Empire Falls - Schicksal einer Stadt

Although everyone should read the book - it will pull you in and you'll know the real Maine and the people who live there - this film is the next best thing. The script is amazingly deft, the acting is brilliant, and the production design and values are beautiful and true to the source. Paul Newman completely embodies Miles'incorrigible father and never fails to light up the screen while completely exasperating you - like he must do to everyone who comes in contact with him. Ed Harris portrays Miles as the complex and very subtle person with a thoughtful quietness that lets you know both why people are drawn to him as well as gives you clues why he keeps these same people at a perceptible distance. The rest of the cast members are just as distinguished in their roles. (The talent quotient is unbelievably high!) As amazing as this production is on just about every level (except for the music, which is irredeemably cheesy but fortunately mostly unobtrusive) credit must be given first and foremost to Richard Russo for writing characters so real and so complex and nuanced, and dialogue that is realistically elliptical that the real pull of the movie is not waiting to see what happens, but in getting to know the characters better. These are all ordinary people and what makes them interesting is not what they do, but those subtle things that make them who they are. This is why the mini-series format was perfect. It gives the viewer the opportunity to get to know Empire Falls. My only wish is that at some point one could see this on the big screen. Certainly the mythical town of Empire Falls (and the real town that it represents) is an important character and IT'S crowded on the small screen.

Dan Plante

I saw the premiere in NYC, and I work with one of the cast members, so my take on the movie is a bit biased.

I also grew up in Maine, and know several of the locations well. All told, the production captured the sense of community in Maine very well. Look out the window of the Empire Grill for the best music store chain in the country, Bullmoose Music, or the background for other Maine details - Gifford's Icecream, Hannaford's, Route 201, Kennebunkport (and the Bush compound at Walker Point).

The film is excellent, and managed to translate the Richard Russo novel quite well. There was little changed or left out from the book - keep in mind this is a nearly 4 hour mini-series in two parts, 8 chapters. Watch it in two installments, late May, 2005 on HBO.

There is a very interesting dynamic with Paul Newman playing the passionate opposite of real-life wife Joanne Woodward, playing the rational and controlling matriarch. Ed Harris is the center of the production, and turns in a well considered and Mainer-like performance. Danielle Panabaker also performed well, and will turn into a starlet sooner than later. The supporting cast of Helen Hunt, Dennis Farina (hilarious), Kate Burton (wow), Philip Seymour Hoffman, Robin Wright Penn, Aidan Quinn, and Jeff DeMunn add up to an amazing ensemble.

It would be a 10 of 10 if the ending weren't the easy way out of a complex story, a problem with the book as well as the film.

Richard Russo's 483-page novel offers a multi-faceted story and a fascinating array of characters in a small town in Maine who are burdened by the weight of the past. At the heart of the story is the character of Miles Roby, the proprietor of a local grill. We learn of Miles' love that he felt for his deceased mother and the love that he feels for his young daughter. The story resonated with American readers, and Russo was awarded the 2002 Pulitzer Prize for fiction.

For a film version of Russo's novel, it would be difficult to imagine the assembling of a finer cast for the quirky, eccentric characters of "Empire Falls." The unassuming and selfless Miles Roby is brilliantly performed by Ed Harris. Although Russo was initially leaning towards the actor James Gandolfini for this crucial role, Harris captures the sensitivity and emotional depth of Miles that few other actors could achieve. Other members of this stellar cast include Paul Newman (as Miles' crusty father Max); Joanne Woodward (as the town matriarch Francine Whiting); Danielle Panabaker (as Miles' daughter); Helen Hunt (as Miles' ex-wife Janine); Aidan Quinn (as Miles' brother David); Theresa Russell (as Miles' co-worker and confidante at the grill); Estelle Parsons (as Miles' mother-in-law); and Kate Burton (as Cindy Whiting and lifelong admirer of Miles). These performances were so rich that it was as if the actors had been studying the book and developing their characters for the past three years. This was a film production so faithful to its source that it would be impossible reread the novel without thinking of this enormously gifted cast.

Veteran film director Fred Schepisi led the cast with a sure-handed yet leisurely paced style. In Russo's novel, the scenes from the past are written in italics, placing the key love relationship of Miles' mother Grace and Charlie Mayne in bold relief. This crucial relationship unfolded in the film in a slightly grey haze, which conveyed a visual aura of the past. As performed by Robin Wright Penn and Philip Seymour Hoffman, the relationship of Grace and Charlie was one of the most touching among many in this stellar cast. Schepisi's transitional moments between past and present were brilliantly conceived in the film.

Russo's novel is a uniquely American saga, recalling such great works of naturalism as Theodore Dreiser's "An American Tragedy." The story has great scope and deals with such themes as family dysfunction, small-town gossip, commerce and industry, political infighting, and, above all, family secrets. The painful layers of the past in the lives of the characters were carefully revealed to us and to the characters themselves. In one of the most moving sequences of the film, the past merges with the present, and the realization of Miles is that ultimately one must declare a "truce" with the ghosts from the past.

One of the readers affected by this powerful story was the actor Paul Newman, who had previously collaborated with Russo on the film "Nobody's Fool." Newman served as one of the film's executive producers. This HBO film adaptation of "Empire Falls" has been three years in the making, and the result is truly a labor of love.

"Empire Falls" (2005) is a screen adaptation of Richard Russo Pulitzer prize winning novel of the same title. It is a multi character drama that takes place in a small town Empire Falls, Maine. In its center if Miles Roby (Ed Harris) who manages the local restaurant, "Empire Grill" that belongs to a wealthy and powerful widow Mrs. Whiting. The film concerns Miles's re-evaluating his life and searching for answers to the difficult questions. In his search, he looks back at his childhood, his relationship with his mother and the connection between her life and Whitings family. Miles also has to deal with the problems of those close to him: his father Max (Paul Newman stole the show with his performance as a prodigal father), his teenage daughter Tick, his ex-wife Janine, and many more. Based on the first-rate writing, the film is masterfully shot and extremely well acted story of a small and forgotten town with no future.

Empire Falls is a remarkably intelligent piece of work, so very different from most mindless Hollywood films today. The smooth blend of comic and tragic with satiric overtones was brilliant. The easy transition from past to present reminds us all of the interdependence of child and parent, and the poignancy of different types of love. It reminded me of what films used to be capable of portraying in an era before mindless special effects took the place of human drama. The cast and crew should be commended for their artistic integrity in not succumbing to the current trend in the entertainment industry to cater to the lowest common denominator. I hope some Hollywood producers think about the fact that film can be thought-provoking, and not just a series of electronic jolts.

Empire Falls was a clear indication that there are still actors and actresses out there, and there are stories to be told without resorting to egregious remakes of old television series. If film is to be a viable part of culture, it needs to stimulate the mind of the viewer, and this film does that by creating complex characters who come to life on the screen. The issues of ambition and failure and love and hate pertain to us all, and the range of ages of the characters allowed for a wide identification. Empire Falls is a shining example of what the entertainment industry is capable of producing when it sets its mind on portraying the reality of the human condition with all of its weaknesses and strengths.