Napoleon Dynamite

Napoleon Dynamite (Jon Heder) is the typical sad-sack, luckless loser that has permeated high schools for seemingly centuries. He has no friends, he's picked on by bullies, he has a somewhat-odd home life ... but through it all, he's sure things will be just plain okay in the end.

Napoleon and his older brother Kip (Aaron Ruell) live with their grandmother, but at the beginning of the film she tells them she needs to take off for a couple days. Enter their Uncle Rico (Jon Gries), a self-starter who's living in 1982 (when the coach of his high school football team declined to put him in as quarterback, thus altering Rico's life forever). Some of the funniest scenes in the film involve Napoleon's often-combative relationship with Uncle Rico; Rico is also bound and determined to return to those halcyon days of his youth via a time machine he's seen advertised on the Internet, and he enlists Kip to help him raise the funds.

Napoleon befriends the new kid in school, Pedro (Efren Ramirez), who has a sweet bike, can talk to girls, and has an actual mustache. But like Napoleon, Pedro is a misfit. Both sometimes hang out with yet another taciturn student, Deb (Tina Majorino, all grown up from Waterworld), who secretly (it seems) likes Napoleon. But there isn't a lot of focus on their relationship, because Napoleon himself is fairly oblivious to how people perceive him. This isn't a story about young love or lust, it's a story about a misfit refusing to fit - while fitting in with others like him.

Jon Heder is perfectly cast as the gawky, dorky Napoleon; he resembles Butt-Head in countenance, although certainly not in temperament or intelligence. Mouth agape and with an awkward gait, Napoleon is about as odd a duck as you'd find in high school, and yet he still manages to survive with his dignity intact. He's a good egg, although he seems to overreact at times: "What are you gonna do today, Napoleon? Napoleon: Whatever I feel like I wanna do.....GOSH!" Still, his delivery is perfect. You can readily picture a Napoleon in any high school.

I think where the film ultimately succeeds, aside from the casting of Heder, is that it doesn't fall into the traps of predictability and stereotyping. Sure, it's a high school movie, and there are snobby pretty girls and arrogant jocks, but not much time is devoted to them. Sure, there's a big dance, but it doesn't necessarily turn out the way you'd expect it to. What you're left with, then, isn't a typical coming-of-age story, but rather a unique take on a rather mundane - albeit life-altering - time in a boy's life.

OK, I have seen a lot of negative reviews on this movie. It made me leery of even seeing it. I work at a video store so I get to see movies before their street release date. There were a few naysayers at work, but I rented it anyway. This was a rental well spent. This is the first movie I have seen in some time that doesn't have swear words or sex in any form so it is OK for any age. If you are or ever were just a little bit geeky, Napoleon is the hero for you. This movie is much funnier to a gen-x'er. There are a lot of things that you won't "get" if you weren't a part of the 80's. All in all, I think that it is a great way to spend an evening. I am looking forward to seeing more from this writer/director.

Napoleon Dynamite by all means is not a five-star masterpiece, and it mayn't be to everybody's tastes but I was surprised at how much I liked it, even with its problems. I can also say I do think there are much worse movies out there- Disaster Movie, Epic Movie, Home Alone 4, Cat in the Hat and Superbabies:Baby Geniuses 2 are much worse than this film.

What I did like about Napoleon Dynamite was that it was unique, funny, quirky and original. Where it is not quite so good is in the episodic story structure and some of the supporting characters particularly comic-book-geek older brother and the ageing jock uncle were disappointingly one-dimensional and could have been further explored in terms of depth.

Napoleon Dynamite does have a refreshingly distinctive time-warp look that recalls the style-challenged 1980s though, and that was refreshing in itself. The soundtrack is nice and nostalgic, and there are some genuinely laugh-out-loud funny moments. Also the ending is suitably uplifting and the limited horizons of young people in small-town America is nicely conveyed. The script is good and the direction is pretty solid.

As are the performances. Jon Heder is delightfully eccentric in the title role, and he is really entertaining throughout, whether it is in the voice, the facial expressions or his character's actions. Napoleon is a blank-faced teen with carrot-coloured hair and seriously underdeveloped interpersonal skills, and here he tries to help his nerd of a best friend Pedro, amusingly played by Efren Ramirez. In terms of other supporting performances, Aaron Ruell also does a good job as Kip and while his role wasn't as well-sketched as it could have been, Jonathan Gries does nicely as Uncle Rico.

Overall, not perfect, but amusing, quirky and unique. 7/10 Bethany Cox

Napoleon Dynamite (yes, that's his real name) is an outcast student in Preston, Idaho. But he befriends some other outcasts and in their own strange way they may just make themselves known. There may not be a definite plot, but it would be something like that.

I am calling this film "the smartest dumb comedy ever made" because the humor is all really stupid -- one-liners, absurd events and situations... with characters that really are not your typical movie heroes. But it's clear the people behind the film are not dumb at all. There's a hidden gem in this film.

The problem may be that the smartness is not on the surface. The first time I saw the film, I thought it was lame. The second time, I loved it. The third time, loved it more. I showed it to a friend once, who disliked it, but I wonder if she tried it again... and saw the genius. (Some might argue that "Freddy Got Fingered" is similar... I'm not going to try that here.)

It seems based on many of the comments on this site that certain folks may be expecting a bit too much from a movie such as 'Napoleon Dynamite.'

This ain't art cinema, folks. It's absurdist comedy. Don't go to see this film looking for deep meaning or well-constructed plot--the vague semblance of a plot is as artificial as they come, and seems inserted mostly to give the film structure and to permit the audience a somewhat 'happy' ending.

NO, Napoleon Dynamite isn't about changing the world--it's live action 'South Park' (Preston, Idaho, where the film is set, actually bears a strong resemblance to the real South Park, Colorado). It's a highly ironic, self-mocking, merciless run of sight gags and one liners with no apparent purpose other than to get laughs at the expense of its main characters, especially the eponymous Napoleon, a fit stand-in for everyone who's ever felt like a socially inept outcast trapped in the hell of high school.

This movie isn't for everybody, but if you don't see glimpses of your own childhood in the various awkwardnesses and failures of the main characters, you're in denial. Don't see Napoleon Dynamite if you're expecting sensitivity--go see it if you're pissed off at the world and just need to laugh. I saw it for the first time last night, and I'm still busting into spontaneous laughter whenever one of Napoleon's silly one-liners or blank-faced dead-pan non-sequitirs comes to mind.