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This BBC political thriller mini-series is far superior to the American remake.

If you like newsroom dramas, and films involving investigative journalism then you'll love this.

Enough said.

The BBC haven't made a mini series as good since 'Edge of Darkness' in 1985. Although 'State of Play' doesn't quite match that seminal classic it is still superb. It is an oasis in a very large desert of quality programming from the once mighty BBC. Apart from the 2001 co-production 'Conspiracy' the BBC drama output is a poor shadow of what it used to be in the sixties and seventies.

The six episodes of 'State of Play' need close attention but once the plot gets going it is a roller coaster ride to the last few minutes of the last episode. The journalists, the politicians and the police prowl around each other as the conspiracy is unravelled. It is not just a driving narrative however, there are real people with real emotions caught up in the action. The six episodes allow several characters to become rounded and interesting. High praise indeed for Paul Abbott, the writer. It gripped from start to finish.

The acting is excellent. David Morrissey and John Simm as Stephen Collins and Cal McCaffrey play brilliantly off against each other as truths are eventually discovered. The last scene between them is corker. The journalists are the heroes but they are also flawed and troubled. All the actors playing the journos were great but I thought Kelly Macdonald as Della Smith was exceptional. Bill Nighy had some hilarious lines which he gave full justice to. Forget Hollywood star names, these are proper actors.

Apart from the human characters the other character that is well portrayed is London itself. London has many faces and the series brought several of those out. From nights by the Thames , to the bleak housing estates, to the pretty suburban streets, to the formality of Parliament, to the sounds and almost the smells of eight million people jostling together. All photographed atmospherically. As a Londoner it made me look at my city again.

I'll run out of superlatives soon, so I'll just say it is a great achievement by all the artists concerned. Apparently another series is being considered and hopefully that will be just as good.

I take issue with some of the people commenting on "State of Play" who declare that they believe it to be "as good as American TV" or some other such nonsense. That's ridiculous! Perhaps it's a generational thing, but I have always thought that British productions, particularly drama, are light years ahead of American TV and the actors are in a whole different galaxy. The original "State of Play" is brilliant, suspenseful and a pleasure to watch. I cannot believe that there is going to be a "remake"! I love Helen Mirren and Russell Crowe, but there is absolutely no need for this series to be remade. Why can't they write something original for Mirren and Crowe? The Brits are the best. Period!

Watched this on the recommendation of a Uni lecturer. I thought it was brilliantly acted, the story was paced perfectly, and understandable despite the complexities (political intrigue not usually my thing). That is at least until the last episode when gaping plot holes appeared and half the characters that had been set up in the last 5 episodes were just forgotten about. I didn't buy the resolution - it came out of nowhere and I wasn't convinced that the person taking the fall was really guilty. Not with what they were charged with anyway. There was no resolution for even some of the major characters (most notably Anne). I felt ripped off.

That said, I would watch this again just for the performances. David Morrissey was superb and Bill Nighy is always a great laugh.

It is not often that really good series based on politics, suspense and a bit of romance + comedy hit our idiot boxes. However, State of Play manages to do all this with such finesse that I was left spellbound. What starts of as a simple murder case becomes so huge that it really boggles the mind. And at all time, it does not seem one bit over-stretched or silly. Add to this three subplots and what you have is a series that is of immense viewing pleasure. All in a runtime of just 300 minutes.

If you want your TV series to be intelligent, do yourself a favour and watch this series. Now.