The Corporation

Our daily lives have come to be so dominated by corporations that we can easily fail to notice it. Most goods, services, information and entertainment now flow from huge multinationals. But what if this dominant player in our existence is certifiably insane?

The Corporation explores this disturbing possibility with mix of wit, opinion and hard facts. It takes us through the visible "personality traits" of these business entities and shows us that, for all intents and purposes, corporations are psychopathic. The film points out that this is not an aberrant state for corporations, but rather an inherent part of their nature. It even portrays high-ranking business executives as people so caught-up in the madness of the corporate world they must act not from their own conscience, but rather from a bottom-line mentality of what is most profitable.

Despite its length and the fact that it features some forty different talking heads (ranging from the former CEO of Goodyear to Noam Chomsky), The Corporation keeps you engaged both visually and intellectually. It is by turns informative, amusing and thought provoking. It does not attempt to present remedies (which would be beyond the scope of a single documentary) but rather challenges its audience to view their world from a different perspective and seek out their own solutions. In this way, it reminds me of Michael Moore's excellent documentary Bowling for Columbine.

I saw this film at the True/False Film Festival and was fortunate enough to hear a Q&A with co-director Mark Achbar after. Many questions seemed to be "Well, what can we do about it." The website for the film has many links available to explore further and learn about actions that individuals can take. Mr. Achbar said half-joking that he may have to bring a handout to future screenings with a list of websites.

Whether you are a longtime activist, or someone who has never thought much about issues of corporate dominance, this film is definitely worth a look.

After a relatively straightforward start exploring the definition of incorporation, this documentary made some fairly meaty punches on its target material.

With the exception of a few sentimental and outdated "the poor people fight back" strands, most of the attacks were well constructed. Beyond simply saying that to a corporation profit is everything, the more difficult case was made: that everything can be turned into a profit. And that includes life, death, and the truth.

The depiction of the Corporation as a psychopath was used to link most of the material. The talking heads were usually on the money, including both Michael "9/11" Moore and Noam "Manafacturing Consent" Chomsky.

But what the film does well was report specific cases that certainly included a few gems. An attempt to privatize water, IBM servicing Nazi accounting, an attempted coup in the US, Fox burying news and of course Monsanto being Monsanto. You couldn't make those guys up.

The attempt to look at alternatives to the worst forms of Capitalism were not so successful. Right wing defenders of profit-at-all-cost use short sentences with single syllable words. The poor want to be rich. We make things you like. We don't care. Much of the left wing however, cannot counter this clarity.

And the last frame had the ebullient Mr Moore telling us to get off the sofa and do something. Yeah, like vote for Bush again?

The first time in a long time that I've seen a movie audience launch into applause at the end -- and I was as enthusiastic as everyone else.

While quite long (2 hours, 45 minutes)this film piles detailed examples on top of interviews on top of documentary film clips. Liberally laced with interviews with folks like Noam Chomsky, Naomi Klein and Michael Moore, it also includes insightful commentary from a (small) handful of liberated corporate executives.

The sum total is a compelling story of the evil that can be and is done by and in the name of corporations. I say this as one who has worked in a corporate environment my entire career, and who for a very long time has had difficulty getting past the 'but these are almost all nice people -- I don't know any ogres out to intentionally rape & pillage' perspective.

What I'm gradually wakening to is the realization that yes, the corporate structure is very efficient at doing what it's designed to do -- which unfortunately does not include taking social responsibility or the greater good into account. Instead it's ruthlessly focused on the bottom line, come hell (literally) or high water -- or polluted water.

I highly recommend this film. I know I'll be going back for a second viewing -- there's that much content, that I know I didn't absorb it all the first time around.

Good documentaries have both a viewpoint and an agenda. They reflect the vision, politics, values and angst of the director(s). "The Corporation" meets those standard criteria and in an overlong movie it's Prosecution Exhibit A for an indictment of a) modern corporations, b) consumerism, c) disdain for the Earth and its bounty, d) globalization, e)sleek marketing and f) dishonest, money-grubbing media, the current Whores of Babylon. There's probably more but I was saturated long before the film ended.

In terms of style, directors Jennifer Abbott and Mark Achbar have made a visually engrossing film with excellent interweaving of archival film with sound bites by noted academics as well as business executives. We get Noam Chomsky and Milton Friedman and many lesser lights. Michael Moore appears enough to seem more a director than an interviewee but some of his remarks, particularly at the end, are more insightful than much of what he opines on in his own films.

Using story boards to announce different themes, "The Corporation" tells - very quickly and, indeed superficially - the history of the legal entity, what we in the law call the "Juridical Person," the modern huge, business creature. Its early history is quickly sketched, the complexities of the Anglo-American societies that spawned this economic model barely hinted at much less explained.

For better or for worse, documentaries best make their argument through striking anecdotes and this movie is no exception. We see corporations engaged in behavior that wreaks havoc on health, deprives poverty-stricken citizens of poor countries of even minimal control of their lives and, of course directs our spending and leisure habits.

But some scenes show corporate strategies as just plain silly as with a couple ambulating down an urban street, one telling the other how great a CD he's listening to happens to be. The idea is that passersby will become curious enough to buy the disc. I doubt this happens much but the use of shills goes back hundreds of years (ample evidence of their employment can be gleaned from Elizabethan literature) and it pales as a menace when juxtaposed to the true evils depicted in the documentary.

Some very complex issues which few viewers are likely to know anything about are presented as proof that corporations are inherently driven solely by profit motives with no regard for other values. Particularly disturbing is the incarnation of the writings of an independent scholar named Black who claims that IBM was in sympathetic and knowing collusion with Nazi Germany to sell them embryonic computers (not mentioned by name but they were the Hollerith punch card machines) which then made expediting millions to their concentration camp murder feasible. This account has been discredited by most historians but the more serious and unmentioned reality is that the U.S. government knowingly permitted some American corporations to prepare to profit from a postwar world by maintaining ties with subsidiaries in Germany (the Bank for International Settlements is never mentioned: now THAT's a subject for a film).

"The Corporation" returns often to the theme that this business entity is a "person" with constitutional rights ( declared a number of times as a sad fact of American law). In fact that's true but what is never explained is that investing corporations with an identity that is juridically recognized means that the entities - AND their assets - are amenable to every form of lawsuit from civil rights violations to environmental law accountability to - you name it. And corporations can be criminally charged and convicted. Yes, obviously they can't be jailed but the entity can be sentenced to remedial action, something that would be impossible if liability was limited to individuals who lack assets sufficient to cure major violations and, in any event, who surely could do nothing from jail or forced retirement.

Where could Ralph Nader's crusade for safer cars have gone if General Motors and other corporations were not amenable to suit as legal persons? How much benefit derived for anti-smoking advocates from being able to arraign Big Tobacco in court (even if losses exceeded wins)? Why are women and minorities working for Big Business (or just trying to get in the door) less likely to be targeted for discrimination these days? You'd never know from this film.

So we have a very mixed bag here - a well constructed polemic that is too one-sided if educating the audience rather than satisfying the converted was the goal. It was fun to sit in a packed theater in an epicenter of affluence - New York's Pleasantville in Westchester County - and note the righteous reaction of an audience of which I'd bet 95% own stock in major corporations.

8/10

most people who have an interest in progressive causes will be somewhat familiar with the outline of the film - corporate personhood has essentially led to corporations having an insane amount of control over what we see, eat, drink, breathe and consume in general. corporations have become part of our consciousness at an unshakable and unwashable level. they are ubiquitous, single-minded (profit), subversive parasites that erode our society from within. with this in mind you'd think the film was a marxist commercial out to bring capitalism to its knees. you'd be wrong. the film is remarkably even-handed in its approach.

governmental as well as market fixes are proposed by different interviewees. i'm very much into the work of noam chomsky and michael moore (both are interviewed), i've read fast food nation, i'm a big fan of adbusters, i own naomi klein's "no logo" and korten's "when corporations rule the world" so a lot of this stuff wasn't all that new to me, but some of it was and the film is a perfect amalgamation of all this information. archive footage is used extremely well, like a hip-hop artist melding together samples in ways that create an entirely different tapestry of sound. interviews, archival footage, and good old investigative journalism are used to present a solid case about the role corporations have in our global society; as well as how we've gotten to this point and where we may be going. despite the heavy nature and brutal pacing of much of the film, there are a few moments of ironic comedy.

i do think the film would have done well with a few momentary pauses early in the film to allow things to soak in. in feature films a director might cut to an exterior for a beat or two to allow a bit of a cushion from one scene to the next, something similar may have aided the pacing of this film. it's actually remarkable that i wished it had taken a little more time considering its 2 hour and 25 minute runtime. i think it's testament to the film's strength. i also want to note that the long runtime and heavy nature of the film never came off as dry or overly-academic. in other words, it's not a boring film to watch - quite the contrary, it's a rather engaging and almost fun film to watch. i say "fun" reluctantly because learning about the ways in which a corporation is bilking America and the world out of our natural resources and hard-earned money isn't fun, but if you're interested in learning then it is an exciting film. a quick side note - the narrator had a perfect voice for the material and she reminded me a lot of the narrator in the "second renaissance" portions of the animatrix. generally i don't give films i've only seen once anything better than a B+, but this film blew me away from start to finish on so many different levels...A.