Shameless

Co-written by the writer behind 'Clocking Off', This is one the most stand-out, must-see series British television has produced. The exploits of the Gallagher family are no-holds-barred and guaranteed to either offend the viewer, or cause them to slide off their chair and roll around the floor, laughing their behinds off.

Or both.

If you're offended by social depravity, bad hygiene, lawlessness, homosexuality, heterosexuality - any kind of sexuality, or Mancunians then be warned. If not then watch this comedy/drama and prepare to laugh like a drain.

I've seen every episode, accepted the downturn in quality (you have to, it's inevitable standards will fall after 9 years… ) but still enjoyed most of it. The finale was OK, nothing more than that. They whitewashed Franks character; growth would have been OK if they hadn't tried to do it within the space of a third of an episode…

… and as much as people felt like the supporting characters were unnecessary, they still deserved a proper send-off. The series might have started off about the Gallaghers, but it wasn't always like that, and the last episode shouldn't have pretended any different… It all felt a bit rushed. You have a whole series to say goodbye, and yet you leave the majority of your wrapping up 'til the last episode? Just saying, i've seen the winding down of televisual institutions done better, before. If i hadn't been prepared for the last episode before it aired, i might not have guessed it had reached the end.

I'm not a great authority on this, as I hardy watch TV any more. If they came up with more stuff like this, I would be addicted to the Box. Fantastic script, characters and acting and the funniest, freshest British made comedy I've seen since Spaced and (to a slightly lesser extent) The League of Gentlemen.

Although I come from the north of England and lived in Manchester for two years and therefore, through direct association, find I can relate very naturally to this humour, it must surely transcend 'northern' taste and appeal, in the same way that Phoenix Nights did, to absolutely anybody who sees it.

It's no wonder Channel 4 are taking the unusual step of running the whole series again, as I think media interest/hype came too late this time round. It's the only British thing to come remotely close to challenging the HBO stable (6ft Under/S.A.T.C) stuff that has attracted TV's biggest plaudits in this last 4/5 years. I think it will go down as being an important landmark in British comedy broadcasting and gain cult status for years to come.

Commissioning a series two is a must - it was just hitting full speed last night with the closing episode of this first run.

I happened upon this show one afternoon while nursing a hangover and have been hooked ever since. I was also lucky that BBCA was playing the entire series 1 as a marathon that day. This show blows away any of the lame crap that they call TV over here and is another testament to the vastly underrated talent of the UK. The only way a show this ballsy would be shown over here would be on a pay channel like HBO or Showtime. I am fast becoming a huge fan of British TV (Eastenders, The Office, Coupling, Father Ted, The Green Wing, ABFAB) and hopefully the DVD will be available to us yanks soon. Let's just hope some stupid network (NBC) doesn't get ahold of it in an attempt to "Americanize" it like they tried with Coupling and The Office.

From the very first episode you will be drawn into the lives of each of the principal characters - warts and haloes and all. Each is fully realized with a light and dark side, shown incrementally and alternately through their actions and their reluctantly expressed concerns. The story lines are both outrageous and – once you spend a few minutes with this family – absolutely believable, and move at an enervatingly brisk while gratifyingly even pace. I'm so glad I found out about it when Series II had already completed, and could enjoy it from episode 1.1 through the end of series II. While it seems evident that Series III will commence with casting changes, this production is so incredibly well planned (unlike most U.S. series - Lost, I'm looking at you) that the story arc girds you quite well for even fundamental shifts, and instills great anticipation. The show addresses immediate, on-the-ground social issues like complacency vs. poverty, avarice vs. honor, cheating vs. work (and stealing vs. profit), lust vs. love, and 9 times out of 10 the virtuous parts of humanity are exemplified and enjoyed (but always with the other side engaged and/or confronted in the process). That 10th time is where Frank comes in. Paul Abbott is a brave artist, a brave man, and a brave son. Never has such a reluctant father been so well-realized and so generously presented. Now. When do we get Series III?