Chavez: Inside the Coup

It was a very unique insight into the coup that was obviously engineered by the United States. Western news media never even bothered to report on it and it was just a speedbump on the way to the Iraqi war. It was unbelievable to see the level of corruption in Venezuela, where the State's oil riches mysteriously don't make it to the public, but instead reside the hands of a few wealthy venezuelan individuals. It is truly ironic that the Venezuelan oil crisis was not a strike by Chavez, but a lockout by the powerful oil industry leaders there to force a crisis.

The dark ambitions of the coup leaders combined with the private media collaboration really makes you angry. Watching a democracy get toppled as easily as a child's lincoln log house demonstrates the true fragility of a government for the people, especially if the people become complacent.

As a patriotic American, I am saddened to see that our government conspired to overthrow a democratic ALLIED nation. I could understand a conspiracy to get rid of the government of an enemy, but an ally? What is going on in Washington?!?

The movie is truly an eye-opener into the dirty dealings that we get into when we perceive that our oil supplies are threatened.

Before I saw this film, I'd only followed the situation in Venezuela on a cursory level. I knew Hugo Chavez was better than the presidents that preceded him in Venezuela, but I had also bought some of the right-wing propaganda against him. After seeing The Revolution Will Not Be Televised, I've become a "true believer" in Chavez and Bolivarian Revolution.

The myths the film dispelled for me were:

-Chavez is a brutal leader

-Chavez doesn't allow dissent

-Chavez is a megalomaniac who may be insane

To the contrary, President Chavez seems to be a quite ordinary, working class, non-white man, but an extraordinary leader. His first comments captured on film after he is returned to the Presidential Palace after the coup were something like, "I knew that we, the people, would win." It wasn't about him. It was about what the will of the majority wanted. It was about what the constitution demanded.

His first broadcast to the people of Venezuela after the coup was directed toward calm and reconciliation. This was amazing for me to see. If he was as brutal as US media portrayed him, he would have incited his followers to go after those who supported the coup. Instead he said to those who dissented, "go ahead and disagree with me." No squashing of dissent there.

The film has a number of candid moments with Chavez. One of the most striking was his recalling his grandfather, who was deemed a "killer" by his grandmother. As Chavez studied who his grandfather was, he found out he was not killer - he was a revolutionary. And that is what Chavez has striven to be.

A terrific documentary that once again shows you can't trust the corporate media.

My rating: 9

Sometimes it's enough to be in the right place at the right time to make a great documentary. 'Chavez: Inside the Coup' AKA 'The Revolution Will Not Be Televised' is astonishing in that way. It covers a South American coup from inside the presidential palace. And when the people take back control and restore the popular leader, the filmmakers are still on hand with cameras rolling.

There he is as the film begins: Hugo Chavez, president of Venezuela, the former military officer and admirer of Bolivar who years earlier attempted his own coup and was imprisoned for it.

Hugo Chavez is a hugger. He hugs and pats and grabs the hand of everyone he meets. He looks young guards in the eye and pats them on the chest as he walks by. They're like his young reflections: they're innocent boys with the same dark Indian face and classic profile he has.

Chavez speaks in a confidential tone. He expresses his loathing of globalization, his disapproval of the US bombing of Afghanistan, his faith that his grandfather was not an 'assassin' but someone who killed another man for honor. Reviewing a film, he stops to tell aides they must use the local media wherever they go in the country to maintain visibility and contact.

He meets crowds in the streets, crowds of the poor, smiling at him, optimistic about their government for the first time in their lives.

He receives hundreds, perhaps thousands of notes and letters, sometimes scribbled on scraps of paper, from poor people who adore him and ask him for help, and he has staff to read all these requests. He has his own weekly call-in radio show where he addresses people directly for all to hear.

Chavez is a big bull of a man, warm but without visible subtlety. He's one of the people, Nasser of Egypt without Nasser's paranoia. Even after being temporarily deposed from the presidency he won by a landslide vote of the 80% poor population of Venezuela, he refuses to prosecute the perpetrators of the coup and many remain in the country as opposition leaders. And for a reason: unlike Nasser, he was popularly elected and by an overwhelming majority. Chavez has a certain populist bravado. His presidency gives the poor hope and he shares that hope.

What we don't see is what specific actions Chavez takes to accomplish political changes in Venezuela. Except for describing his effect on the oil industry, the film isn't specific about the legislative changes of his early presidency. What we do see is a man who plays his role of people's leader and friend of Fidel to the hilt.

Irish filmmakers Kim Bartley and Donnacha O'Briain came to Venezuela to simply cover Chavez's presidency, obviously sympathetic to his democratic rule and hatred of neo-liberalism and globalization and aware of the Nortenos' jaundiced picture of him emanating from the Bush administration speaking through Colin Powell. The US doesn't like Chavez's greater taxation of the oil companies - Venezuela is the world's fourth largest producer and the US's third ranking source of the substance. They don't like his indifference to the wealthy and to global corporations either.

Colin Powell isn't Chavez's only opposition. In Venezuela the 20% who didn't vote for him, the rich and the bourgeoisie, consider Chavez their enemy and organize for his removal. We see one of their meetings and follow some of their leaders into the street. We also see clips to show how this opposition freely uses the country's privately owned TV stations (only one, Channel 8, is government controlled) to attack Chavez daily as insane and insist he be ousted.

The Chavez opposition arranges a public confrontation that makes his supporters look like killers. Broadcasting this falsification on the privately owned TV stations, they tarnish his image badly and then stage the coup by force where leaders are trapped and Chavez himself forced to flee as a prisoner to save the others' lives. Public outcry swiftly leads to mass opposition of the new coup government though, and the Chavez supporters regain the presidential palace and bring him back. Amazingly, we see all this firsthand.

This documentary is more exciting than any fiction. It's terrifying and sad when the coup happens and we see it from the inside, knowing this was a popular government. It's exhilarating when the elected leaders are able to come back. This has to be some of the most amazing footage of history in action ever filmed.

Except for some information on what happened to Carmona and the other opposition figures after their ouster -- many staying, because of their freedom from reprisals, but Carmona turning up in Miami, no doubt to be coddled by the US and held for future use -- there is nothing further about the situation in Venezuela, which is reported to be very revolutionary and unstable.

'Chavez: Inside the Coup' isn't political analysis but impassioned engagé reportage and as such it has enormous meaning and impact. They were there. It recalls the slogan Granada's revolutionary government used before the Bush (I) takeover: 'Come see for yourself.' Through these Irish filmmakers, that's what we get to do.

I was really interested to see this film because my roots are in Venezuela. My father is from the capital city of Caracas, and though I was raised with my mom I have never forgotten for a moment that that was an important part of my heritage worth exploring. It is very difficult in the United States to get an honest idea at what is truly going on in other countries--let alone, our own. All the reports I read about President Hugo Chavez and the situation in Venezuela talked about corruption, proceeded to make a villain of all sides, to paint it as a big, bad Latin American country that wasn't doing as the United States had wanted them to do. For the life of me, I couldn't get the stories straight enough to learn even basic information about the coups taking place, and what started the intense hostility, dividing cultural, social and racial groups in the country.

I am happy to say that THE REVOLUTION WILL NOT BE TELEVISED was a terrific and very educational look at Chavez, his progressive approach to politics--actually listening to the poor, and the more indigenous people in the community, instead of just catering to the needs of the upper class who basically rule the country, their money coming from oil and other exports. I take my hat off to the Irish filmmakers who bravely visited Venezuela to make this film, and that it was released in the United States for limited release in such a timely manner. The truth will set us free...

I've been surprised at how negative--and vehemently negative--most of the comments posted about this film have been. I saw the film for the first time last night, and if I had time, I'd go again today. This film is a fascinating documentary, affording us a rare, perhaps unprecedented, fly-on-the-wall look at a coup in progress.

Most of the complaints I've seen about this film are ideological in nature--i.e., reviewers who oppose Chavez are upset that the film presents him so sympathetically. Though I myself am not a Chavez fan, neither am I moved by complaints that this film is one-sided, propagandistic, etc. When I go to see an arthouse film--especially one with a title like "The Revolution Will Not Be Televised"--I'm not really expecting to see the kind of conscientious effort at even-handedness I'd expect from, say, PBS's "Frontline." I don't mind that the filmmakers have constructed a view of events that's sympathetic to Chavez, given that the whole point of the film is to challenge an already widely disseminated anti-Chavez representation of those same events. It's not as if the pro-Carmona folks who run Venezuela's private news stations haven't had a chance to air their version, no?

Besides, I'm not convinced that this documentary *is* unreservedly pro-Chavez. Particularly at the beginning, the film does not shy away from showing Chavez as a second Peron--another Latin American colonel turned populist demagogue. We see how he promotes a personal cult; we see how he encourages the poor to view him as their benefactor, someone who might buy them cement or intervene in their personal legal entanglements. The scene on the plane where Chavez discusses globalization doesn't exactly make him look like a sophisticated analyst of current events. And after that bizarre scene where he quotes poetry to explain how he came to know his grandfather was a freedom-fighter, not a murderer (with Simon Bolivar casting what look like incredulous, sidelong glances from where he stands framed in a painting on the wall), it's not hard to see why the opposition has questioned Chavez's sanity.

That said, the film clearly invites us to root for Chavez and his people during the coup attempt. And it clearly wants us to hiss at Carmona, and the privileged wealthy, and the fat cats who used their control of private media outlets to suppress the truth about what was going on in the presidential palace. One of the points that this film drove home for me is how important the media have become in shaping--not just reporting--events, and how frighteningly easy it is for a few people to control the public's understanding of events. That this film itself is an example of trying to control the public's understanding of an event is ironic but not scandalous. (Welcome to postmodernity.)

In any case, the film's point about media manipulation is well taken and powerfully made. If nothing else, the film offers an exhilarating ride, well worth the price of a non-matinee ticket, and it will provide plenty of conversation material for afterwards at the coffeehouse. Do not miss this film!