Der Untergang

"Der Untergang" is certainly the most impressive, depressive and realistic dramatic movie about the World War II ever made. I have never seen a film picturing the insanity of Hitler in his very last days in a bunker in Berlin with his high command, and how the German people were hypnotized by him like in this film. Last year, I saw the deceptive, boring, pretentious and overrated "Molokh", showing a caricature of Hitler and Eva Braun in Bavaria. But "Der Untergang" is awesome and comparable to "Apocalypse Now!", my favorite movie of war.

Two years ago, I saw the powerful "Das Experiment" and I was impressed with the work of Oliver Hirschbiegel. With "Der Untergang", this director is certainly included in my list of favorite directors. It is difficult to highlight one actor or actress in this constellation of stars, but I was impressed with the performance of Bruno Ganz and his "human" Hitler, totally different from the stereotypes usual in other movies. The cinematography and the battles are stunning, and the scenario of Berlin completely destroyed recalled the neo-realistic movie of Roberto Rossellini "Germania Anno Zero".

For those who know Germany and German people, it is amazing to see how this wonderful country survived to the chaos, destruction and lack of command, arrived from the ashes like Phoenix and sixty years later is again one of the greatest nations. For those who might have believed in Hitler and his Nazi Party, it is impressive to see how people is forgotten and treated without compassion by their leader in his last hours. And for those who love war, I really recommend to watch this magnificent anti-war movie, and see the behavior of the leaders and population when a war is lost. My vote is ten.

Title (Brazil): "A Queda! As Últimas Horas de Hitler" ("The Fall! The Last Hours of Hitler")

Not since perhaps Rod Steiger's portrayal of Benito Mussolini in Moustapha Akkad's LION OF THE DESERT (1980) have I seen a notorious dictator more realistically acted than Bruno Ganz's stunning display as "Der Fuerer" in The Downfall (2004).

Sitting amongst a full-house of patrons here at the Toronto Int'l Film Festival's 2004 edition, Ganz captivated the local audience with the scariest Hitler I've ever seen up on the silver screen -- better than Noah Taylor's English Hitler in MAX just a couple of years back.

Audience members get a glimpse into the final days of Hitler's rule from the bunker deep beneath the Reich Chancellery in Nazi Berlin's dying days. The defeated spirit of the Nazis -- covered extensively in the history books -- has seldomly been more penetratingly shown on the Big Screen. Bravo to director Oliver Hirschbiegel for doing this the right (German) way -- for intrepidly tackling a period piece few German producers might.

I'd had a chance to chat with the actors post-screening, with lead actress Alexandra Maria Lara (playing Traudl Junge) candidly admitting the sheer amount of work she'd diligently invested in bringing her character to life -- doubtless complicated by the death of Frau Junge in 2002. Her research, however, was clearly impeccable and left no stone unturned. Corinna Harfouch wasn't on hand -- as Magda Goebbels. Pity because in many respects, she convincingly stole the show.

So rarely do we see Hitler on screen in modern days to allow us a glimpse into the horrifying nature of a madman bent on global domination. We all know the end of this story, but seldom does a film so masterfully suspend your disbelief than does The Downfall in making you wonder just how the Third Reich might end. Historical fiction might never be the same.

The film deals with the history of Hitler's last days in underground bunker , it's the true story of the historic downfall and death (at age 55 in 1945) of the infamous Nazi dictator's culprit of death of 50 million people during second war world and killing of 6 million Jewish in concentration camps . The Fuhrer's last few tortured days in his underground bunker against a Berlin background . Hitler had height five feet , seven inches , eyes black , hair black , shaggy locks hung over forehead , complexion sallow , wide mustache , various hairs on each side ; besides he had marked devotion to brown shirts and old trench-coat and always surrounded by armed thugs and expert gunmen . He had demented gaze with tendency to become hysterical on slight provocation with delusions , particularly upon his place in history and his powers over vast numbers of people and addicted to public hysteria on race purity , and known to throw himself on the floor and gnaw rugs, guttural voice apt to rise to shrill tones when excited or thwarted . He was a congenital liar suffering from dreams of persecution . Almost all these physical descriptions and particulars of Hitler are perfectly incarnated by Bruno Ganz who even studied Parkinson's disease patients in a Swiss hospital to prepare for his role . Thus , he magnificently plays him as a sadistic , malicious , dangerous , vengeful, mystical and maniacal man .

Bruno Ganz's portrayal is the perfection in the Hitler role one would expect at least on the surface , he gives insight to his madness and with persuasive qualities of his interpretation . A flawless casting with excellent German actors such as Alexandra Maria Lara (personal secretary Traudl Junge and the picture is based on his book) as co-protagonist , Juliane Kohler (Eva Braun) and distinguished players as Ulrich Matthes (Joseph Goebbles) , Corinna Harfouch (Magda Goebbles) and Thomas Kretschman . Besides , a nice support cast who play to famous characters as Martin Borman , Alber Speer , General Keitel , General Jodl and Hermann Goering and specially Heimrich Himmler who will betray to Hitler deciding along with the count Bernardotte to agree peace with the Allies , originating his hysteria splendidly reflected in the movie . In spite of Berlin is surrounded and meanwhile the bloody war with enormous bombing fall about the survivors and last defending , Hitler prepares the sad farewell very well narrated by the director Oliver Hirschbiegel and superbly captured the atmosphere by the cameras . The motion picture is one of the best war movies ever made , on pair with ¨Das Boot (also German movie and directed by Wolfgang Petersen) and ¨Saving private Ryan¨ (Steven Spielberg) . The flick will appeal to historical cinema enthusiasts and warlike genre fans. Rating : Above average and astounding , being interesting and thoughtful .

'Der Untergang' is probably the only WW2 movie I've ever seen, which only deals with facts and is utterly deprived of any form of commercialism whatsoever. Bruno Ganz is truly excellent in his role as Adolf Hitler, a tired man who sees his "Reich" fall, but cannot accept it. Overall (type)casting is very good; all the actors chosen to portray a famous/notorious character look a lot like the real deal, especially Goebbels. Although I'm not a fan of long war movies, these 2,5 hours passed very quickly due to excellent acting, great sets, FX and storyline. Somehow, every scene is dripping with underlying tension that never really explodes; a kind of unsettling unbelieved grips you when you see seemingly ordinary people commit astonishing atrocities and sins towards mankind, just for their faith and loyalty to one man, Hitler, who himself walks the edge of reason.

Great movie : 10/10 without a doubt.

Now here is a novel idea, making a movie from the "enemy's" point of view, attaching a human face to probably the most notorious institute of evil in human history. Before watching this film, I had reservations over how much I would enjoy it and what I might gain from it. I was concerned that the film may be an attempt to show the human side of the Nazi party, to make us sympathetic not to their cause, but to their human nature. I had to think to myself, do I really want to attach a human element to people who history has painted as monsters? The film begins with Hitler recruiting Traudl Junge as a new secretary in 1942, from this point onwards the film is predominantly (but not entirely) seen through her eyes. This key scene at the beginning of the film shows how people reacted to their leader with fanatical loyalty, holding him high in reverence. This gives us a brief insight into the belief of his followers that what they were doing would lead them to a golden utopia, a better world. All to often in films concerning Nazi's, they are portrayed as evil personified, killing for killing's sake, being evil for the sake of being evil. What we get throughout this film is a more realistic viewpoint of people's attitudes. The people who followed Hitler may have no entirely agreed with everything he said, may have not hung on his every word, but believed that he would lead them to a greater future, as such they followed.

Bruno Ganz, does a magnificent job of playing one of history's most notorious and documented individuals. He plays the role as, what I feel, accurately and realistically as possible. He resists the temptation to play Hitler as an uber-evil super-villain, disregarding all life who opposes him and wiping out humans at a whim. He plays the roles as an ageing leader, loosing grip on his health, his sanity and his conquest. A man who was kind, considerate and caring to children, his dog and his civilian staff, but who also attempted to wipe out an entire race of people and was proud of himself for doing it. It shows a man willing to send young children into the street to resist enemy advancement, it shows a man who believes that the civilian population would not be evacuated, as it was their chance to rise up (women and children, the old and sick, un armed) and prove they deserved victory. This film raises the question, was Hitler an evil man who practised evil deeds through his beliefs? or were his evil deeds a result of his absolute pursuit of his beliefs? Watching Ganz's performance, you get the feeling all Hitler had left before he took his life, was his ideals (not that this is anything to be proud of). He had lost the war, he had lost the respect of several of his commanding officers and he had lost his grip on reality.

The film also shows Hitler's closest officers and staff, it shows how they react to the downfall. Some have blind and fanatical faith that Hitler will act as their saviour and devise a scheme to turn the battle around. Some accept that their leader has lost his grip, but follow with blind devotion anyway. Some are not so sure and see the cracks in the beliefs they were fighting for. The film shows these often horrifying moments and realisations in all to realistic detail.

Ultimately, Downfall shows the human and personal element of the end of the war for Hitler and the Nazis. It shows how real people, people who tell jokes, drink, socialise, listen to songs and dance, also followed national socialism with a devotion that drove them to do the terrible things they did. It shows how they did not believe what they were doing was wrong, in their minds they were paving the way for their glorious future. It also shows their fanatical devotion and blind faith in their goal, led to their downfall, both as a movement and as human beings.

Downfall is an amazing and powerful film, documenting an unseen side of a major historical event. The film ends with video footage of the real Traudl Junge talking about her feelings towards the war and he involvement with the Nazis. She says that when she first became involved with the Nazis, she was in awe of their power and beliefs, she may have not agreed with everything they did, but what difference would her being involved or not make? She was ignorant to their deeds and as such held a clean conscience. Then she says has realised over time she had the power not to be ignorant to their deeds, that she should have stayed away from them, realising them for the evil that they were. I felt she was warning what ignorance can lead to, that no matter how tiny one person is in the scheme of things, it is no excuse to contribute towards the wrong cause.

Excellent historical film, highly recommended.