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Left for Dead

  • 2005
  • Not Rated
  • 1 Std. 45 Min.
IMDb-BEWERTUNG
2,9/10
260
IHRE BEWERTUNG
Left for Dead (2005)
AbenteuerAktionKriminalitätThriller

Füge eine Handlung in deiner Sprache hinzuLeft For Dead is a revenge thriller set in a city called Hope, where a crimelord called Kincaid rules with an iron fist. Williams, a former hitman for Kincaid is attacked and left for dead w... Alles lesenLeft For Dead is a revenge thriller set in a city called Hope, where a crimelord called Kincaid rules with an iron fist. Williams, a former hitman for Kincaid is attacked and left for dead when he tries to leave the organisation. He teams up with Kelso, a kickboxer who had his ha... Alles lesenLeft For Dead is a revenge thriller set in a city called Hope, where a crimelord called Kincaid rules with an iron fist. Williams, a former hitman for Kincaid is attacked and left for dead when he tries to leave the organisation. He teams up with Kelso, a kickboxer who had his hands smashed by Kincaid, and together, they seek revenge.

  • Regie
    • Ross Boyask
  • Drehbuch
    • Ross Boyask
    • Adrian Foiadelli
    • P.l Hobden
  • Hauptbesetzung
    • Glenn Salvage
    • Andy Prior
    • Adam Chapman
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    2,9/10
    260
    IHRE BEWERTUNG
    • Regie
      • Ross Boyask
    • Drehbuch
      • Ross Boyask
      • Adrian Foiadelli
      • P.l Hobden
    • Hauptbesetzung
      • Glenn Salvage
      • Andy Prior
      • Adam Chapman
    • 22Benutzerrezensionen
    • 9Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
  • Fotos1

    Poster ansehen

    Topbesetzung63

    Ändern
    Glenn Salvage
    Glenn Salvage
    • Ben Williams
    Andy Prior
    • Danny Kelso
    Adam Chapman
    Adam Chapman
    • Kincaid
    Kevin Akehurst
    • Dylan
    Adrian Foiadelli
    • Taylor
    Jeremy Bailey
    • Markus
    Adam Hawkins
    • Loader
    P.l Hobden
    • Roarke
    • (as P.L. Hobden)
    Vicki Vilas
    • Sonya
    John Rackham
    John Rackham
    • Densmore…
    Andy Scriven
    • Gibson
    Paul Portinari
    • Baker
    Nelson E. Ward
    • Murphey
    Mark Hazelwood
    • Gerry
    Alicia Grace Turrell
    Alicia Grace Turrell
    • Danellia
    • (as Alicia Turrell)
    Robin Laisby
    • Rothchild
    Shane Steyn
    • Krieger
    Ben Shockley
    Ben Shockley
    • Louis
    • Regie
      • Ross Boyask
    • Drehbuch
      • Ross Boyask
      • Adrian Foiadelli
      • P.l Hobden
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen22

    2,9260
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    Empfohlene Bewertungen

    1jourdanmc

    Garbage waste of time! not even worth laughing at

    Man this movie sucks i'm glad i didn't pay for it (netflix) but i did waste a movie that i could've watched from my que. The camera work is garbage along with the fight choreography these guys don't even make contact! once i saw that glenn salvage guy knock 2 guys down with a lousy hook kick that had NO sound effects i nearly spat my drink and turned the movie off which i did anyways 2 mins later. The muzzle flash's on the guns are poorly added in along with blood which they probably couldn't afford or knew how to make stage blood. The stupidest characters EVER! that one fat idiot with the 2 piece sword that he got off of karate depot that he clearly does not know how to use! i mean comeon doesn't he know he looks ridiculous? i wouldn't even have let them put my name in the credits if i were somehow in this movie. don't waste your time look else where. these actors should hide in shame.
    1stephenskl

    Budget Jackie-Chan-meets-Bugsy Malone (without the songs)

    LFD is the most unwittingly hilarious film I have seen for ages.

    The painfully long opening scene is a dialogue-free killing spree peppered with pantomime deaths and schoolboy-like 'Aieee!' shrieks of terror.

    An inexplicable (bad) fake-American narrator intones low voiced nonsense by way of introduction to 'the streets' (or a Brighton industrial estate to be precise).

    Some of the overly-serious hard man facial expressions make Eastenders Mitchell twins look like Pacino in Taxi Driver.

    The laughs just keep coming. A scene where two henchmen receive a stern ticking off by the yellow teethed grimacing boss reaches surreal heights of humour. In the background a man is chained to a fence and is being teased by a WWF looky-likey bloke pulling cartoon –character baddie faces and pointing at him threateningly. This goes on all through the overly long scene.

    After our hero has been shot, he makes it back home to his flat where he fumbles in his bathroom cabinet, crashing amongst deodorant and other jars. The same shot of a blood stained hand, shaking and crashing (its owner out of shot) around the cabinet is seen twice within a couple of minutes. What was he thinking of ? This is no time for a shower.

    Budget Jackie-Chan-meets-Bugsy Malone (without the songs) Worth a watch for the laughs alone.Heading for the so-bad-its-good genre.
    8nw_comic

    The film the term 'So bad it's good!' was invented for

    The film the term 'So bad it's good!' was invented for. This film has all the hall marks of a very bad 80's action movie. The kind of film that was frequented by Jeff Speakman, Michael Dudikof and Jeff Wincott. The kind of film you rented because the cover had ninjas and fighting drawn so badly that it looked more like your grand ma than Chuck Norris.

    The kind of film where the good guy gets shot, kicked, stabbed, beaten, blown up and yet still manages to take down the bad guys army of 200 highly trained soldiers.

    The kind of film that had a name like 'American Ninja', 'The Perfect Weapon', 'Ninja Exterminator', 'Invasion USA', 'Eye Of The Tiger', 'Kick Boxer' and 'Missing In Action'.

    The kind of film that I always chose at my local video shop over the higher budgeted star driven studio fair. The kind of film that, well, that I love so much.

    Don't get me wrong. Like the films mentioned above (and the many I have failed to mention), this isn't a masterpiece in terms of production value, acting or (sometimes) editing or direction but in terms of bang for buck well this film does what it says on the tin. In spades.

    And lets face it I never watched Segal movies for the character development or plot. I watched them because I knew, just for that hour and a half, that I'd get to see some tubby white guy kick the crud out of a bunch of bad guys in inventive and fun ways.

    But the strange thing is, for all its faults and over long running time, this film does just what I wanted. It offers an 80's styled action film that is true to the genre and superb fun to watch.

    So, in short, if your idea of a good film is Citizen Kane, Remains of the Day or Notting Hill this film is not for you.

    If however, like me, you grew up on a staple diet of action movies, body counts and ninjas then you 'Left For Dead' is that rare find… a butt kicking, head stomping 80's styled action romp that makes for almost 2 hours of mindless fun, bloody, guts and over the top martial arts moves.

    --eye--
    8sweatcheeks

    Not My Kinda Film... Or So I thought!

    I don't normally DO action or martial arts films. I'm a girly girl. But every so often you have to relent and let the boyfriend watch something HE wants.

    'Left For Dead' was it. He followed the production of this in magazines in the UK like Impact and Combat. We had a double bill of this and Richard Jobson's 'Purifiers'.

    Comparing the two is like chalk and cheese (although they both share similar actors and stunt men and where made around the same time). One is interesting. Enjoyable. Fun. And exciting. The other is The Purifiers.

    Left For Dead surprised me. As I said I don't normally DO action or martial arts films. But this was a fun movie, enjoyable and not badly put together for an independent action film.

    If you have the choice of watching one or the other Left For Dead is the one to go with.
    8jrp-1

    Amazing effort...

    I've seen my fair share of high and low-budget martial-arts films. Hundreds in fact. Hell, I love them so much that I have written countless reviews and help moderate one of the biggest forums on the net: kung fu fandom. Left for Dead grabbed me from the get-go.

    I finished Left for Dead only a few short hours ago and I had to share my thoughts on this UK indie gem. It wasn't what I expected; it turned out a lot better, in fact. I thought this was gonna be another USA type indie film which is usually a Hollywood action film with bad acting and lots of needless, badly performed drama between action scenes. But Modern Life? has surpassed my expectations and that of the industry. I love the fact that they created their own world inside the film, i.e. Hope City, Metro City. The comic book feel does wonders for the film, and they use the freedom of this sub-genre very well.

    The pacing is really good too. There is nothing I hate more than drama bogging down a good action film. There are some pretty iffy wife flashbacks of Glenn Salvage, and that was as much as I could take! Believe me, the combined running time of the opening and ending fights far surpass that of most films in the genre.

    I'm not sure whether the film was shot in sequence but you'll notice how the fights just keep getting more exciting by the minute! The choreography in the chaotic end fight was a lot better than the rest of the film…or was the best simply kept for last? I can already see myself returning to the end sequences on a regular basis. Of course, good fighting consists of more than having a few good moves, and I think Glenn Salvage and Andy Prior looked a lot more determined at the end, and the action seemed a bit tighter – it works out very well when it comes together. The over-the-top death scenes were a great touch, and fit into this twisted world very well. And who can look down on a film featuring not only guns and fists, but Japanese katanas too? Watch out for the brief fight between Glenn Salvage and a blond swordswoman, very impressive.

    Granted a lot of the acting was horrible, but the dialogue was more than just filler. There is a speech Kincaid gives his henchmen Dylon and Taylor for instance, about the Nazis, and it works surprisingly well. Yes, the film has its fair share of rough spots in the dialogue and acting department, but you wouldn't believe how good it looks considering the budget and DV equipment origins.

    Some trivia: I saw Andy Prior was reading Bey Logan's (UK author and martial artist) book Hong Kong Action Cinema in Glenn's apartment. Some influences might be Highlander (sword scraping on the roof), The Matrix and Kiss of the Dragon. But mostly the action is so energetic that I could care less about where the ideas came from.

    At the very least this film is a guilty pleasure. A lot of its success lies in the fact that it doesn't try to be realistic. The creators' imaginations ran wild and in the end I have to applaud the cast and crew.

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    Handlung

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    Wusstest du schon

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    • Wissenswertes
      There are two versions of the film shot. The first Cannes version was deemed unready by the producers and a further three month re-shoot was ordered. In the end over 45% of the film was re-shot.
    • Patzer
      The tattoo on Ben Williams's arm disappears and reappears throughout the film.
    • Crazy Credits
      Producers DB on final credits is credited as Nick Milnes. The credit stands for Producers Drinking Buddy.
    • Verbindungen
      Features Blue Eyes (1999)

    Top-Auswahl

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    FAQ

    • When can I see the film in the UK?
    • What was the films budget?
    • What else have the film makers done?

    Details

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    • Erscheinungsdatum
      • 9. September 2005 (Indonesien)
    • Herkunftsland
      • Vereinigtes Königreich
    • Offizieller Standort
      • Official Website
    • Sprache
      • Englisch
    • Drehorte
      • Brighton, East Sussex, England, Vereinigtes Königreich
    • Produktionsfirmen
      • Modern Life
      • Big Cat Productions
      • Jimbo Entertainment
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

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    • Budget
      • 200.000 $ (geschätzt)
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      1 Stunde 45 Minuten
    • Farbe
      • Color
    • Seitenverhältnis
      • 1.85 : 1

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