IMDb-BEWERTUNG
7,9/10
39.588
IHRE BEWERTUNG
Die wahre Geschichte zweier Bergsteiger und ihres gefährlichen Abstiegs 1985 über die Westflanke des Siula Grande in den peruanischen Anden.Die wahre Geschichte zweier Bergsteiger und ihres gefährlichen Abstiegs 1985 über die Westflanke des Siula Grande in den peruanischen Anden.Die wahre Geschichte zweier Bergsteiger und ihres gefährlichen Abstiegs 1985 über die Westflanke des Siula Grande in den peruanischen Anden.
- Regisseur/-in
- Autor/-in
- Stars
- 1 BAFTA Award gewonnen
- 8 Gewinne & 10 Nominierungen insgesamt
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There are exceptions, but mountaineering movies fall roughly into two classes; overblown, unrealistic cliffhanging (in more than one sense) dramas ('Eiger Sanction', 'K2', 'Cliffhanger', 'Vertical Limit') and rather trite descriptive documentaries often seen as padding for the 'National Geographic' channel schedules, although Jon Krakaur's 'Into Thin Air' managed to combine the worst of both worlds. Both classes have in common (usually) Gortex gear, superb mountain scenery and splendid cinematography. What distinguishes this survival story is that it has (sorry about this) high drama, an understated style and absolute authenticity. The actual principals, Joe Simpson and Simon Yates, and Richard Hawkins the non-climber base camp minder, narrate their story as it is re-enacted, partly at the original site in Peru (though some filming was done in the European Alps), while actors (with very few lines to say) re-enact the saga of the Siula West Face climb. It all hangs together beautifully; and I was rapt from go to whoa. My disbelief was entirely suspended.
Even documentaries are stories rather than fact (whatever that is) and this story is superbly told, for which director Kevin Macdonald can take full credit, though perhaps one should also thank Simon Yates and Joe Simpson for telling us their stories. One critic has taken the director to task in not dwelling on the moral issues involved the cutting the rope bit. No mountaineering drama is without one of these but here it actually happened. That critic has missed the point the approach here is 'be your own judge'.
This film manages to appeal both to mountaineers (a small but highly critical audience) and non-mountaineers. As a (semi-retired) and undistinguished member of the former group, I found few nits to pick, though a more extended explanation of the difference between Alpine-style and Expedition climbing would help to show non-mountaineers that it wasn't a suicide attempt (though speaking for myself I wouldn't have tried it with less than four in the party). And as the film was about a climb that went wrong, the joy of climbing, which is not easy to explain to non-mountaineers was rather overshadowed by Joe's suffering as he dragged himself, leg broken, down the mountain. But never have I seen a more graphic illustration of the adage 'never give up'. Lie down to die and you will die. Joe and the Texan doctor on Everest (see 'Into Thin Air') both should have died, yet they survived. In the doctor's case it seems to have been some primeval instinct (he was not a mountaineer). In Joe's case he seems to have treated survival as a challenge and focused his thoughts accordingly ('I thought, in twenty minutes I'll be at the next rock'). I winced every time his broken leg hit something.
To sum up this is a great film, which will live long in your memory, climber or non-climber.
P.S. Simon was only 20 or so at the time, Joe a more mature 25. Both have kept climbing, though significantly not together.
Even documentaries are stories rather than fact (whatever that is) and this story is superbly told, for which director Kevin Macdonald can take full credit, though perhaps one should also thank Simon Yates and Joe Simpson for telling us their stories. One critic has taken the director to task in not dwelling on the moral issues involved the cutting the rope bit. No mountaineering drama is without one of these but here it actually happened. That critic has missed the point the approach here is 'be your own judge'.
This film manages to appeal both to mountaineers (a small but highly critical audience) and non-mountaineers. As a (semi-retired) and undistinguished member of the former group, I found few nits to pick, though a more extended explanation of the difference between Alpine-style and Expedition climbing would help to show non-mountaineers that it wasn't a suicide attempt (though speaking for myself I wouldn't have tried it with less than four in the party). And as the film was about a climb that went wrong, the joy of climbing, which is not easy to explain to non-mountaineers was rather overshadowed by Joe's suffering as he dragged himself, leg broken, down the mountain. But never have I seen a more graphic illustration of the adage 'never give up'. Lie down to die and you will die. Joe and the Texan doctor on Everest (see 'Into Thin Air') both should have died, yet they survived. In the doctor's case it seems to have been some primeval instinct (he was not a mountaineer). In Joe's case he seems to have treated survival as a challenge and focused his thoughts accordingly ('I thought, in twenty minutes I'll be at the next rock'). I winced every time his broken leg hit something.
To sum up this is a great film, which will live long in your memory, climber or non-climber.
P.S. Simon was only 20 or so at the time, Joe a more mature 25. Both have kept climbing, though significantly not together.
so i was completely and utterly amazed by my response to this movie... i guess i haven't explored the genre but the two men who survived were so HONEST!... it was refreshing to hear the way they spoke, of secretly wanting to leave the other man to die, but persisting because it was the right and humane thing to do... what courage it takes to admit that!... and to admit that you're stubborn and arrogant... that you were completely broken... it's rare to hear sportsmen talk this way...
and they didn't seem to exude that attitude that non-climbers wouldn't understand, or that they were somehow superior to us ordinary folk (despite joe's self-confessed ego)... some interviews with climbers annoy me, but these guys were amazing...
the sheer emotion they conveyed with the simultaneous reenactments and the articulate commentary was astounding... i was gritting my teeth at the implied pain and frustration and even became somewhat emotional at the reunion...
this documentary has palpable, white-lightning power, and it will remain with you long after you've seen it... it's quite unlike anything i've viewed before...
and they didn't seem to exude that attitude that non-climbers wouldn't understand, or that they were somehow superior to us ordinary folk (despite joe's self-confessed ego)... some interviews with climbers annoy me, but these guys were amazing...
the sheer emotion they conveyed with the simultaneous reenactments and the articulate commentary was astounding... i was gritting my teeth at the implied pain and frustration and even became somewhat emotional at the reunion...
this documentary has palpable, white-lightning power, and it will remain with you long after you've seen it... it's quite unlike anything i've viewed before...
I work at a cinema in norwich (UCI) i was checking our listing and saw this film on them, thought what the hell is that!? i asked a friend and he said it was about some climbers, i remember catching a breif review on some tv show ages ago. Being a climber myself i decided to go see it asap. A few guests asked me whether to see Out of Time or this and i said i'd go with this coz it sounds much better. They went into see it, I had a few minutes to kill at work so i went and watched the first 10mins, i really struggled to pull myself away. I was standing at the exit to the screen when the film finished, and i noticed a strange things happen, nobody left till the end of the credits!!! I went and saw it the next day with a few friends. As the trailers rolled i started munching on my bag of chocolates and sipping at my pepsi, then as the film started i just couldn't take my eyes off the screen, the cinematography is amazing (i studied film) the shots are just fantastic, tremendous scenery.
The film builds up the tension and sheer drama of what they are attempting well. After a while u forget you are watching a documentary and just start watching it like any other film. as the excitement built up i realised i like Joe was frozen still, unable to move i felt his pain and the moment when he has the song in his head just gets right in your head as well and you start to feel sick as well.
I've never been as moved by a film as i have with touching the void with the exception of Schindler's List. When the film moved i realised i still had most of my chocolate and pepsi left, and everyone around me were just sitting there, me and my mates just slowely got up and walked out of the cinema not saying a word, we were all just so gobsmacked by what we had just witnessed.
If you get a chance, see ths film, it's one of the best movies i've ever seen. 10/10
David Wortley
The film builds up the tension and sheer drama of what they are attempting well. After a while u forget you are watching a documentary and just start watching it like any other film. as the excitement built up i realised i like Joe was frozen still, unable to move i felt his pain and the moment when he has the song in his head just gets right in your head as well and you start to feel sick as well.
I've never been as moved by a film as i have with touching the void with the exception of Schindler's List. When the film moved i realised i still had most of my chocolate and pepsi left, and everyone around me were just sitting there, me and my mates just slowely got up and walked out of the cinema not saying a word, we were all just so gobsmacked by what we had just witnessed.
If you get a chance, see ths film, it's one of the best movies i've ever seen. 10/10
David Wortley
Awe-inspiring work by director Kevin Macdonald takes us with a minimum of fuss to a corner of the Andes in Peru for this epic tale of endurance against the elements. After what appears to be a relatively rapid, routine conquering of a 22,000 foot peak, we are left contemplating what might be in store to fill out the rest of the film. Suffice to say we are told that eighty per cent of climbing accidents occur on the descent. Harrowing times in the extreme soon present themselves, with amazing camera work accompanied by stark human emotions as life-affecting decisions have to be made in the harshest of conditions. There are only three actors in this reconstruction of an actual climb made in the 1980s. The original climbers themselves personally add to the screenplay at appropriate moments, to what I believe is just the right extent for maximum effect. We are made to wonder what drives a couple of fit 25-year-olds to climb to such heights, in such conditions, with an insufficient gas supply, no oxygen, and no backup team. But that is sometimes the reckless nature of young people that age.
The viewer is left in no uncertain mind about the might of nature versus the insignificance of human effort. This is reinforced in most spectacular fashion by the use of zoom photography, underlining the sheer size of the Andes mountains. What does make the difference, though, is the strength of the human will, particularly when it comes to a matter of very survival. In this case we are given to believe this is largely driven by the fear of dying alone, but I found myself trying to identify what other motives might have been present in such dire circumstances. Considering the semi-documentary nature of the film, and the conditions under which it was made, I cannot rate Touching the Void less than 9 out of 10. It had me on the edge of my seat until the final credits.
The viewer is left in no uncertain mind about the might of nature versus the insignificance of human effort. This is reinforced in most spectacular fashion by the use of zoom photography, underlining the sheer size of the Andes mountains. What does make the difference, though, is the strength of the human will, particularly when it comes to a matter of very survival. In this case we are given to believe this is largely driven by the fear of dying alone, but I found myself trying to identify what other motives might have been present in such dire circumstances. Considering the semi-documentary nature of the film, and the conditions under which it was made, I cannot rate Touching the Void less than 9 out of 10. It had me on the edge of my seat until the final credits.
10Anig-2
This film describes the true story of a climbing accident in South America in 1985, using dramatisation with voice-overs and interview excerpts from the three British men who were actually involved. It may sound boring, but I cannot stress this enough: this film is much more tense, and nail-bitingly gripping, than any Hollywood action movie - because you know that everything you're seeing and hearing really did happen to these guys.
The story itself is incredible. It will redefine for you the capabilities of the human mind and body. There is action, sadness, hope, and even brilliant humour in places.
Please go and see this film; you won't regret it.
The story itself is incredible. It will redefine for you the capabilities of the human mind and body. There is action, sadness, hope, and even brilliant humour in places.
Please go and see this film; you won't regret it.
Wusstest du schon
- WissenswertesSome of the long distance shots of Simon and Joe climbing the mountain are played not by the lead actors, but by body doubles, who were Simon Yates and Joe Simpson themselves.
- PatzerWhen Joe reaches the bottom of the crevasse (00:59:57) and starts crawling on his stomach towards the sunlight, you can clearly see the blue helmet of another person.
- Zitate
Joe Simpson: You gotta make decisions. You gotta keep making decisions, even if they're wrong decisions, you know. If you don't make decisions, you're stuffed.
- Crazy CreditsDuring the first part of the closing credits (before the crawl), the credits are accompanied by black-and-white pictures showing the three men's journey back into civilization; the final picture is of Joe in the hospital.
- VerbindungenFeatured in The Making of 'Touching the Void' (2003)
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 4.593.598 $
- Eröffnungswochenende in den USA und in Kanada
- 96.973 $
- 25. Jan. 2004
- Weltweiter Bruttoertrag
- 13.905.522 $
- Laufzeit
- 1 Std. 46 Min.(106 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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