Machuca, mein Freund

I watched the film with my mother, who lived through the coup d'etat in Chile. The events depicted in the movie were so realistic, they transported her back to that era. She cried as we watched and explained all of the small details I wouldn't have gotten being someone who didn't experience these events for myself. With this in mind, I have to think this movie was meant to be watched by a Chilean audience to be fully understood and "felt". Someone like my mother, who has seen the atrocities that occurred in Chile in the mid-seventies, would be a more appropriate critic of this film.

Regardless, I think everyone should watch this movie. It is a touching story about friendship, growing up, social classes, and politics. The acting was exceptional. The plot was well- written. The sets, props, and costumes were accurate. It has a lot to offer as an enlightening and educational film since the story of Chile's own 9/11 has not yet reached the general masses. Because the story is told through a sentimental child's perspective, you are drawn yet closer to the characters and their emotions. Some have criticized this film harshly, stating that Wood couldn't make up his mind whether this film is a political story or a child's coming-of-age tale. Why can't it be both?

As a Chilean, I am extremely proud of this film, in its quality and accuracy. It is powerful, bold and touched me to my very core. I strongly recommend it to all, especially all of you Chilean-Americans born during this era. Ask your parents to tell you their own story, and you will see that Machuca is more than a piece of cinematic brilliance and a milestone in Chilean film. It is a film you will never forget.

In 1973, the Chilean military, under the direction of General Augusto Pinochet and backed by the CIA, overthrew the shaky socialist government of democratically elected President Salvador Allende. The coup led to the murder of 3,000 leftist Allende supporters and the detention of an estimated 250,000 political prisoners. Set against the background of the political instability that led to the crisis, Andrés Woods' Machuca is the moving story of the friendship between two boys from different sides of the social spectrum. Voted the most popular film at the 2004 Vancouver Film Festival and a major box-office hit in Chile, the semi-autobiographical film succeeds on both a human and a political level, the different elements coming together in a final conflagration.

Gonzalo Infante (Matias Quer) is a chubby, red-faced 11-year old who attends St. Patrick's private school. He lives in a wealthy neighborhood where his security is unquestioned, even though he knows that his mother Maria (Aline Kuppenheim) is having a long-standing affair with a well-to-do Argentine businessman. Gonzalo is shy and inexpressive and is often bullied at school. His life changes, however, when Father McEnroe (Ernesto Malbran), the priest who runs the school, opens St. Patrick's to those who are unable to pay, and Gonzalo develops a friendship with Pedro Machuca (Ariel Mataluna), a youngster who lives in a nearby shantytown. The inclusion of the marginal students causes unrest at the school. Fights break out between the two economic classes and parents hastily call meetings to voice their opposition to the "communist" priest. Gonzalo protects Pedro from the bullies and later visits Pedro in his home.

Aware of how much he has, Gonzalo accepts his status without feeling superior, though Pedro's family refers to him as "the snob". In a subplot, Pedro's seductive young cousin Silvana (Manuela Martelli) gives both boys an introduction to sexual pleasure. Though the relationship between the two boys develops naturally and their innocence allows them to see past the developing turmoil, the disturbing layers of adult events slowly begin to threaten their friendship. To pick up some extra money, the boys attend political rallies and sell Chilean flags to both the Nationalists and the Communists, but soon emotions escalate and street fights break out between far-left and far-right militants. The onset of revolt is signaled by the arrival of two jets flying towards the Presidential Palace, a seminal event in Chile's history that marked the end of their democracy.

One of Chile's most successful young filmmakers, Woods lets the facts speak for themselves, and Machuca makes its points with an emotional power unencumbered by bias or simplistic messages. While the upper middle class is shown as elitist and disdainful of the working class, Pedro's family is also not portrayed in glowing terms. In a drunken rage of victimization, the father tells his son that in a few years, "He (Gonzalo) will be working for Daddy....You'll be cleaning toilets." The children are portrayed as simply children without the false glow of larger-than-life heroism. Although Machuca may ultimately have more of an impact for Chileans who experienced the coup directly, its theme of young people caught in the swirl of events beyond their understanding resonates far beyond the details of this single tragic moment in history.

This is an absolutely wonderful film that captures a very interesting period of history told as a coming-of-age tale from the perspective of three pubescent school children. Like "Diaros de Motocicleta", the recent film about a young Ernesto Guevara, this is NOT simply a political diatribe. It does not romanticize the Allende government or the difficulties (riots, shortages, etc.)that the country went through during his turbulent reign. It certainly doesn't paint the Pinochet coup in a very favorable light, but I don't see how you can make the overthrow of a democratically-elected government and the murder, torture, and disappearance of some 3,000 people look like a wonderful thing. The film portrays many Pinochet supporters either as rich and corrupt or as small-minded, reactionary bullies (which is not entirely inaccurate), but it certainly doesn't shy away from the dark side of the Allende revolution( Allende supporters are shown accosting middle-class Chileans in the street, Allende himself appears in actual TV footage of his notorious meeting with Soviet leader Leonid Breshnev). Really though it would be a shame if continuing political differences stop people from seeing this superb film which really transcends politics to capture the spirit of youth and a time that, as terrible as it was, will never be forgotten.

Although i was not old enough to live through these events, its repercussions are still felt today. Its interesting to see this movie in the theater and hear older people in the audience booing and cheering at the different scenes and historical characters in the movie, meaning that it accurately depicts the events. The movie is excellent in the way it portrays the everyday life experienced back in those days. The movie is apolitical in the way the main characters are children, so the focus is everyday life more than taking an actual view. The great special effects used, increase the realism and makes the movie so much better, and you don't even notice they are being used.

I recommend this movie 100% both to Chileans, and foreigners that want a glimpse on the life of the upper/middle classes in Chile back in 1973.

This film reaches back and looks at history in a very intimate and personal way. Its young protagonist is shown, growing up, not quite understanding what is happening around him. His own life is the middle of a crisis, and suddenly he is in the middle of his own country's political storm. Gonzalo is one of the lucky ones, a young man who escaped the horrors while he learned how to become a better human being.

Andres Wood's direction is assured and gentle. He shows his love of his country, its main characters, his own history (there are strong hints at this being at least auto-biographical). His film is beautifully scored and photographed; in addition to having one of the best performances ever by a group of children. The movie moves along quietly, touching us, teaching us, and taking us along in an unforgettable study of humanity at its worst and its best.