Nomad - Fürst der Steppe

Nomad is no different from American epics. Had the spoken language been English instead of Kazakh, it would have been impossible to distinguish this film from movies like Gladiator, Braveheart or Troy. It's just the latest entry in an overused genre. Still, I enjoyed watching Nomad. It entertained me for two hours even if I knew where the story was headed to, and that's all I demanded from it.

Like so many other similar flicks, Nomad deals with a tyrant, the people he's been tormenting for years, and a "chosen one" who will eventually dethrone him. When he first hears of this, the cruel dictator orders that this child be found and immediately killed. Naturally, the attempt fails, and the boy is raised in a remote village by an old, wise father figure, a character clearly based on the Merlin/Gandalf/Obi-Wan Kenobi blueprint. As the years pass, our hero, named Mansur (Kuno Becker), becomes a skilled warrior, perfectly capable of leading his rebellious countrymen in battle against the evil monarch. While preparing for the conflict, Mansur also has to deal with his feelings for a girl and the effects said romance is having on his lifelong friendship with Erali (Jay Hernandez), a man willing to do anything for his country and, most importantly, his leader and best friend.

The themes explored in epics are generally love, loyalty and freedom, and Nomad covers all of them them in a competent but predictable way: anyone who's ever seen this kind of movie will have no trouble figuring out how the various subplots, not to mention the big picture in itself, are going to end. But while it isn't exactly fresh, Nomad is a respectable film, its main quality lying in the visuals: the battle scenes are as great and gorgeous as in a Ridley Scott film, and the same should be said of the numerous shots concerning the eye-popping landscapes. In fact, with so much beautiful imagery (although a bit more violent than the average Hollywood blockbuster), it's a bit weird not to find the Blade Runner director's name among the executive producers, which do however include Milos Forman (the man behind the fabulous Amadeus).

So, as usual, style prevails over content, but when it looks so good, why complain? Nomad is a piece of pure, simple, unadulterated fun; that's why I liked it, and the reason genre fans should embrace it as well.

7,5/10

I visited Kazakhstan briefly in September 2003. On a Sunday afternoon I was taken up to a reservoir high, high above the city of Almaty which is about the only place available for local residents to go for relaxation. It was an unbelievably beautiful location, even though it was an artificial lake. I was shocked to meet another American at the end of this rocky bumpy road in the middle of nowhere; he turned out to be one of the top guys on the production staff and they were filming "Nomad". He told me about the movie and I then realized that the Japanese wrestlers that were on the plane on the way over were brought in to be extras! I was expecting some huge blockbuster production and kept looking for it in local movie guides. I was looking up Jason Scott Lee and coincidentally found this page and realized the movie was long out and apparently a vanity project for the Kazakhstani president... it probably never made the screens here in Japan. Too bad as I am a great JSL fan. I cannot comment on the film, but I do know from what I saw in KZ that the backdrop must be spectacular.

This moviefilm of great success, produce by senior producer Azamat Bagatov tell famous story of how Kazakhstan was first nation to be pecked out of Giant Egg by Mighty Hawk Ukhtar and how Kazakhis later achieve domestication of woman.

Kazakhstan current has a very thrive industry of moviefilm production and has prove to world that has all the knowledges and facility need to make a blockbustering. Varied locations, beautiful scenery, and hardest working 7-year-olds in all Central Asia make this possible. And no need specials effects: battle scenes are made crushing real gypsys and Uzbekhis!

Great success!

Other reviewers before me saw this in Kazak language with English subtitles. My review is for the English version which was released in 40 US theaters this weekend. Only the greetings were in the Kazak language. Being a fan of Hong Kong flicks, I've seen my fair share of bad dubbing, and I could not tell that this was dubbed, period! Maybe it wasn't as most of the main actors are American. It was a wonderfully filmed historical epic that contains some minor ripoffs from Return to Snowy River, Gladiator and Musa(2001), but those scenes worked very well. If you're a fan of warriors on horseback this is definitely a must see for you. To be honest I wasn't expecting it to be so good, and the only reason I drove out of my way to see it was because Mark Dacascos was in it. He plays a menacing warrior and was definitely cast well as his character! Way to go Mark! The girls in this flick are pretty and their acting is well done! This film is definitely soft on the eyes and full of epic eye candy. They spent the 40 million production dollars well. The actors' performances were believable even the unknowns. My only complaint with this film is the 2 main heroes. You could tell they'd been trained well with sword fighting as I'm sure Jason Scott Lee and Mark helped out with that. But I really didn't think the two main heroes were cast well as Kazaks seeing how most everyone else in the film at least looked half Oriental including the Kazaks. Aside from that, I have no complaints and only praise for this foul-language-free and nudity-free sweeping historical epic shot on location which is a definite plus in my book!

Each ingredient and spice of great impact film is used. Impressive fight scenes, decent acting, nice story, a fresco and a manifesto , mythical motives and self definition, friendship, love and duty. Impressive and well crafted, not always convincing but example of rich beauty and fair use of very famiiar themes in proper way.