Captivity

I didn't really want to see this movie. I'm not much into the genre and frankly I was kind of angered by the billboards that got taken down. But there was not much else to go see if you're not a Harry Potter fan. I was pleasantly, rather, unpleasantly surprised.

This is good thriller. I loved Elisha Cuthbert. I thought she did a great job. I was plenty scared and truly worried for her. There is some pretty hot stuff between her and Daniel Gilles. Gilles has a chance to be another Hollywood heartthrob. I believed in her character and cared about what happened to her.

It's not at all what I expected from this movie. Though there are pretty gratuitous torture scenes most of the movie was internal and really tackled fear unlike I've seen in a movie before. It not anything like Hostel or Saw both of which I didn't care for.

I'd recommend this for anyone who wants a good thrill and doesn't mind blood and gore.

'Torture porn' is one of the most tedious trends to happen in horror for years, but I do love me a bit of Elisha Cuthbert, so into the player went Captivity, another supposedly 'brutal' and 'gruelling' entry in this redundant sub-genre distributed by the usual culprits, Lionsgate Films.

The beautiful, pillow-chested star of TV's 24 plays Jennifer Tree, a successful young model who winds up imprisoned in a grimy, booby-trapped dungeon after her drink is spiked at a nightclub. There she is put through a series of terrifying and disgusting ordeals, before meeting and falling for fellow prisoner Gary, whose suffering helps her find the strength to fight back against their tormentor.

Captivity, from once respected director Roland Joffé, is clearly intended to outdo the Hostels and Saws in terms of shock horror and depravity, and to its credit, it is extremely revolting at times, even managing to make me gag during one scene involving body parts and a food blender; however, once the film leaves familiar torture territory and attempts to introduce a few plot twists, it completely falls apart due to its sheer predictability.

Most viewers should be able to guess what is coming way before it happens, and the film's major revelation is so bloody obvious its hard to believe that even a vacuous, image-obsessed model like Jennifer would be surprised by it (and it's even harder to believe that such a hackneyed script came from seasoned horror veteran Larry Cohen).

As the end credits rolled, I noticed that this film was produced with the help of director Courtney Solomon, the 'genius' responsible for such garbage as Dungeons and Dragons and An American Haunting; seems like he's no longer content to just direct crap films—now he assists others with the making of them too!

I liked the movie for what it is, a movie to pass the time on a rainy afternoon.

Unfortunately, the story is not that great. And with an avalanche of similar themed movies recently, this one really needed to shine to stick its head out above the rest. Don't expect too much of it. One known actress doesn't make a good movie, so don't blame one person for the script etc. Still worth seeing if you're invited by someone else to see it.

The end of the movie could have been with a bit more suspense I thought.

I have to admit that I probably wouldn't have gone to cinema to see this film if it wasn't for all the unneeded controversy surrounding it's marketing campaign in the USA, but I guess that's a good thing as it shows that the people who initiate that sort of thing usually just end up helping the film in question to reach a wider audience. I have to say that whoever it was that made such a fuss about the posters did me a favour, as while Captivity isn't exactly a modern masterpiece; it's certainly a decent little horror thriller, and I'm glad I went to see it. The film focuses solely around Jennifer Tree, an actress who is abducted and thrown into a basement dungeon from which there is no escape and she is continually watched over by the psychopath who abducted her; a man who also enjoys putting her through all manner of sadistic and brutal torturing. Hope arises when she finds a man in the cell next to her, and together they attempt to escape from the dungeon. But as they face more sadism and torture, it turns out that the situation isn't all it seems.

This film is obviously catching on to the 'torture porn' film type that seems to be dominating the horror genre recently (films such as Hostel and Saw being at the forefront), but while this doesn't add anything new; it is entertaining to watch, and that is really all that is important from this sort of film. The film is, surprisingly, directed by experienced director Roland Joffé, whose only other film I've seen is the Oscar nominated "The Killing Fields" - and this is nothing like it! (Though I'd say that's a good thing...). The screenplay was written by the great Larry Cohen, who you can always count on for an entertaining thrill ride, and while this isn't one of his best attempts; I'd pretty much say he delivered (it's better than Cellular, too). The twist in the middle can be seen coming a mile off, but that's not important either as the handling after the twist is good and with this, Cohen succeed in racketing the film up a notch. Captivity is very short at just 85 minutes, but I'd rather it be on the short side than feature a bucket load of filler like many films these days do. Overall, I won't say this is brilliant or a classic; but it's a more than decent horror thriller and I definitely recommend seeing it.

You see I saw another movie yesterday (9 July 07) about being trapped in a room which may have been to the detriment of Captivity. While in general the idea was good there was something not quite thrilling enough. Captivity borrowed from a smattering of other movies without really living up to any of them.

It was nice to see Elisha doing something different, and as always pleasant enough to see her in a film.. but I felt little empathy for her character or indeed, that of her companion.

Not psychological enough to be another Silence of the Lambs or 1408, and not horror / gore enough to be another Saw, Cube or Hostel.