Seeing Other People

"Seeing Other People" is very similar to the British original series "Coupling" so it's nice to know that American sit com writers can be guffawingly funny about sex and relationships when freed from the networks.

While it's male/female co-written, by Maya Forbes and director Wallace Wolodarsky, the premise feels like a male fantasy gender-switch of wanting both free love and the laundry done, though both guys and gals do end up getting their comeuppance.

Jay Mohr, as a mensch for a change, and Julianne Nicholson, who was captivating in the drama "Tully," considerably humanize the coincidental goings on through their sincerity.

Lauren Graham and Josh Charles enjoy being deliciously nastier sidekicks than their respective "Gilmore Girls" and "Sports Night" personas. Andy Richter does a surprisingly grown-up turn as the most grounded of the group on the sexual merry-go-round.

It may have been shot on video and blown up to 35 mm as the print was a bit fuzzy. The font on the credits was the largest I've ever seen in a film so I could see that the director and Liz Phair had a cameo, though I think we only saw her legs, and that several sit com directors and producers were thanked. The excellent songs and music were not identified, however.

All motion pictures i have experienced of the Sundance film festival, were not impressive. This however is an exception. I loved this movie, and i believe it the perfect movie for all couples.

Anyone wanting to watch a movie produced by a film company called "Pariah", would want to think twice- however after seeing the trailer and realising Lauren Graham was in it(being a HUGE Gilmore Girls fan), well it was worth a try. Julianna Nicholsan is perfect - i believe this is her first starring role, Jay Mohr is average BUT Lauren Graham's sarcastic attitude brought to this movie is AMAZING. I wish she could have had a greater on screen time.

This was a good comedy in years. I have found bedroom comedies very pleasing - but this certainly was an exception. The standard of this movie proved that it could have done extremely well commmercially( it did well critically), if released in theaters.

I channel surfed past this many times, mainly because the synopsis sounded so cheesy, so "Love American Style". However, it turned out to be quite good, very well done. The two stand-out features are the dialog and acting. Great cast. The premise is actually well executed and there aren't too many weak moments. I guess what I was most amazed by was how often you thought the wheels are going to come off the cart, and instead, the cart just banks the turns, so to speak, and the movie keeps flying. There are some nice little sub-plots, particularly the relationship that develops between the character played by former Conan sidekick Andy Richter. Also, want to mention that the music accompanying it was good.

"Seeing Other People" is all about DINKs Alice (Nicholson) and Ed (Mohr) who have lived together for years and decide to try other sex partners before tying the knot. This obviously contrived premise yields an abundance of the same old relationship problems we've all seen before a zillion times giving the film the familiarity of old news as opposed to old friends. On the downside, this conversational flick uses a plethora of stereotypical side characters and plenty of not-so-subtle sex talk for filler while Ed and Alice are clumsily making their last ditch effort to get some "strange". On the upside, the writing is sufficiently insightful and fresh to create enough moments of humor and fun to make for a worthwhile small screen watch. With average marks from critics and public, "SOP" will play best with younger adult females. Keep expectations real. (B-)

This indie film is worth a look because of the enormous talent of its creators, Wallace Wolodarsky and Marsha Forbes. Mr. Wolodarsky has directed the young cast, and he is to be praised for this effort.

The premise of the film is a cautionary tale of the danger for wanting something one can't have. Which is the story of Alice and Ed. After living together for a while, Alice suddenly gets restless because she imagines she's lacking experience in the sex area. Alice and Ed's relationship, while not an example of ideal happiness, is a comfortable way to share their lives with one another. That is, until the moment Alice and Claire, her sister, happened to bump into a sexual encounter by another couple that has no clue of being observed.

This incident makes Alice reevaluate her own sexual life with Ed; she finds it lacks substance. When she proposes 'seeing other people', Ed is shocked, to put it mildly, but not wanting to contradict Alice, he decides to go along. What happens next is that both Alice and Ed enter into a world that's been unknown to them. The people they meet, in the end, are not worth the trouble. They sadly realize at the end, they were made for each other.

The film is worth watching in order to see the amazing Julianne Nicholson, who we happen to have liked in another indie film, "Tully". Ms. Nicholson reminds us of a young Shirley McLaine; she projects such a luminous quality about her, that is hard to take one's eyes from her whenever she is in a scene. This young actress proves she is an accomplished performer who gets better with each new appearance. Basically, she carries the movie. Her Alice is a study in contrasts. Alice is a decent woman who thinks she is inadequate in pleasing Ed because of her inexperience.

Jay Mohr, is an excellent match for Ms. Nicholson. Both do wonders together. His Ed is perfectly credible. We have known people like him. Deep down inside, he is a good person, who suddenly gets himself in a situation he didn't call for, yet, he goes along only to discover he is too decent and not cut out for a life of gratuitous sex with the willing women that have no problem with a tumble in the hay, just for fun.

The rest of the cast is wonderful. Lauren Graham does some amazing work as Claire, Alice's yuppie sister. Andy Ritcher is also wonderful as the grounded Carl, the nerdy friend who finally finds out fulfillment when he meets Penelope, a single mother. As Penelope, Helen Slater, makes a felicitous, albeit of a short, appearance in the film.

The director is enormously gifted, who will no doubt go places because he shows he is well suited for the job.