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Coffee and Cigarettes

  • 2003
  • 0
  • 1 Std. 35 Min.
IMDb-BEWERTUNG
7,0/10
69.617
IHRE BEWERTUNG
Coffee and Cigarettes (2003)
Trailer [EN] ansehen
trailer wiedergeben2:05
2 Videos
75 Fotos
Schwarze KomödieDramaKomödieMusik

Eine Reihe von Episoden, in deren Mittelpunkt Kaffee und Zigaretten stehen.Eine Reihe von Episoden, in deren Mittelpunkt Kaffee und Zigaretten stehen.Eine Reihe von Episoden, in deren Mittelpunkt Kaffee und Zigaretten stehen.

  • Regie
    • Jim Jarmusch
  • Drehbuch
    • Jim Jarmusch
  • Hauptbesetzung
    • Bill Murray
    • Tom Waits
    • Roberto Benigni
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,0/10
    69.617
    IHRE BEWERTUNG
    • Regie
      • Jim Jarmusch
    • Drehbuch
      • Jim Jarmusch
    • Hauptbesetzung
      • Bill Murray
      • Tom Waits
      • Roberto Benigni
    • 193Benutzerrezensionen
    • 83Kritische Rezensionen
    • 65Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 2 Gewinne & 9 Nominierungen insgesamt

    Videos2

    Trailer [EN]
    Trailer 2:05
    Trailer [EN]
    Bill Murray vs. Zombies? We're Dying for 'The Dead Don't Die'
    Clip 3:12
    Bill Murray vs. Zombies? We're Dying for 'The Dead Don't Die'
    Bill Murray vs. Zombies? We're Dying for 'The Dead Don't Die'
    Clip 3:12
    Bill Murray vs. Zombies? We're Dying for 'The Dead Don't Die'

    Fotos75

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    Topbesetzung26

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    Bill Murray
    Bill Murray
    • Bill Murray (segment "Delirium")
    Tom Waits
    Tom Waits
    • Tom (segment "Somewhere in California")
    Roberto Benigni
    Roberto Benigni
    • Roberto (segment "Strange to Meet You")
    RZA
    RZA
    • RZA (segment "Delirium")
    Steven Wright
    Steven Wright
    • Steven (segment "Strange to Meet You")
    Joie Lee
    Joie Lee
    • Good Twin (segment "Twins")
    Cinqué Lee
    Cinqué Lee
    • Evil Twin…
    Steve Buscemi
    Steve Buscemi
    • Danny (segment "Twins")
    Iggy Pop
    Iggy Pop
    • Iggy (segment "Somewhere in California")
    Joseph Rigano
    Joseph Rigano
    • Joe (segment "Those Things'll Kill Ya")
    • (as Joe Rigano)
    Vinny Vella
    Vinny Vella
    • Vinny (segment "Those Things'll Kill Ya")
    Vinny Vella Jr.
    • Vinny Jr. (segment "Those Things'll Kill Ya")
    Renee French
    • Renée (segment "Renée")
    • (as Renée French)
    E.J. Rodriguez
    • Waiter (segment "Renée")
    Alex Descas
    Alex Descas
    • Alex (segment "No Problem")
    Isaach De Bankolé
    Isaach De Bankolé
    • Isaach (segment "No Problem")
    Cate Blanchett
    Cate Blanchett
    • Cate…
    Michael Hogan
    Michael Hogan
    • Waiter (segment "Cousins")
    • (as Mike Hogan)
    • Regie
      • Jim Jarmusch
    • Drehbuch
      • Jim Jarmusch
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen193

    7,069.6K
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    Empfohlene Bewertungen

    8G-Jax

    Odd concept works wonders.

    An odd concept for a film, Coffee and Cigarettes can be seen as either one of two ways. On one hand a dark, clever, ingenious piece of cinema, or on the other hand a dark, clever, ingenious piece of cinema. Jarmusch has succeeded in gathering as diverse a cast as you're ever likely to see, the site of GZA, RZA, and Bill Murray waxing intellectual over smokers cough and herbal medicines is enough to interest even the most fervent sceptic of such work. Even the Cate Blanchett (whom i'm not a huge fan of) scene was so well set up and written (or improvised, who knows) that you find your self unable to turn away, so intent are you on what she has to say next. Alfred Molina and Steve Coogan are so wonderful as over blown versions of themselves, Coogan as a super arrogant celebrity and Molina as a bumbling, sweet, excitable actor. Together they form what would be the best scene of the whole film, that is if it wasn't for Iggy and Tom. Ah Iggy and Tom, such characters, such dialogue, such a beautifully surreal piece. Iggy (or Jim to his friends) is more like an over nervous school boy than an ageing rock star, and Tom is strong as the defensive perfectionist. All in all this film succeeds in what it tries to do, if you like dark surreal comedy then you'll like this. Be warned though it will give you a craving for Coffee and Cigarettes.
    7flickershows

    Java & Smokes, Bizarre Little Jokes

    Finally, a movie my sister can get behind! With a title like 'Coffee And Cigarettes', health nuts must be having a collective heart attack. And the title isn't ironic. Every single episode in this string-of-vignettes movie has enough java and smokes to murder a truck driver. Bizarro writer/director Jim Jarmusch shot the flick over many years, gathering a wildly disparate cast to co-star in his black and white art film. No scenes are connected (except by the ever-present cigs & a cup o' joe) and each quirky sequence functions as its own self-contained act.

    Most of the character's names are just the actor's names, but that doesn't mean they're playing themselves. In reality, Bill Murray might moonlight as a waiter and hang out with the Wu-Tang Clan (who always refer to him as "billmurray", one word). Jack & Meg White from the White Stripes might have a remarkable interest in science. And Cate Blachett might have a resentful, rebellious cousin who looks exactly like her (because she's playing both of them). But I doubt it. Those are just a few of the oddball sketches in this movie. In fact, I mentioned those ones first because, of the scenes with the big-name celebrities, they're probably the weakest.

    Alfred Molina and Steve Coogan work together in the longest sequence. Molina is courteous and affable, Coogan aloof and mildly interested in why Doc Ock has asked for this meeting. In a gem of warp-speed character development, Molina goes from shy to eager to crushed to bitter. Both men are excellent. Also, musicians Tom Waits and Iggy Pop have similar oil/water chemistry, which is what makes their culture-clash one-upsmanship memorable. Roberto Benigni and Steven Wright set the tone with their jittery, nonsensical opening scene. There's more, but I've forgotten the rest already.

    So I didn't reveal much plot. What's there to tell, though? The terrific Molina/Coogan sequence could be lengthened into its own movie, but the rest of this picture wouldn't work if the short scenes played any longer. 'Coffee And Cigarettes' isn't really even about smoke rings or the caffeine rush. Jarmusch and the cast use those as props to create some zany bits with an "opposites attract...or not" motif. The flick is funny, a bit too long, and light years away from the mainstream. I enjoyed myself, found my interest bobbing & weaving, then left the theatre. That's okay. Even art films are allowed to be fast food.
    8stensson

    No tea and biscuits

    Short films with nonsense dialogue of shifting dignity. Lots of self irony or even self sarcasm. Tom Waits is mocking with Iggy Pop in a way that it's hard to believe they ever can talk to each other again. Bill Murray is pulling the leg of the hip hop movement and the movement finds that funny. Cate Blanchett is on a genial level playing the double part of the filmstar and her jealous cousin.

    Jim Jarmusch can't be beaten. The dialogue seems to be mostly improvised, but the concept is not. Every short chapter here has a meaning and gives us something to think about. The films are in black and white, like coffee and cigarettes and that still is, and will always be, a way of pushing things harder. This is very much comedy and very much serious.
    merbelle

    I guess I mistakenly think I'm cool

    I loved this movie. Okay, I loved about 75% of it. But I'm glad I saw all of it. I don't smoke, I only drink coffee when it's dressed up in a frilly disguise, and I didn't recognize everyone in the film, nor did I much care about that. I didn't recognize the writer/director's name, though I really enjoyed Night on Earth and Dead Man, and now I know his name. It was just so good to see this parade of tense interaction, waiting on or predicting what would come next. I loved how some of the moments in the first vignette were mimicked in a later one by an entirely "different" set of people.

    I loved the stark interruptions of uncomfortableness, loved watching all the people pour their coffee or tea, loved the hilarious facial expressions of Molina and Coogan--it seemed to me they were portraying the two most extreme British stereotypes interacting with each other, and it was clearly fun for them.

    I enjoyed the cheap, gritty sets, the introductions and goodbyes. I am not sure who the movie would best play for; as I sat and thought about who to share it with, only members of my own family came to mind. We're all a bit quirky, so the best way I can put it is that maybe if you like the "mockumentaries" of Christopher Guest, but can appreciate an even darker twist, you'll have a laugh at this.

    The boring parts were the shortest, and the vignettes I liked best were so much fun it was worth the whole picture to see them.
    6danielhsf

    Breezy absurdist comedy

    --Mild spoilers--

    I haven't seen a single Jarmusch before this and have no knowledge or his style whatsoever, nor have I smoked a cigarette while drinking coffee, but I enjoyed this film immensely.

    It doesn't purport to speak of grandiose themes and epic emotions, nor does it go out of its way to be deliberately offbeat and quirky; the audience has no emotional attachment to the characters and there is no plot in most of the vignettes. So what puts this film above all the pretentiously shot black-and-white art-house crap that is slugged out every year? For one thing, it is really funny. From its expressionistic colors to the dialog that proudly smacks of absurdist humor, this film is like a breeze of cool air, utterly enjoyable from the first reel to the last that does not cloy on to the heart, but is very unforgettable.

    Ultimately, its unobtrusive absurdist humor, which provokes chuckles instead of heartily laughs, serves to prove the Pinter-esquire themes of the futility of communication. We get a sense that the characters are isolated and desperately trying to touch each other through their speech but ultimately failing to do so; and yet, through their manic speech patterns and delirious pauses, what is unsaid speaks more than what is said itself. While this unconventional style of humor is often difficult to pull off as it might fast become monotonous (as evident in a recent stage production of The Caretaker that I saw), Jarmusch's deft direction with his actors (from their gestures to the way they hold their coffee cups) pushes forth the humor and carries it on steadily throughout the entire film.

    It is hard to say much about a film who has nothing much to say. As in my favorite segment, 'No Problem', the one with the two French black guys, their dialog only serves to underscore the meaningless and nothingness of communication. What is scary about it is that it is so accurate, that these type of conversations, however ridiculous and absurd when portrayed on screen, often typifies our daily conversations. It depresses me sometimes that human communication can be easily reduced to all these, and this film makes the point entirely clear.

    So it definitely comes as a relief, that as a conclusion, the relatively more heart-warming vignette with the two old guys (Champagne) was chosen. Not only does it touches lightly on the recurring 'acoustic resonance' theme, it also hints that we may in fact touch each other, through common music or through a common idea. And it just happens that that common song was 'I have Lost Track of the World' by Gustav Mahler, an amazing piece by an amazing composer that I have just recently began to love, a delightful moment which shows that although we are as disconnected at the different vignettes in the movie, it is comforting to know that we are still united in some weird cosmic way, like this forum here. And like the two old guys, after our coffee and cigarette break in which we step into an odd world that is not really unfamiliar, we would have to step back in to the real world again. But it doesn't hurt to have a little nap in between and pretend bad coffee is champagne.

    Handlung

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    Wusstest du schon

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    • Wissenswertes
      This film was made over a 17-year period. The Roberto Benigni and Steven Wright segment was filmed in 1986. The Tom Waits and Iggy Pop segment was shot in 1995.
    • Patzer
      The page showing in Renee French's weapon magazine varies between shots, even when she isn't turning the pages.
    • Zitate

      Iggy: Cigarettes and coffee, man, that's a combination.

    • Crazy Credits
      The credits end with a list of the historical, scientific, musical, and cinema-related figures that are mentioned or referenced throughout the film: "RESPECT TO: Nikola Tesla, Otis Blackwell, Junior Parker, Elvis Presley, Jesse Garon Presley, Lee Marvin, Henry Silva, Giant Robo, Heckle & Jeckle, Abbott & Costello, Vivienne Westwood, Spike Jonze, Spike Lee, Sam Mendes, PT Anderson, Michael Winterbottom, Harold Ramis, Gary Goldberg, Ghostface Killa, Old Dirty Bastard and the rock band Tesla...in a way..." After this list it closes with the memorial: "LONG LIVE JOE STRUMMER!"
    • Verbindungen
      Edited from Coffee and Cigarettes (1986)
    • Soundtracks
      Louie Louie
      Written by Richard Berry

      Performed by Richard Berry & The Pharoahs

      (c) 1957 Renewed EMI Longitude Music Co.

      Courtesy of Ace Records Ltd. c/o Original Sound Entertainment

    Top-Auswahl

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    Details

    Ändern
    • Erscheinungsdatum
      • 19. August 2004 (Deutschland)
    • Herkunftsländer
      • Italien
      • Japan
      • Vereinigte Staaten
    • Sprachen
      • Englisch
      • Französisch
    • Auch bekannt als
      • Кава та сигарети
    • Produktionsfirmen
      • Asmik Ace Entertainment
      • BIM Distribuzione
      • Smokescreen Inc.
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

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    • Bruttoertrag in den USA und Kanada
      • 2.198.924 $
    • Eröffnungswochenende in den USA und in Kanada
      • 99.162 $
      • 16. Mai 2004
    • Weltweiter Bruttoertrag
      • 8.020.467 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      • 1 Std. 35 Min.(95 min)
    • Farbe
      • Black and White
    • Sound-Mix
      • Dolby Digital
      • DTS
    • Seitenverhältnis
      • 1.85 : 1

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