Die Chroniken von Narnia - Der König von Narnia
Originaltitel: The Chronicles of Narnia: The Lion, the Witch and the Wardrobe
Vier Kinder reisen durch eine Garderobe in das Land von Narnia und erfahren von ihrer Bestimmung, das Land unter der Führung eines mystischen Löwen zu befreien.Vier Kinder reisen durch eine Garderobe in das Land von Narnia und erfahren von ihrer Bestimmung, das Land unter der Führung eines mystischen Löwen zu befreien.Vier Kinder reisen durch eine Garderobe in das Land von Narnia und erfahren von ihrer Bestimmung, das Land unter der Führung eines mystischen Löwen zu befreien.
- 1 Oscar gewonnen
- 18 Gewinne & 46 Nominierungen insgesamt
Shelly Edwards
- Distraught Mother
- (as Shelley Edwards-Bishop)
Zusammenfassung
Reviewers say 'The Chronicles of Narnia: The Lion, the Witch and the Wardrobe' is lauded for its immersive fantasy world and standout performances, especially Tilda Swinton and Liam Neeson. Themes of courage and good triumphing over evil resonate, though some find the start slow and pacing rushed. CGI reliance and character depth are criticized, alongside the film's Christian themes. Battle scenes, though visually impressive, lack intensity for some viewers.
Empfohlene Bewertungen
To sum things up: I loved this movie.
I had been waiting for it ever since it was announced, so of course I couldn't pass up the chance to see a press preview this morning. And, while there were some definite weaknesses (mostly in the quality of the animations), overall I was completely convinced. Naturally it did not coincide 100% with my own vision of Narnia visually, but emotionally it rang absolutely true, choking me up several times and really touching me. I walked out of the theatre with a warm, contented feeling - just like I feel every time I read C.S. Lewis' book!
The stand-out performance was definitely Tilda Swinton's as the White Witch, but I liked all actors/voices, from cute little Lucy (newcomer Georgie Henley) to majestic Aslan (Liam Neeson). I thought the children did a great job, considering their relative inexperience and the amount of blue screen work involved.
Tip: Stay seated through the actor credits - afterwards there's another small scene.
I had been waiting for it ever since it was announced, so of course I couldn't pass up the chance to see a press preview this morning. And, while there were some definite weaknesses (mostly in the quality of the animations), overall I was completely convinced. Naturally it did not coincide 100% with my own vision of Narnia visually, but emotionally it rang absolutely true, choking me up several times and really touching me. I walked out of the theatre with a warm, contented feeling - just like I feel every time I read C.S. Lewis' book!
The stand-out performance was definitely Tilda Swinton's as the White Witch, but I liked all actors/voices, from cute little Lucy (newcomer Georgie Henley) to majestic Aslan (Liam Neeson). I thought the children did a great job, considering their relative inexperience and the amount of blue screen work involved.
Tip: Stay seated through the actor credits - afterwards there's another small scene.
Rewatching The Chronicles of Narnia: The Lion, The Witch, and The Wardrobe reminded me why it's such a timeless movie. It still gets me every time, especially the lullaby scene with Mr. Tumnus, played beautifully by James McAvoy, who is one of my favorite actors. Liam Neeson's voice as Aslan is inspiring and adds so much gravitas to the character. But for me, the standout is Tilda Swinton as the White Witch. Her performance is chilling and commanding, making her one of the most memorable parts of the movie.
The production is top-notch. The visuals are stunning, especially considering it was released in 2005, and they mostly hold up well even now. The costumes and set design are fantastic, capturing the magical and otherworldly feel of Narnia. The soundtrack is another highlight, adding emotional depth to key moments and making the experience even more immersive.
Based on the beloved novel by C. S. Lewis, the film does a good job of sticking to the important plot points while making the story accessible to a new generation. Of course, no adaptation is perfect, but this one stands on its own as a great piece of fantasy storytelling. It's not just a movie; it's a journey into a world full of magic, courage, and redemption.
This movie also feels like the perfect pick for the holiday season. It has that warmth and wonder that makes it ideal to watch with family at Christmas. The Lion, The Witch, and The Wardrobe remains a classic, and I can't recommend it enough for anyone who wants to experience a bit of magic.
The production is top-notch. The visuals are stunning, especially considering it was released in 2005, and they mostly hold up well even now. The costumes and set design are fantastic, capturing the magical and otherworldly feel of Narnia. The soundtrack is another highlight, adding emotional depth to key moments and making the experience even more immersive.
Based on the beloved novel by C. S. Lewis, the film does a good job of sticking to the important plot points while making the story accessible to a new generation. Of course, no adaptation is perfect, but this one stands on its own as a great piece of fantasy storytelling. It's not just a movie; it's a journey into a world full of magic, courage, and redemption.
This movie also feels like the perfect pick for the holiday season. It has that warmth and wonder that makes it ideal to watch with family at Christmas. The Lion, The Witch, and The Wardrobe remains a classic, and I can't recommend it enough for anyone who wants to experience a bit of magic.
I thought this a very well done film indeed. I will say the film looks just splendid, especially the scenes in Narnia, with beautiful snowy sets (some looked as though it had come from the LOTR trilogy). However, some of the scenes looked as though they had been computerised, such as the scene with the children and beavers running across the ice. There were also some attempts to put some humour into the story like the professor's line "ah yes, the weeping one" in reference to Lucy and the beavers especially, but because the director had taken liberties to make the story darker, the humour didn't quite work. However there are a number of positives, like the spirited performances of the children, Georgie Henley especially, better than Sophie Wilcox's rather goofy portrayal in the 1988 series. James McAvoy is charming as Mr. Tumnus, and Liam Neeson was majestic as Aslan. But the acting honours go to Tilda Swinton as the White Witch, even with her calmness she dominates the screen, in a sometimes chilling portrayal as the character. The film was fairly faithful to the book, but the added scenes and dialogue failed to engage as much. All, a flawed but enjoyable film. 7/10 Bethany Cox
A wonderful movie. The characters are beautifully made from a well chosen characters. The CGI and special effects are top notch. The centaurs, beavers, trees, tigers, bears, fox, all are taking. Oh! yeah, they are talking. The creators have done an excellent job in bringing out the emotions, the lip sync, and the body language of various animal, very well. The White Witch was scary as hell. The final battle sequence was spectacular. I was amazed with the battle sequence.
Aslan's character was the best. I love the way the Lion talks, walks and emotes. It's simply amazing.
Amazing direction. Amazing music. Excellent make-up. Amazing editing work. A very good adoption of the Narnia series. Very funny movie too. Worth watching.
Aslan's character was the best. I love the way the Lion talks, walks and emotes. It's simply amazing.
Amazing direction. Amazing music. Excellent make-up. Amazing editing work. A very good adoption of the Narnia series. Very funny movie too. Worth watching.
Adam Adamson's film adaptation of C. S. Lewis' first entry in his classic Narnia Series starts off awkwardly like a combination of the "Wizard of Oz" and "Lord of the Rings." The filmmakers spend too much time early on trying to be cute and Disney-fy the product while clumsily presenting scenes composed of live-action actors and not-so-great computer effects. The result, not surprisingly is like an animated film with some flesh-and-blood actors spliced in. However, once you get used to the film stylistically, all is mostly forgiven.
The filmmakers finally find solid ground when they really start to dig deeply into the story and reveal the blending of nature-based neo-paganism with medieval Christian mythology and wrap it up nicely into a children's fairytale. It's when you start to realize the white witch (played effectively by the always somewhat creepy Tilda Swinton) represents the old pre-Abraham polytheism demanding animal and human sacrifice for appeasing the pantheon of gods/goddesses and the lion king, Aslan, represents the Christian view of one self-sacrificing god that you remember the brilliance of Lewis' source material. And while it isn't terribly well executed, the epic "Battle-Beast" style showdown at the end is pretty entertaining from a visual and imaginative standpoint.
The filmmakers finally find solid ground when they really start to dig deeply into the story and reveal the blending of nature-based neo-paganism with medieval Christian mythology and wrap it up nicely into a children's fairytale. It's when you start to realize the white witch (played effectively by the always somewhat creepy Tilda Swinton) represents the old pre-Abraham polytheism demanding animal and human sacrifice for appeasing the pantheon of gods/goddesses and the lion king, Aslan, represents the Christian view of one self-sacrificing god that you remember the brilliance of Lewis' source material. And while it isn't terribly well executed, the epic "Battle-Beast" style showdown at the end is pretty entertaining from a visual and imaginative standpoint.
Wusstest du schon
- WissenswertesGeorgie Henley's reaction to Mr. Tumnus at the lamppost is genuine. She had not seen her castmate James McAvoy in his costume before filming the scene, so her screams and reactions were real. Georgie's first reaction to the snowy world of Narnia is also genuine. She was carried into the set blindfolded to make her first entrance, and her wide-eyed, delighted reactions to it all were entirely her own.
- PatzerWhen the children are running around in the house trying to find a hiding place while playing hide and seek, Lucy's dress changes from purple to brown.
- Crazy CreditsThere is a further brief scene with Lucy and the Professor after the initial cast credits.
- Alternative VersionenGerman theatrical version (non-digital) was cut for violence to secure a "Not under 6" rating. Digital presentations were uncut (with a "Not under 12" rating). On DVD, both versions were released (standard DVD was cut, collector's edition was uncut).
- VerbindungenEdited into The Nostalgia Critic: Black Cauldron (2019)
- SoundtracksOh Johnny Oh, Johnny Oh!
(1917)
Music by Abe Olman
Lyrics Ed Rose
Performed by The Andrews Sisters
Courtesy of Geffen Records
Under license from Universal Music Enterprises
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Las crónicas de Narnia: El león, la bruja y el ropero
- Drehorte
- Adrspach National Park, Trutnov, Tschechische Republik(winter forest scenes)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 180.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 291.710.957 $
- Eröffnungswochenende in den USA und in Kanada
- 65.556.312 $
- 11. Dez. 2005
- Weltweiter Bruttoertrag
- 745.013.115 $
- Laufzeit2 Stunden 23 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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