Eine Krankenschwester, ein Polizist, ein junges Ehepaar, ein Verkäufer und andere Überlebende einer weltweiten Plage, die aggressive, fleischfressende Zombies hervorbringt, flüchten in ein r... Alles lesenEine Krankenschwester, ein Polizist, ein junges Ehepaar, ein Verkäufer und andere Überlebende einer weltweiten Plage, die aggressive, fleischfressende Zombies hervorbringt, flüchten in ein riesiges Einkaufszentrum im mittleren Westen.Eine Krankenschwester, ein Polizist, ein junges Ehepaar, ein Verkäufer und andere Überlebende einer weltweiten Plage, die aggressive, fleischfressende Zombies hervorbringt, flüchten in ein riesiges Einkaufszentrum im mittleren Westen.
- Auszeichnungen
- 1 Gewinn & 17 Nominierungen insgesamt
Louis Ferreira
- Luis
- (as Justin Louis)
Zusammenfassung
Reviewers say 'Dawn of the Dead' (2004) is a divisive remake, praised for its action-packed sequences, improved special effects, and faster pace. The fast-moving zombies, inspired by '28 Days Later,' receive mixed reactions. Many appreciate the updated approach and standalone quality, while others miss the original's social commentary and character depth. Sarah Polley and Ving Rhames' performances are highlighted, but the ending and certain character decisions are criticized. Overall, it's seen as an entertaining yet imperfect reimagining.
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I've been to thousands of movies in my lifetime and own hundreds of videos and DVDs, so I am a fan but not a bona fide film critic. This is my first online review.
My wife and I saw the original Dawn of the Dead 25 years ago at a midnight show and left wired enough to talk each other down till the morning. Perhaps a quarter of a century has inured us to the violence a bit since we just watched it again (rental video) last week prior to yesterday's venture to the local multiplex to see the remake/"reimagining" and were mostly unperturbed by the revisit.
For some reason, I was hooked on the new Dawn months ago from the teaser and, subsequently, the actual trailer. The Sparklehorse song in the former fit perfectly and the suburban shot followed by killer Vivian and closing with the burned projector film of the latter was intriguing in its own way. So I was primed to see the movie, usually a recipe for disaster since preview expectations are rarely fulfilled by the finished product. This time, however, they were.
The cast was uniformly believable and, more important, empathizable (at least with the good guys who got sorted out along the way). Even the playboy jerk had several relevant lines. Polley was a good, strong female lead (with another great rebuttal -- "No, I'm a * nurse" to a query about her medical skills) and Rhames a cheerable, if reluctant, hero. The camaraderie, such as it was, worked, and visceral me-first survival gave way more often to self-sacrifice.
So, what's not to like? The fundamental premise that a classic got remade? Doesn't wash. These are two different movies with the same name and similar premises but very different attitudes. (Better special effects didn't hurt, either, although this new version was oddly less disturbing sans zombies munching on dismembered body parts.) Speedy zombies (except for the "twitchers")? No problem; hey, they're hungry and, as always, persistent. My attention was held for the better part of two hours; the story was interesting; the outcome ambivalent; the characters arisen to the task at hand, becoming coldly rational to the divisions between life and death and zombiedom; the music weirdly appropriate; the black humor welcome respite. No, Dawn of the Dead isn't Citizen Kane nor is it a sacrilegious assault on the horror genre. It's solid filmmaking that's entertaining and thought-provoking. Otherwise, I suspect Romero would never have put his imprimatur on the remake.
My wife and I saw the original Dawn of the Dead 25 years ago at a midnight show and left wired enough to talk each other down till the morning. Perhaps a quarter of a century has inured us to the violence a bit since we just watched it again (rental video) last week prior to yesterday's venture to the local multiplex to see the remake/"reimagining" and were mostly unperturbed by the revisit.
For some reason, I was hooked on the new Dawn months ago from the teaser and, subsequently, the actual trailer. The Sparklehorse song in the former fit perfectly and the suburban shot followed by killer Vivian and closing with the burned projector film of the latter was intriguing in its own way. So I was primed to see the movie, usually a recipe for disaster since preview expectations are rarely fulfilled by the finished product. This time, however, they were.
The cast was uniformly believable and, more important, empathizable (at least with the good guys who got sorted out along the way). Even the playboy jerk had several relevant lines. Polley was a good, strong female lead (with another great rebuttal -- "No, I'm a * nurse" to a query about her medical skills) and Rhames a cheerable, if reluctant, hero. The camaraderie, such as it was, worked, and visceral me-first survival gave way more often to self-sacrifice.
So, what's not to like? The fundamental premise that a classic got remade? Doesn't wash. These are two different movies with the same name and similar premises but very different attitudes. (Better special effects didn't hurt, either, although this new version was oddly less disturbing sans zombies munching on dismembered body parts.) Speedy zombies (except for the "twitchers")? No problem; hey, they're hungry and, as always, persistent. My attention was held for the better part of two hours; the story was interesting; the outcome ambivalent; the characters arisen to the task at hand, becoming coldly rational to the divisions between life and death and zombiedom; the music weirdly appropriate; the black humor welcome respite. No, Dawn of the Dead isn't Citizen Kane nor is it a sacrilegious assault on the horror genre. It's solid filmmaking that's entertaining and thought-provoking. Otherwise, I suspect Romero would never have put his imprimatur on the remake.
Dawn of the Dead is a great remake that's funny, tense and emotional whilst also skillfully managing to stand on its own two feet. Sarah Polley, Ving Rhames, Jake Weber, Michael Kelly and Ty Burrell are all great. Zack Snyder's direction is excellent, really kinetic and visceral. The music by Tyler Bates and the soundtrack are both really good. However, it's brought down slightly by the ending (after the credits).
I went into this movie completely excited. And I wasn't even really disappointed either. The acting was very good, and I actually loved how they didn't follow the exact storyline. They took the basics of the original Dawn of the Dead and made it more contemporary. I knew they wouldn't be filming the movie at Monroeville Mall (the mall just 15 minutes outside of Pittsburgh where they filmed the original) but it was still awesome none the less.
The script worked rather well, and the movie flowed nicely also. Granted I wasn't a huge fan of the fast moving zombies, but I suppose I can let that go because truthfully, maybe before rigor mortis sets in, you'd be able to move quickly, who knows? But I do know that I was on the edge of my seat through many parts of the movie, and you start to really care about the characters in the movie. I am anxiously waiting for 1 week to pass so that I can get my copy of Dawn. I already have it pre purchased.
8/10 rating.
The movie missed a perfect 10 for the simple fact that zombies SHOULD NOT run that fast.
The script worked rather well, and the movie flowed nicely also. Granted I wasn't a huge fan of the fast moving zombies, but I suppose I can let that go because truthfully, maybe before rigor mortis sets in, you'd be able to move quickly, who knows? But I do know that I was on the edge of my seat through many parts of the movie, and you start to really care about the characters in the movie. I am anxiously waiting for 1 week to pass so that I can get my copy of Dawn. I already have it pre purchased.
8/10 rating.
The movie missed a perfect 10 for the simple fact that zombies SHOULD NOT run that fast.
Honestly it isn't bad for a remake the movie is more about action then horror but it's worth a watch and this movie started my thrill for zombie movies.
As a HUGE fan of the original Dawn of the Dead I was very skeptical of this remake. I wasn't expecting an Academy Award winning blockbuster or anything, but I did want to see the remake do the original justice. I was impressed with the filming more than anything. This is an action movie rather than horror. The outdoor scenes are filmed with a grainy, hand-held camera which gave the audience the feeling of being disoriented much the same way the characters would have felt. The movie was not made in the MTV-generation style that the Texas Chainsaw Massacre remake was. Dawn of the Dead stuck to the same mythology of the first without giving it a complete reimagining. I could imagine the two movies co-existing, but in different parts of the world.
One of the key differences that I did like was the idea of the zombies running. This made them come across as more menacing rather than being the slow clunkers that are seen in the original trilogy. The idea of being able to walk right past them was abandoned. I also feel that the movie did a good job of showing how quickly people would turn on one another and watch out for themselves only.
One of my favorite "realisms" of the movie is how the characters are too attached to their loved ones to shot them when they become zombies. I'm certain that many of us would react in the same manner if something like this were to actually happen (yes, I know it's impossible). Also, it was interesting to have so many people make it to the mall instead of only four as in the original. Of course some of these characters fit the generic stereotype of a movie such as this, but I'm not surprised considering modern audiences would need such characters to maintain their interest. This was a movie made for film viewers, not film makers. We have the strong and silent male hero, the quick-thinking blond heroine, the official dumb jerk, the official slut, the young and naive girl who loses everything and needs the group's protection, the angry challenger for group leadership who has a change of heart and becomes heroic, the young trainee who disagrees with the angry challenger yet follows due to a sense of duty, and the stupid follower who gets his comeuppence.
One aspect that was missing from this remake was the original movie's social commentary on the commercialism of people. Ken Foree's character of Peter mentioned this in the original whereas Ving Rhames' Kenneth was more of a silent action hero never having much to say. This was another reason that I saw this as a simple action movie -- though I will say that Rhames has more acting ability than Governor Schwarzenegger, Sly, Seagal and Van Damme combined. Rhames also LOOKS like an action hero rather than today's prettyboy "action heroes" such as Tom Cruise, Ben Affleck, Nicolas Cage and Keanu Reeves -- who all look like they couldn't fight their way out of a cooking class for senior citizens.
All in all this movie was not better than the original and won't be nominated for any Academy Awards, but if you're looking for entertainment and can stomach the blood it's worth checking out. I can't wait to buy it on DVD someday.
One of the key differences that I did like was the idea of the zombies running. This made them come across as more menacing rather than being the slow clunkers that are seen in the original trilogy. The idea of being able to walk right past them was abandoned. I also feel that the movie did a good job of showing how quickly people would turn on one another and watch out for themselves only.
One of my favorite "realisms" of the movie is how the characters are too attached to their loved ones to shot them when they become zombies. I'm certain that many of us would react in the same manner if something like this were to actually happen (yes, I know it's impossible). Also, it was interesting to have so many people make it to the mall instead of only four as in the original. Of course some of these characters fit the generic stereotype of a movie such as this, but I'm not surprised considering modern audiences would need such characters to maintain their interest. This was a movie made for film viewers, not film makers. We have the strong and silent male hero, the quick-thinking blond heroine, the official dumb jerk, the official slut, the young and naive girl who loses everything and needs the group's protection, the angry challenger for group leadership who has a change of heart and becomes heroic, the young trainee who disagrees with the angry challenger yet follows due to a sense of duty, and the stupid follower who gets his comeuppence.
One aspect that was missing from this remake was the original movie's social commentary on the commercialism of people. Ken Foree's character of Peter mentioned this in the original whereas Ving Rhames' Kenneth was more of a silent action hero never having much to say. This was another reason that I saw this as a simple action movie -- though I will say that Rhames has more acting ability than Governor Schwarzenegger, Sly, Seagal and Van Damme combined. Rhames also LOOKS like an action hero rather than today's prettyboy "action heroes" such as Tom Cruise, Ben Affleck, Nicolas Cage and Keanu Reeves -- who all look like they couldn't fight their way out of a cooking class for senior citizens.
All in all this movie was not better than the original and won't be nominated for any Academy Awards, but if you're looking for entertainment and can stomach the blood it's worth checking out. I can't wait to buy it on DVD someday.
Wusstest du schon
- WissenswertesWhen Ving Rhames heard of a remake of Zombie (1978) was in production, he tracked down producers to be in the film.
- PatzerWhen the group goes into the parking garage to turn on the generators they never make it. They are instead confronted by zombies who they douse with gasoline from a pump and set on fire. If there was no electricity in the garage then the gasoline pump wouldn't work.
- Crazy CreditsDuring the closing credits we see a series of shots filmed by the survivors using a camcorder they find on Steve's boat. There are a couple of scenes of Steve and his girlfriend (still left on the camera), then the survivors finding a small boat with a still-animated zombie head in an icebox, and finally them running out of gas and landing on an island where they are attacked by zombies. There are then a series of brief almost-subliminal flashes of zombies "attacking" the camera.
- Alternative VersionenThe print used on MTV and AMC had a truncated ending, which changes the entire outcome of the film as presented in its theatrical version. This print ends with the fade to black and the gunshot at the boat dock just before the end credits start. The rest of the theatrical ending which details the final fate of the mall survivors is removed. The end result is the ending is a "happier" one.
- VerbindungenEdited into Cent une tueries de zombies (2012)
- SoundtracksHave A Nice Day
Written by Kelly Jones, Richard Jones & Stuart Cable
Performed by Stereophonics
Courtesy of V2 Records, Inc.
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- How long is Dawn of the Dead?Powered by Alexa
Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprache
- Auch bekannt als
- El amanecer de los muertos
- Drehorte
- Thornhill Square Mall, Thornhill, Ontario, Kanada(demolished shortly after film came out)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 26.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 59.020.957 $
- Eröffnungswochenende in den USA und in Kanada
- 26.722.575 $
- 21. März 2004
- Weltweiter Bruttoertrag
- 102.280.356 $
- Laufzeit
- 1 Std. 41 Min.(101 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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