially since a friend had asked about the film at the instant the chance to see the film arrived. Would I have wanted to pay for it? In the end no, I want to get some thing else from the film then just feeling dirty.
The movie based on the true story of Barbara Brooks is one the most disturbing movies I have ever watched.There are scenes after watching which you may say," OMG,is that possible"?But yet, the movie holds your attention till the very end.The experience although not pleasant is not bad.I don't say it is one of those classic ones which it surely could have been, had it not been that raw.Yet it scores.The reason being some fine acting shows especially by Julianne Moore and brilliant camera work, as well as use of color.The bleak storyline,some disturbingly torrid scenes,unusual theme and touch of reality make the movie alive.If you have rented this,I would suggest you to spend one and half hour with it and a few more with the thoughts of it.Thoughts however might disturb you though.
Wusstest du schon
- WissenswertesOne of Barbara's gowns was created specifically for the film by designer Karl Lagerfeld after he heard Julianne Moore was starring.
- PatzerThe ambulance at the end of the film is a mid-1970s Chevrolet van, which were not used in London.
- Zitate
Antony Baekeland: [Tony quoting something his grandfather used to say] "One of the uses of money is that it allows us not to live with the consequences of our mistakes."
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprachen
- Auch bekannt als
- Savage Grace
- Drehorte
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Box Office
- Budget
- 4.600.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 435.746 $
- Eröffnungswochenende in den USA und in Kanada
- 22.311 $
- 1. Juni 2008
- Weltweiter Bruttoertrag
- 1.432.799 $
- Laufzeit
- 1 Std. 37 Min.(97 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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