Mail Order Wife

Refer your friends to the interview(s) in which Gurland refers to this film as a "documentary" in production, then watch their jaws hit the floor as you all witness perhaps the most memorable use of PostIt Notes and a Cadillac El Dorado ever committed to film. Despite the clearly stated genre of "narrative feature" in the SXSW program, I somehow got suckered into missing the fact that this is a mockumentary. The contrast between the doorman's anachronistically furnished and dimly lit Queens hovel and the filmmaker's bright, Crate and Barrel-esque (Manhattan?) flat creates a palpable sense of class warfare that really sells the "reality" of this film to the duped viewer. The scene in the doctor's office was the only one that I almost didn't believe, but it was done so well that I still bought it. I loved every hilarious and painful minute of this film. Within its genre, I give it a 10/10.

The rating for this film might be a little misleading. Judging by the comments it seems that many of the people who gave it a low score did so out of the sorrow they felt for the main character, and the disgust they felt for the men using her rather than out of a low opinion of the quality of the film. I actually think that the people who gave this film the lowest score are some of the people who felt the exact way the filmmakers want the audience to feel.

This film reminds me of "Dogville" in a way. They both do a good job at demonstrating the immoral and vile behavior that humans can practice toward one another when it's self-serving, and the justifications they can give. (You wonder sometimes if people really believe what they put forth as their point of view, if they grow to believe it out of a need to relieve guilt or if they secretly live in the guilt, being eaten up and causing their often defensive and miserable dispositions.) Don't get me wrong, this film is no Dogville, but the filmmakers do a decent job at revealing this human flaw that is the bane of this society. It's mockumentary style allows us to connect the characters to their real life counterparts rather than tossing their awful behavior aside as just something fictional (though it was).

It was a smart film. It takes thought to make up for lack of budget, and that's why you find some of the best films in the independent film world. I have friends who are filmmakers (honestly, none worked on this film). I hope more filmmakers dig a little deeper, be it in comedy, drama, horror, or whatever. These guys made a film that stays with you past the last bite of popcorn. That's an accomplishment.

I recently was able to to see this film in NYC and found it highly entertaining. I would say it has a sort of "Curb your Enthusiasm" feel and I say this because I found myself laughing out loud, but almost feeling guilty for having done so. The people involved in this "mockumentary" all have their own strengths, weaknesses and motivations that really sell the plot and their performances. The characters are quite believable and the acting is spot-on (the celebrity cameo scene is one of the highlights of the film imho). For anyone looking for an offbeat comedy with enough emotion and heart to bind the story together, this is a must-see!

I've read some comments here that seem to suggest the authors thought this movie was a documentary. But it isn't. It's a brazen, ballsy comedy DISGUISED as a documentary.

I found this movie to be outrageously, wickedly funny and in the vein of the TV series "It's Always Sunny in Philadelphia." Also, it has an unexpected amount of intelligence in its statements about American life versus life in the rest of the world, relationships, sex, and love(or lack thereof).

Beware all those who are easily offended: This movie is NOT for you. For those of you who like your comedy darker than a cup of black coffee, enjoy!

I was completely fooled by this. I really thought it was a Documentary. I must admit when Litchi started screaming she wanted a baby and the part where the co-director's father secreted her off to a hotel room I did wonder if it was all a put-on. Just brilliant in sustaining the illusion of reality storytelling. Knowing in advance it's all a mockumentary does ruin it a bit but not knowing makes this an amazing piece of film making to watch unfold. Apparently this was all scripted but it comes across as completely spontaneous. I'd certainly keep an eye on this film maker in the future. He has an edge to him that is lacking in a lot of more mainstream Hollywood directors.