IMDb-BEWERTUNG
5,8/10
58.283
IHRE BEWERTUNG
Basierend auf der wahren Geschichte von zwei Sporttauchern, die versehentlich in haifischverseuchten Gewässern gestrandet sind, nachdem ihr Tourboot abgefahren ist.Basierend auf der wahren Geschichte von zwei Sporttauchern, die versehentlich in haifischverseuchten Gewässern gestrandet sind, nachdem ihr Tourboot abgefahren ist.Basierend auf der wahren Geschichte von zwei Sporttauchern, die versehentlich in haifischverseuchten Gewässern gestrandet sind, nachdem ihr Tourboot abgefahren ist.
- Auszeichnungen
- 2 Gewinne & 6 Nominierungen insgesamt
Michael E. Williamson
- Davis
- (as Michael Williamson)
Cristina Zenato
- Linda
- (as Cristina Zenaro)
John Charles
- Junior
- (as Jon Charles)
Steve Lemme
- Scuba Diver
- (Nicht genannt)
Empfohlene Bewertungen
As I walked out of the theater today, I felt so small and fragile, not to mention I couldn't pronounce a word because I was still very impressed by what I had just seen. This is a film that sets a great example of what movie making should be today. First because it was done without special effects or computers, second because it was very nicely done in terms of lighting, camera, acting and directing and third because it made me feel exactly what the characters were feeling the whole time. I was on my car and still I was left without words. As I drove, I was complaining about how somebody's negligence can have such consequences in other people's lives and reflecting on how arrogant and cocky we get even when we are completely out of our domain, thinking we know better. I am very fund of sharks and I love to see them on film, on TV and as close as an aquarium that has them can let you see them. I just finished reading a book about the USS Indianapolis and believe me there are terrifying stories for you to imagine about survivor's experiences with the sharks, but for the very first time someone made me feel like I was really among them myself and also someone made me feel very scared of them. I was changing positions over and over on my seat during the movie because I was really feeling uneasy and frightened at times. So come and see Open Water and let this movie remind you how fragile life is and how human we are. Live the experience of helplessness, terror and impotence towards what you cant see or solve as if you were really there and your life depended on it. Congratulations to the whole crew.
An excellent example of how a very high-quality survival film can be made for a low budget. The emphasis in the film is on the development of relationships in a couple thrown into the sea. Sharks appear in moments, which is not surprising for such a budget, but closer and closer each time. This is enough to understand the hopelessness of the situation. Shots with a couple in the water and parties on the shore alternate very successfully. Everyone is having fun and is not even aware of the tragedy unfolding at the same time. The actors play great, especially given the shooting conditions. An excellent film about how people find themselves helpless and defenseless on the open sea.
First of all congratulations to Chris Kentis for spotting this topic and writing and directing the film. Now you can tell after praising the film maker up front the rest of this review is going to be quite critical! This film unnerved me, it made me feel uncomfortable as well and that's the problem - it should have frightened the absolute living daylights out of me! Because I rate being deserted at sea in shark-infested waters right up there in the scary-stakes with being buried alive. Now I respect Mr Kentis and his collaborators decision to tell the story in a very minimalist way, I guess they considered this story was powerful enough on its own not to require a heavy hand, and I could have agreed with them pre production. But now having seen it I don't think it was. I'm not saying they needed full on John Williams score and masses of special effects but perhaps varying the camera angles a bit more would have worked better.
Most of the story is told with the camera in an elevated position looking down on the protagonists, i.e a boat! This means I am divorced from any threat or the action. Couldn't we have got down to eye level more allowing us to feel we were more apart of the story? It was our toes about be chomped off? I'm afraid in the drama stakes this movie never got anymore dramatic than the average TV docu-drama and that's a real shame for after coming up with this concept and creating a half decent script Mr Kentis has missed an opportunity to create a classic.
Most of the story is told with the camera in an elevated position looking down on the protagonists, i.e a boat! This means I am divorced from any threat or the action. Couldn't we have got down to eye level more allowing us to feel we were more apart of the story? It was our toes about be chomped off? I'm afraid in the drama stakes this movie never got anymore dramatic than the average TV docu-drama and that's a real shame for after coming up with this concept and creating a half decent script Mr Kentis has missed an opportunity to create a classic.
Open Water might be a bit too low budget for many audience members.
But this is a prime example of how budget should not hold back a brilliant concept.
This is as realistic as it comes, from the scene in the hotel room where the couple lounge around completely nude (like people do in real life!), to the anxiety and horror of being in the Open Water, alone.
This might very well be an underrated masterpiece that has spawned numerous awful sequels.
But this is a prime example of how budget should not hold back a brilliant concept.
This is as realistic as it comes, from the scene in the hotel room where the couple lounge around completely nude (like people do in real life!), to the anxiety and horror of being in the Open Water, alone.
This might very well be an underrated masterpiece that has spawned numerous awful sequels.
I guess I'm simply dense because I failed to understand why previous critics raved about this boring,boring movie and how some of them were so scared and distraught that brain numbness overwhelmed them. This fragmented ,tiresome story was just plain silly --Imagine a crew member who can't count to twenty and the feeble overused gimmick of contrasting the couples' plight with all the bustle and liveliness of natives in an outdoor shopping mall. Cut to the luckless couple , heads just bobbing along for over an hour in a monotonous sea. Exciting,no! Throw in the mandatory shark attack and your fright knows no bounds. I have this uneasy feeling that because of all the overworked hype, people feel compelled to rave about it, lest they admit (like me) to having been taken in. Simply, just an insipid travesty. Don't waste your money!
Wusstest du schon
- WissenswertesThe sharks used in this film were Caribbean Reef Sharks. The cast wore chain mesh under their diving suits for protection and though none of them was bitten by the sharks, Blanchard Ryan (Susan) was nipped by a barracuda on the first day of filming. In the movie, after Susan is bitten, her boyfriend says, "It was probably a barracuda seeing what you taste like."
- PatzerWhen Susan asks, "Where's the boat?", they are in the shadow of the camera boat.
- Crazy CreditsAs the credits roll, a fisherman guts a dead shark. As he sorts through the contents of its stomach, he finds Susan and Daniel's yellow camera.
- Alternative VersionenThe version shown on Indian cable networks remove the nude scene of Blanchard Ryan and mute all profanities.
- VerbindungenFeatured in 30 Even Scarier Movie Moments (2006)
- SoundtracksIsa Lei
Performed by the Pupils of the Adi Cokabau
Courtesy of Shanachie Entertainment Corp
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Details
Box Office
- Budget
- 500.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 30.610.863 $
- Eröffnungswochenende in den USA und in Kanada
- 1.100.943 $
- 8. Aug. 2004
- Weltweiter Bruttoertrag
- 54.683.487 $
- Laufzeit
- 1 Std. 19 Min.(79 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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