Ladies' Night

Mexico has come up very far with this movie and has done a terrific job capturing all the flavor in one movie. Ladies night has touch many feelings that were hidden in the viewers and made this movie a "must watch" one. Terrific is the only word describing the movie. Everyone must see this movie cause it has everything, from drama to action to laughs and more important 'reality'. This movie is everything there is to see and get captured on the story as it should happen with every movie you see right? All the actors and actresses in this movie did a terrific job, transmitting their emotions and they brought up the true meaning of love and passion in this world.

The movie runs pretty fast, and has some amusing scenes between the two lead actresses. A couple of moments are quite funny, and all in all it manages to entertain, in spite of the predictabilty of the romantic comedy structure.

It scares me the idea of how can I start to talk about this film, from the moment it started I was sure that someone gave a 35 mm camera to a 6 year old kid and he just started to shot with the ability of an orphan to show love and tender, so many of the shots were out of focus!

The attempt to present the characters in a sort of Amelie way is in technique and narrative style, a SHAME. Those poor actors, especially those wanna be actresses that lead these film, are in their worst day for style and histrionic abilities, they just talked those dialogs as if they were not bad at all with the confidence of a blind woman when she tries to cross a highway by herself.

The script has only one merit that only mexican people will probably (with enough pity) appreciate, and it is that the story can give you a bite of the social complexity that mexican women live and the boundaries that needs to be brake in our society, but just telling it gives to this film too much credit, that actually was only my own achievemnt on reflection, this movie sucks! and especially because the script, which it feels as the work of a kinder garden student with too much hormones, thinking in strippers and dirty language, there is not even a good connection between one scene and another and there is NO moment when you can feel that you are been guide by competent people.

I feel shame for the people who see this film, and even more for those who spend their money on the way for neural destruction and actually aprecciate. If the people that produce it has the nerve to send it to another countries I will down my head in shame and pray (for the first time in my life) that foreign people won´t see it, AVOID IT AT ALL COST!

Gosh...all these people have got to relax. I enjoyed the movie very much, yes it might not be realistic, however, the story is imaginative and it takes you away from what is your daily life...that is why its called entertainment. What do you expect from a romantic comedy? If you are looking for political and social events movies, then this is definitely not your cup of tea. If you just looking for enjoyment and a good laugh, then I recommend this movie. It is not an Amores Perros...but is it a feel good movie. Personally, I don't like Amores Perros, because it shows the cruel reality of daily life. The cinematography is brilliant, and I agree that Amores Perros is a fine film....but then again..YOU CAN COMPARE APPLES TO ORANGES. Ladies Night is a completely different genre, some of you need to understand that.

Entertaining. Dynamic. Exquisite. Girlish. With disparate but good performances in major roles. With a dash-story somewhat anemic but with two great actresses (Ana Claudia Talancon and Ana De la Reguera) and address (Gabriela Tagliavini) outstanding.

Ladies Night is a film entertainment fun if it comes, reflecting a Artistic creation with Mexican label in their manners in which to talk-talk comes with a story that plays with the universal imaginary and with the direction of Gabriela Tagliavini who jointly Ana Claudia Talancon are the stars of the film.

The argument comes packaged with structural holes. Anyway the plot vertebrate in the script by Issa Lopez gives the diametrical protagonists a condiment that gives depth to the story.

Ana Claudia Talancon has an angel on his face and this is portrayed with sublime delicacy by the "pen" of Gabriela Tagliavini giving the spot, because it manages to portray that childlike universe that the script proposed in recreating and redial. Tagliavini stands with his fits Ana De la Reguera studied in a second place, who gives blood with a convincing performance and a darker and enhanced dimensionality.

Not less detail is the successful achievement of production work was a solid at each of the locations work. They relate to the spatially Mexico where history and seasoned them with an eclectic and rich pop frame is portrayed.

The board gives dynamism to the plot, making fill gaps in a script in his "thoughts" makes slipping further the plot, forcing a trapeze stunt in the direction which wraps this story affair with another child language key and with the "bang" as standard. It is the only moment in which, although unscathed, climbs in his solid work.

As the plot progresses starring Alicia (including several made moment narrative and stories direction-off) and melts it seemed his set destination. In turn, the sub-plot shows how to dissolve the "safe" world of a stripper who is challenged by a reality that hit you in the heart plexus. Here the script gathers strength and next to the address given by the hand making an oiled gear.

Tagliavini's work, which is detailed in the composition of each frame, rhythm and manages to give an American touch to your patina with which builds each frame of film Mexican colloquial language gives membership film, making creative regarding identifiable trigger.

Is observed that the neat and aseptic American language pointed in the direction you remove the film verve and is in conflict with the above noted. Quite the opposite. It is a pop language that achievement with mounting channel to fruition a cinematic creation entertains, amuses and you can enjoy the overwhelming charisma of Ana Claudia Talancon, by the convincing performance of Ana De la Reguera and Gabriela Tagliavini address that I take the juice to each piece of fruit.

By Manu Hugo Correa