Der Duft von Lavendel

Beautifully acted. The delineation of sibling rivalry between the two sisters, Ursula and Joan (Judi Dench and Maggie Smith, is a masterclass in itself. And what a treat to be entertained by Miriam Margoyes. Her Dorcas is the perfect foil for the two prim spinsters.

The script is finely wrought and the understated English humour a joy. There are moments when you just have to laugh out loud. At other times your empathy for the characters moves you to deep sadness and regret at lives that have had times of sorrow or been unfulfilled.

The visual imagery in this film is evokes the nostalgic feel of an English rural landscape of sixty years ago. The beautiful cinematography was complemented by the musical score.

This is the second English film in two weeks I have been really impressed by.

The film, directed by Charles Dance, is the epitome of good, low budget, British cinema. Two major actresses, Judy dench and Maggie Smith underplay their parts very well. Maggie Smith has that special gift of "scene stealing". The locations were superb and true to life as I remember that era well. The casting director gathered a supporting cast who added to the enjoyment of the film. My only complaint was that the editing for the first 30mins of the film lacked sympathy with the plot and, at times, very abrupt. The question of how the boy got into the water is never explained but it didn't matter because the script was more of a story without a beginning and without end. A great film, I loved it!

This film is about two elderly sisters' lives being turned upside down after they found an ailing young man on the beach.

"Ladies in Lavender" is a captivating film. It is very strong in both story telling and in acting. Both Judi Dench and Maggie Smith did excellent in portraying love and jealousy. It is amazing that by just one look on the face, you can tell how the characters are thinking. The story telling is subtle by the acting is so direct. "Ladies in Lavender" draws me, captivates me and touches me. I think this film deserves a wider audience. It is a pity, that many people may not give this film a chance because they think the target demographic is towards the older generation.

This film bursts into life in a few electrifying scenes - but these scenes are perhaps muted by the general leisurely air of the whole.

What can be said is that this film belongs to Maggie Smith: although Judi Dench has the lovelorn role of the smitten sister, it is Dame Maggie who has the wider variety of emotions, the presence, and the charisma which gives the film the energy it needs to involve the viewer. A case in point is the scene where Dame Judi has her point of emotional release - and Dame Maggie tops it with just the slightest nuance of phrase. Indeed, hers is a performance of subtlety and delicacy, so understated and insightful, that it recalls the outstanding work that she did in "The Lonely Passion of Judith Hearne". If it was up to me, Dame Maggie would be right up there in contention for the Oscar and BAFTA.

She is, of course, perfectly paired with Dame Judi, who creates a portrayal of both pathos and charm. There is such rapport between the two that it wipes away memories of the caricatures of "Tea With Mussolini" and replaces it with genuine truth and humanity. The two dames are underscored by the comic bluster of Miriam Margolyes and the suspicious lusting of David Warner.

This is a film of emotion and elegance. If it lacks narrative drive and dynamic then it is more than made up for by the space created for the talents of the actors. It is a film which lives on in the memory - and for that we mainly have to thank the performance of Maggie Smith.

Yes, that's what the title really means. It's nothing to do with what they wear, in spite of the movie posters. It harks back to the days when people used to lay away linen or other fabrics in lavender to prevent moths and mildew. So what this film was saying was - these ladies have been in storage a while, forgotten - and only when the young Polish guy comes into their lives do they flicker back to life.

The usual superb performances from Judi and Maggie, what makes them so good, in Judi Dench's case particularly, is that you can *see* what they are thinking before they even speak.

Superb fingering on the violin from an actor who, prior to this movie, had never touched one - you'd swear he was really playing.

The movie was particularly poignant for me as I lived for many years in Cornwall and recognised a lot of the scenery. I can, incidentally, assure the critic who claimed a "mistake" by saying Starry-gazey pie is confined to Moushole, that this he/she totally wrong.

It may have been originally a Mousehole speciality, but like Yorkshire pudding, has long since spread to other areas.

Ladies in Lavender is one of those British films which will become a classic for its gentle theme, fantastic setting (inside and out) superb lighting and sound - and a good, strong story line.