IMDb-BEWERTUNG
6,8/10
15.414
IHRE BEWERTUNG
Monate nach den Ereignissen des Originalfilms verdächtigt Ming einen Polizeipräsidenten, ein neuer Maulwurf der Triaden zu sein, während Yan Jahre zuvor seinen ersten Einsatz hat.Monate nach den Ereignissen des Originalfilms verdächtigt Ming einen Polizeipräsidenten, ein neuer Maulwurf der Triaden zu sein, während Yan Jahre zuvor seinen ersten Einsatz hat.Monate nach den Ereignissen des Originalfilms verdächtigt Ming einen Polizeipräsidenten, ein neuer Maulwurf der Triaden zu sein, während Yan Jahre zuvor seinen ersten Einsatz hat.
- Auszeichnungen
- 3 Gewinne & 11 Nominierungen insgesamt
Tony Leung Chiu-wai
- Chan Wing Yan
- (as Tony Leung)
Daoming Chen
- Inspector Shen Chen
- (as Chen Dao Ming)
Anthony Chau-Sang Wong
- SP Wong Chi Shing
- (as Anthony Wong)
Ka-Tung Lam
- Inspector Billy
- (as Lam Ka Tung)
Zhizhong Huang
- Liang
- (as Huang Zhi Zhong)
Chi-Keung Wan
- SP Leung
- (as Wan Chi Keung)
Yeung-Ming Wan
- Night Club Manager
- (as Wan Yeung Ming)
Empfohlene Bewertungen
While this is a great film with an incomparable score and outstanding cinematography, it leaves a lot to be desired.
It is really not necessary as the first two films really give us all we need. It is light on action and heavy on psychological trauma. Andy Lau as Inspector Lau has taken care of all the moles - or he thinks he has. he is not sure and wants to be clear there is nothing tying him to Sam so he can be the good cop he wants to be. SP Leung is a creepy fellow and we are never sure just what he is. Is he a mole, or just a crooked cop. It is never clear.
I was glad that Kelly Chen got a much bigger role as Dr. lee, but it would have been even better if we saw a relationship with Yan. It was obvious that she had love for him, but it never blossomed on screen. Yes, I know that would be a violation of the doctor-patient relationship, but it was there under the surface. Why didn't it come out.
We got to see quite a bit of Tony Leung in this film, and that is always a good thing.
It was very distracting the way the film jumped back and forth through time. It was trying to tie up the loose ends, but it was disconcerting.
It could have been an outstanding film, but it'll just have to be great to see the actors and enjoy their performance.
It is really not necessary as the first two films really give us all we need. It is light on action and heavy on psychological trauma. Andy Lau as Inspector Lau has taken care of all the moles - or he thinks he has. he is not sure and wants to be clear there is nothing tying him to Sam so he can be the good cop he wants to be. SP Leung is a creepy fellow and we are never sure just what he is. Is he a mole, or just a crooked cop. It is never clear.
I was glad that Kelly Chen got a much bigger role as Dr. lee, but it would have been even better if we saw a relationship with Yan. It was obvious that she had love for him, but it never blossomed on screen. Yes, I know that would be a violation of the doctor-patient relationship, but it was there under the surface. Why didn't it come out.
We got to see quite a bit of Tony Leung in this film, and that is always a good thing.
It was very distracting the way the film jumped back and forth through time. It was trying to tie up the loose ends, but it was disconcerting.
It could have been an outstanding film, but it'll just have to be great to see the actors and enjoy their performance.
Infernal Affairs 3 builds cleverly on the plotline of the first movie, but with its complex story and frequent switches between past and present, is likely to seriously confuse anyone who comes to it without having seen Part 1 first to understand the two main characters. For those who have, this film brings out further details of the relationship between the two, superbly played again by Tony Leung and Andy Lau. With frequent flashbacks, the film focuses on extending the story of Triad mole Ming (Andy Lau), warping up the tension as the stresses of his double life become intolerable. Leon Lai's usual expressionless performance, which mars his other films, works well here as it leaves you few clues about his character's motivation until the climax.
If you enjoyed Part 1, you will enjoy this. (I haven't seen Part 2 yet.)
If you enjoyed Part 1, you will enjoy this. (I haven't seen Part 2 yet.)
The last installment in the Infernal Affairs trilogy is surprisingly slow moving, but still has the high production values and intricate story of the first two, although as a whole it is slightly less engaging than the preceding films. There have been a lot of comparisons between this trilogy and The Godfather films, and the similarities in story-telling structure and the overall arc of the sequels are definitely there, although I have to admit that I think the Godfathers exist on an entirely different level as these films. The Infernal Affairs films are good, but they're not THAT good.
There is a lot of work in bringing together the stories of the first two films and it definitely adds to them, but I found this one to be too slow moving, although the pace picked up by the third act and the final scene is definitely impressive.
On the other hand, the trilogy ends on a serious downer - "Ksitigarbha Sutra - 'People of the like shall be cast into the Avinci Hell and will continue to suffer from Kalpas to Kalpas with no means of escape.'
I may as well just admit that I don't know the meaning or source of this quote, but it sure seems like a depressing note to end the trilogy on. Nevertheless, despite being just a little bit of a let-down (like countless trilogy finales), Internal Affairs 3 is a necessary closure, and Asian cinema fans are sure to eat it up.
There is a lot of work in bringing together the stories of the first two films and it definitely adds to them, but I found this one to be too slow moving, although the pace picked up by the third act and the final scene is definitely impressive.
On the other hand, the trilogy ends on a serious downer - "Ksitigarbha Sutra - 'People of the like shall be cast into the Avinci Hell and will continue to suffer from Kalpas to Kalpas with no means of escape.'
I may as well just admit that I don't know the meaning or source of this quote, but it sure seems like a depressing note to end the trilogy on. Nevertheless, despite being just a little bit of a let-down (like countless trilogy finales), Internal Affairs 3 is a necessary closure, and Asian cinema fans are sure to eat it up.
Having now watched the entire INFERNAL AFFAIRS trilogy, I've concluded that only the original film was necessary. The first sequel took the form of a prequel, an entirely extraneous piece of back story that adding nothing to the original and would have worked better as a stand alone movie. This, the second sequel, is even worse, a muddled attempt at tying together both prequel and sequel, adding in lots of entirely superfluous stuff and additional characters that are all entirely necessary.
Tony Leung returns to the movie series, but his scenes amount to nothing more than padding; his character was so carefully delineated in the first movie, there's entirely nothing to add. Andy Lau has the most interesting role in a sub-plot that follows on directly from the first film's, and this section of the film was the most entertaining. But it's still rather unnecessary, and would have been much better had it been tied up at the end of the first film, as Scorsese did when he remade the series as THE DEPARTED.
Overall, INFERNAL AFFAIRS 3 feels confused and muddled. The constant jumping between past and present happens so much that it's ridiculous, and it becomes overwhelming clear that this was only rushed out to make a quick buck or two after the success of the original film.
Tony Leung returns to the movie series, but his scenes amount to nothing more than padding; his character was so carefully delineated in the first movie, there's entirely nothing to add. Andy Lau has the most interesting role in a sub-plot that follows on directly from the first film's, and this section of the film was the most entertaining. But it's still rather unnecessary, and would have been much better had it been tied up at the end of the first film, as Scorsese did when he remade the series as THE DEPARTED.
Overall, INFERNAL AFFAIRS 3 feels confused and muddled. The constant jumping between past and present happens so much that it's ridiculous, and it becomes overwhelming clear that this was only rushed out to make a quick buck or two after the success of the original film.
I've watched Infernal Affairs I, II & III, in a year time. I loved the first one very much. It gave me a very unexpected feeling. It's simple but strong in impact. Though one could mention a lot of flaws in the plot, I just couldn't resist its charm. The second one made me disappointed because it lacked the kind of impact the first one gave me. Now after watching the third one, I realise why there needs to be a second one in totally different style than the first one. It's a preparation for the audiences adapting to the change in the third one.
I like this third one. Without the second one, probably I would have been like the other audiences critising the change of style from the first one. It's this kind of change, it's made the film more solid, full of human feeling. The first one indeed was touching only the surface of the hole. This third one is more into the content of it - the heart of the people.
I love particularly the part describing Andy Lau's psychological sufferings and changes. The shadowing effect he had with Tony Leung should deserve a credit for script writing, directing and editting. The interlacing of stories between that happened before and after Tony Leung's death has been editted great. I feel sorry for people who don't read this or who don't like it. It's certainly the best part of the film which should earn a credit rather than negative critics.
I would conclude that the first one is like spicy cuisine which is strong in taste and quick in making one like it immediately if you can stand it. The third one is somehow a French cuisine where you have to be patient, taste it slowly together with the wine before you appreciate the marvellous cooking skills and feel the heart of the Chef.
I like this third one. Without the second one, probably I would have been like the other audiences critising the change of style from the first one. It's this kind of change, it's made the film more solid, full of human feeling. The first one indeed was touching only the surface of the hole. This third one is more into the content of it - the heart of the people.
I love particularly the part describing Andy Lau's psychological sufferings and changes. The shadowing effect he had with Tony Leung should deserve a credit for script writing, directing and editting. The interlacing of stories between that happened before and after Tony Leung's death has been editted great. I feel sorry for people who don't read this or who don't like it. It's certainly the best part of the film which should earn a credit rather than negative critics.
I would conclude that the first one is like spicy cuisine which is strong in taste and quick in making one like it immediately if you can stand it. The third one is somehow a French cuisine where you have to be patient, taste it slowly together with the wine before you appreciate the marvellous cooking skills and feel the heart of the Chef.
Wusstest du schon
- WissenswertesShot back-to-back with Infernal Affairs - Abstieg in die achte Hölle (2003). While that was a prequel to Infernal Affairs - Die achte Hölle (2002), this third instalment is a direct sequel to the first film.
- PatzerIn the movie, we see Dr Lee's notes about Yan twice. The text in both scenes are in English and has nothing to do with Yan. In fact, the text is a discussion about a blind person (called May) who regained his sight sense. Moreover, though both text tells the same thing, the texts are not the same in those two scenes.
- Zitate
Inspector Shen Chen: Men are changed by events, not events by men.
- Alternative VersionenDirector's cut (available on Hong Kong DVD) runs ca. 10 min. 40 sec. longer.
- VerbindungenEdited from Infernal Affairs - Die achte Hölle (2002)
- SoundtracksRoad To Inferno
Composed by Andy Lau, Kwok-Leung Chan and Marco Wan
Lyrics by Andy Lau
Produced by Andy Lau, Kwok-Leung Chan, and Tony Kiang
Performed by Hacken Lee
Top-Auswahl
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- Infernal Affairs III
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- Weltweiter Bruttoertrag
- 4.468.597 $
- Laufzeit
- 1 Std. 58 Min.(118 min)
- Farbe
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- Seitenverhältnis
- 2.35 : 1
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