Bewafaa

The movie was a complete torture and unbearable.Dharmesh has yet again done a dreadful job in making a movie.The main head ache in the movie was a terrible script and a screenplay which makes it fail miserably.Screenplay seems to be a lit off from Silsila which was better than th9is trash.Anyways the direction is pathetic.Dialogs are amateurish.Editing is worse.Cinematography falls flat and is tacky.Acting is miserable

The movie has some of the worst actress like Kareena Kapoor and Shamitha Shetty in their worst performance.Even Anil Kapoor and Akshay Kuamr who are some of the best also are their worst.Manoj Bajpai hams and hams and hams.Kabir Bedi and Nafisha Ali are at their worst.Only Sushmitha Sen has done a decent job.Not a fan though,i request all her fans to avoid this piece of trash at all costs because she is there only for a minutes

Dharmesh Darshan is well known for his ability to handle films with sensitive subjects. So after Haan Maine Bhi Pyar Kiya comes yet another woman-centric film from his kitty. Bewafaa is about Anjali (Kareena Kapoor) who lives in Montreal, Canada. Daughter of an Indian father (Kabir Bedi) and a Canadian mother (Nafisa Ali), Anjali is leading a happy-go-lucky life. She has a boyfriend too-aspiring singer Raja (Akshay Kumar). Of course, her parents do not know about him. Anjali speaks about her boyfriend only to her sister Aarti (Sushmita Sen) who has flown to Canada because she is expecting her child. Aarti assures Anjali that she will convince her parents about Indian Raja once they become nana-nani.

Here comes the twist. Aarti dies leaving two twins. Anjali now has to make a choice. Either to tell her parents about Indian Raja or marry her sister's husband and take responsibility of the motherless twins. Predictably, Anjali opts for the latter. She migrates to Delhi. Aditya (Anil Kapoor) is busy as a bee and does not have time for Anjali or the kids. It is only after a confrontation with Anjali that Aditya realizes about him being unfair to her.

At the airport Aditya tells his manager that after his trip from Germany, he plans to go on a world tour with his wife and daughters. And that he would return a changed man. Aditya leaves. And enters Anjali's ex-lover Indian Raja. Anjali tries to avoid him initially. But soon lands up having a rolling affair with him. Aditya returns. Anajli by now all prepared to elope with Raja. She fears that Aditya would come to know about her affair with Indian Raja. What's more there are Aditya's friends Dil (Manoj Bajpai) and Pallavi (Shamita Shetty) who tease Anjali about her extramarital affair.

Finally when the truth is out and Aditya gives Anjali the option to be with Indian Raja. Does she opt to be with Indian Raja? No. What follows is predictable Hindi film climax.

To be honest I have not been a fan of Dharmesh Darshans films. He has an knack of remaking classic films and making an absolute hash of it. Raja Hindustani was a remake of 60's classic Jab Jab Phool Kile, Mela was a remake of Sholay and now we have Bewaffa, which is a remake of Gumrah. There is not really a script to speak of just a chain of sequences. Not even the performances are noteworthy, the person that sticks out is Manoj Bajpai who overacts through all of his scenes.

The only redeeming factor is the music by Darshan loyalist, Nadeem Shravan. My favourites are either the title song or Yaad. I am now dreading to see what classic he makes an hash of next, Kuch Kuch Hota Hai(Oh no) Amar Akbar Anthony (Oh good no). Avoid at all costs.

Bewafaa is a rip-off of B.R. Chopra's classic Gumrah, and it is a great joke of a movie. The only good things about the film are the beautiful locations, the songs and... nothing else! The story is pathetic. It was just a misleading attempt to draw people to theaters. People may have thought they'd see an intense film about betrayal (Bewafaa - Unfaithful) in the light of such films as Murder. But this one is a slow, stretched, boring and flawed film with no story. So unrealistic that you feel it is actually for kids. I mean, Kareena wakes up at morning all made-up like a clown?

This is a weak show. Not a single funny moment, no excitement, no love story, nothing. This is a collection of situations taken from different films, and it's incredibly dull. Just follow: she marries her late sister's husband, cares for his children, soon her previous lover comes back out of nowhere, they hardly speak and someone decides to blackmail her for no reason?? Oh and there the melodrama only starts - a climax full of tears by all the cast members and a separation accompanied with a song... Old clichés, cheap dialogues and poor execution. At the end of the film, you sit, trying to understand what was it all about...

Kareena is lifeless and bland. You can tell her that her car is burning outside, and she'll still have the same indifferent expression. Anil Kapoor and Akshay Kumar are the same - no impact, no character. Shamita Shetty is hot, Manoj Bajpai is annoying as never. It's terrible to see such a great actor playing this silly over-the-top character and accepting any role in this film in the first place.

The film's saving grace may lie in some of the songs, but Bewafaa is still one poor attempt and that's simply because the director tried to take this immature script way too seriously.

I cannot believe I wasted my money on this horrible film. A ghastly storyline, none of the characters have any depth - in fact I did not feel a shred of empathy for any of the characters. Kareena Kapoor, who I usually like, spent the entire film with her eyes wide open looking shocked (and was otherwise utterly expressionless). This I blame (as well as everything else) on truly bad directing. They drone on and on about Indian culture and renouncing of the self for the good of others - but none of it seemed genuine. The main characters sleepwalked through the performance, and I do not understand how talented actors like Anil Kapoor could have agreed to "acting" in this. The side characters of Manoj Bajpai and Shamita Shetty only serve to annoy. I am still reeling in horror at the fact that I wasted my time in this utterly pointless manner. Save yourselves, don't even stray close.