Left for Dead

It's funny how you sometimes come across films and how the first time you see a film can colour your perception of it forever. My first viewing of Left for Dead was of a screener copy sent to me for possible inclusion into a film festival I was running at the time.

Unfortunately things didn't bode well at first and the disc kept freezing up in my DVD player, but I persisted and I'm really glad I did as Left for Dead is a lot of fun.

This fast paced British martial arts flick (yes, you don't hear that said every day!) unfolds in the fictional city of Hope (ironic name me thinks!), which is ruled over by the iron fist of Kincaid, a mobster with a touch of class, played by Adam Chapman. His minions are highly trained warriors and no one dares to cross him, until one of his own enforcers (Williams) discovers he was set up by the boss and sets out to settle the bad guy's hash. Williams (a convincing Glen Salvage) is assisted by Kelso (a prize fighter with a personal grudge against the mob), and together they take on Kincaid and his not so merry men.

Shot over a period of 18 months in Brighton and Eastborne, (of all places), this Brit-flick demonstrates that it's not just Hong Kong and the US that can pull off action films. However, its main failing is its toilet tissue flimsy plot, which is simply used to string together oodles of ultra-violent fight scenes, some of which are admittedly well executed and exciting to watch. Director, Ross Boyask is to be commended for his handling of these scenes, which really elevate LFD above many similar flicks.

My main problem with the film, and I'm sure it's makers would agree with me, is with its length - at 105 minutes it's 15 minutes too long and needs to be cut down. There are a few scenes which are unnecessary and could easily be dropped, in particular the introductory sequence and the bike 'chase', although admittedly these do look cool.

In summary then, a fun slice of over-the-top martial arts mayhem that keeps you watching (even if your DVD player is struggling!) because of its audacious set pieces and the level of enthusiasm on show. Oh, and yes I did screen it at my film festival in the end!

The film the term 'So bad it's good!' was invented for. This film has all the hall marks of a very bad 80's action movie. The kind of film that was frequented by Jeff Speakman, Michael Dudikof and Jeff Wincott. The kind of film you rented because the cover had ninjas and fighting drawn so badly that it looked more like your grand ma than Chuck Norris.

The kind of film where the good guy gets shot, kicked, stabbed, beaten, blown up and yet still manages to take down the bad guys army of 200 highly trained soldiers.

The kind of film that had a name like 'American Ninja', 'The Perfect Weapon', 'Ninja Exterminator', 'Invasion USA', 'Eye Of The Tiger', 'Kick Boxer' and 'Missing In Action'.

The kind of film that I always chose at my local video shop over the higher budgeted star driven studio fair. The kind of film that, well, that I love so much.

Don't get me wrong. Like the films mentioned above (and the many I have failed to mention), this isn't a masterpiece in terms of production value, acting or (sometimes) editing or direction but in terms of bang for buck well this film does what it says on the tin. In spades.

And lets face it I never watched Segal movies for the character development or plot. I watched them because I knew, just for that hour and a half, that I'd get to see some tubby white guy kick the crud out of a bunch of bad guys in inventive and fun ways.

But the strange thing is, for all its faults and over long running time, this film does just what I wanted. It offers an 80's styled action film that is true to the genre and superb fun to watch.

So, in short, if your idea of a good film is Citizen Kane, Remains of the Day or Notting Hill this film is not for you.

If however, like me, you grew up on a staple diet of action movies, body counts and ninjas then you 'Left For Dead' is that rare find… a butt kicking, head stomping 80's styled action romp that makes for almost 2 hours of mindless fun, bloody, guts and over the top martial arts moves.

--eye--

This film is definitely worth the watch... The action is superb and considering the small budget the producer/director have done an amazing job and i think actually looks like something with a greater budget.

The whole experience was a good one and met a lot of top people. don't disrespect this film unless you have seen it. I think this film will only be truly appreciated by those with an interest in martial arts of some kind.

This film is an all British film too which must be a good thing. If we had a million dollar budget imagine what may have been achieved!!!

watch out for it.. should be hitting the shops soon.

mattbrown1@hotmail.com

LFD is the most unwittingly hilarious film I have seen for ages.

The painfully long opening scene is a dialogue-free killing spree peppered with pantomime deaths and schoolboy-like 'Aieee!' shrieks of terror.

An inexplicable (bad) fake-American narrator intones low voiced nonsense by way of introduction to 'the streets' (or a Brighton industrial estate to be precise).

Some of the overly-serious hard man facial expressions make Eastenders Mitchell twins look like Pacino in Taxi Driver.

The laughs just keep coming. A scene where two henchmen receive a stern ticking off by the yellow teethed grimacing boss reaches surreal heights of humour. In the background a man is chained to a fence and is being teased by a WWF looky-likey bloke pulling cartoon –character baddie faces and pointing at him threateningly. This goes on all through the overly long scene.

After our hero has been shot, he makes it back home to his flat where he fumbles in his bathroom cabinet, crashing amongst deodorant and other jars. The same shot of a blood stained hand, shaking and crashing (its owner out of shot) around the cabinet is seen twice within a couple of minutes. What was he thinking of ? This is no time for a shower.

Budget Jackie-Chan-meets-Bugsy Malone (without the songs) Worth a watch for the laughs alone.Heading for the so-bad-its-good genre.

I've seen my fair share of high and low-budget martial-arts films. Hundreds in fact. Hell, I love them so much that I have written countless reviews and help moderate one of the biggest forums on the net: kung fu fandom. Left for Dead grabbed me from the get-go.

I finished Left for Dead only a few short hours ago and I had to share my thoughts on this UK indie gem. It wasn't what I expected; it turned out a lot better, in fact. I thought this was gonna be another USA type indie film which is usually a Hollywood action film with bad acting and lots of needless, badly performed drama between action scenes. But Modern Life? has surpassed my expectations and that of the industry. I love the fact that they created their own world inside the film, i.e. Hope City, Metro City. The comic book feel does wonders for the film, and they use the freedom of this sub-genre very well.

The pacing is really good too. There is nothing I hate more than drama bogging down a good action film. There are some pretty iffy wife flashbacks of Glenn Salvage, and that was as much as I could take! Believe me, the combined running time of the opening and ending fights far surpass that of most films in the genre.

I'm not sure whether the film was shot in sequence but you'll notice how the fights just keep getting more exciting by the minute! The choreography in the chaotic end fight was a lot better than the rest of the film…or was the best simply kept for last? I can already see myself returning to the end sequences on a regular basis. Of course, good fighting consists of more than having a few good moves, and I think Glenn Salvage and Andy Prior looked a lot more determined at the end, and the action seemed a bit tighter – it works out very well when it comes together. The over-the-top death scenes were a great touch, and fit into this twisted world very well. And who can look down on a film featuring not only guns and fists, but Japanese katanas too? Watch out for the brief fight between Glenn Salvage and a blond swordswoman, very impressive.

Granted a lot of the acting was horrible, but the dialogue was more than just filler. There is a speech Kincaid gives his henchmen Dylon and Taylor for instance, about the Nazis, and it works surprisingly well. Yes, the film has its fair share of rough spots in the dialogue and acting department, but you wouldn't believe how good it looks considering the budget and DV equipment origins.

Some trivia: I saw Andy Prior was reading Bey Logan's (UK author and martial artist) book Hong Kong Action Cinema in Glenn's apartment. Some influences might be Highlander (sword scraping on the roof), The Matrix and Kiss of the Dragon. But mostly the action is so energetic that I could care less about where the ideas came from.

At the very least this film is a guilty pleasure. A lot of its success lies in the fact that it doesn't try to be realistic. The creators' imaginations ran wild and in the end I have to applaud the cast and crew.