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A Painted House

  • Fernsehfilm
  • 2003
  • PG
  • 1 Std. 37 Min.
IMDb-BEWERTUNG
6,4/10
1228
IHRE BEWERTUNG
Robert Sean Leonard, Scott Glenn, Arija Bareikis, Melinda Dillon, and Logan Lerman in A Painted House (2003)
DramaFamilie

Füge eine Handlung in deiner Sprache hinzuA young boy, his family, and the migrant workers they hire to work their cotton farm struggle against difficult odds to raise and sell the crop. Meanwhile, the boy dreams of living in better... Alles lesenA young boy, his family, and the migrant workers they hire to work their cotton farm struggle against difficult odds to raise and sell the crop. Meanwhile, the boy dreams of living in better conditions. However, with this particularly tough farming season, the boy learns that his... Alles lesenA young boy, his family, and the migrant workers they hire to work their cotton farm struggle against difficult odds to raise and sell the crop. Meanwhile, the boy dreams of living in better conditions. However, with this particularly tough farming season, the boy learns that his challenges guide him in discovering who he really is.

  • Regie
    • Alfonso Arau
  • Drehbuch
    • Patrick Sheane Duncan
    • John Grisham
  • Hauptbesetzung
    • Scott Glenn
    • Arija Bareikis
    • Robert Sean Leonard
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,4/10
    1228
    IHRE BEWERTUNG
    • Regie
      • Alfonso Arau
    • Drehbuch
      • Patrick Sheane Duncan
      • John Grisham
    • Hauptbesetzung
      • Scott Glenn
      • Arija Bareikis
      • Robert Sean Leonard
    • 29Benutzerrezensionen
    • 1Kritische Rezension
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
    • Für 1 Primetime Emmy nominiert
      • 1 Gewinn & 4 Nominierungen insgesamt

    Fotos4

    Poster ansehen
    Poster ansehen
    Poster ansehen
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    Topbesetzung28

    Ändern
    Scott Glenn
    Scott Glenn
    • Eli 'Pappy' Chandler
    Arija Bareikis
    Arija Bareikis
    • Kathleen Chandler
    Robert Sean Leonard
    Robert Sean Leonard
    • Jesse Chandler
    Melinda Dillon
    Melinda Dillon
    • Gran Chandler
    Logan Lerman
    Logan Lerman
    • Luke Chandler
    Audrey Marie Anderson
    Audrey Marie Anderson
    • Tally Spruill
    Geoffrey Lewis
    Geoffrey Lewis
    • Mr. Spruill
    Pablo Schreiber
    Pablo Schreiber
    • Hank Spruill
    Michael Shamus Wiles
    Michael Shamus Wiles
    • Stick Peters
    Luis Garcia
    • Cowboy
    • (as Luis Esteban Garcia)
    Miguel Pérez
    Miguel Pérez
    • Miguel
    Diane Delano
    Diane Delano
    • Mrs. Spruill
    Luke Eberl
    Luke Eberl
    • Trot Spruill
    Sean Harrison Jones
    Sean Harrison Jones
    • Bo Spruill
    • (as Sean Jones)
    Richard Crowe
    • Mr. Latcher
    Neva Howell
    Neva Howell
    • Mrs. Darla Latcher
    Liz Byler
    Liz Byler
    • Libby Latcher
    Donna Denley
    • Mrs. Watson
    • Regie
      • Alfonso Arau
    • Drehbuch
      • Patrick Sheane Duncan
      • John Grisham
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen29

    6,41.2K
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    Empfohlene Bewertungen

    8jewelch

    Really good

    Perhaps sometimes, we forget, with our plush life and current definition of "poverty", what things were like for rural "working poor" even as recently as the 50's. Survival, even for a man who owned the land, took a different strength of character. Is it good, or is it regretful those times have passed? More money yes, but were better times up North in the auto plants? I suppose, but this is nostalgia, and not bad either. It was a good family movie, narrated like the Waltons, I kept waiting for "goodnight Luke-boy". Yah, Little House on the Prairie too, a bit more reality, but did other commenters really expect this to be as complete as the book, any book? Personally, I'm tired of hearing book-readers whine about "what they left out". Don't watch movies if you read the book. This is certainly wandering reminiscences, but that's another type of literature too, isn't it? Why does every story have to be going somewhere special? To me it's a pretty good coming of age movie and worth the hour and a half at least, and always a pleasure watching Scott Glenn, when he gets good parts. James Welch Henderson Arkansas 4/9/2021.
    vchimpanzee

    Nicely done story of hard times in 1950s Arkansas

    In Arkansas during the Korean War, 10-year-old Luke Chandler lives with his parents and grandparents on a farm where cotton is the primary crop. To pick the cotton, the family must hire 'hill people' and Mexicans. The hill people do not get along particularly well with those who look down on them, and sometimes they get into fights. Hank Spruill is especially prone to getting in trouble. One day in the house, he makes demands of Luke and, figuring Luke looks down on him, points out that at least his house is painted, while to Luke's family, paint is a luxury. Later in the movie, part of the house has been mysteriously painted. The prime suspect is Hank's disabled brother Trot, who can't work in the fields.

    Luke witnesses a fight Hank gets into that results in a death. He is afraid to tell the truth since Hank doesn't like him anyway, but the police officer who investigates appears satisfied with the explanation of self-defense. Hank's teenage sister appears to be falling for Luke at first, but later she is seen with Cowboy, one of the Mexicans, and Hank already despises Cowboy.

    The hard life on the farm is made even worse by several weather events during the second half of the movie. The promise of better times ahead is suggested when Luke's cousin shows up in a brand new Buick (Luke has never even been in a car, only trucks). His spoiled rich wife can't believe people have to live like this and is horrified by having to use an outhouse (This was one of my favorite scenes; Kiersten Warren is so good in roles like this). Also, the whole town is excited by a new thing called television and the idea of actually being able to watch the World Series. Luke is a Cardinals fan, but he gives up his dream of a Cardinals jacket for something more important.

    This is almost a family movie. There are two violent scenes that result in deaths (both witnessed by Luke; the second time, the person responsible threatens Luke's mother if he tells). People get into fights a lot in this environment, but the others are no big deal. Other possible red flags for parents: the birth of a child to an unwed mother, and the identification of a possible father. Other than these incidents, this movie could be acceptable viewing for the entire family.

    This movie was well done, and I thought the performances by many of the actors were good. I especially liked Luke's grandfather, who could be stern but tender. Not everyone has an easy life, and those of us who had it too soft can learn a lot from a movie such as this.
    6newmans

    Maybe sometimes, we forget

    Maybe sometimes, we forget, with our plush life and current definition of "poverty", what things were like for rural "working poor" even as recently as the 50's. Survival, even for a man who owned the land, took a different strength of character. Is it good, or is it regretful those times have passed? More money yes, but were better times up North in the auto plants? I suppose, but this is nostalgia, and not bad either.

    It was a good family movie, narrated like the Waltons, I kept waiting for "goodnight Luke-boy". Yah, Little House on the Prairie too, a bit more reality, but did other commenters really expect this to be as complete as the book, any book? Personally, I'm tired of hearing book-readers whine about "what they left out". Don't watch movies if you read the book.

    This is certainly wandering reminiscences, but that's another type of literature too, isn't it? Why does every story have to be going somewhere special? To me it's a pretty good coming of age movie and worth the hour and a half at least, and always a pleasure watching Scott Glenn, when he gets good parts.
    Pistach

    It didn't make it.

    Basically the movie consisted of a few highlighted clips from the book. It failed to get across the essence of the book. In particular the sense of family and the desire and ability to help others regardless of economic status.

    As I remember, hair was cut a lot shorter in 1952.

    I'm sorry I watched the move as it destroyed the good memories that I had from the book.
    6aileen_588

    Kind of a non-story

    Overall, it was an ok made for t.v movie. The acting was good, and there was nothing particularly wrong with the cinematography. The only problem was the story line. It goes from here to there with nothing to tie it together in between. The movie also comes with a rather un-satisfying ending. But if you are at home one night with nothing else to do it is an enjoyable-enough two hours.

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    Handlung

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    • Wissenswertes
      The church used for the Sunday church scene was donated by the film crew to a small church in Crittenden County, Arkansas. The church still stands and is being used every Sunday. A large sign in the yard depicts it as the church used in the movie.
    • Patzer
      When the soda fountain worker give the customer a fountain drink, the seltzer from the spigot comes out brown. Seltzer is clear. In 1950s all fountain drinks, including Coca Cola, required a squirt of flavored syrup then the cup was held under the fountain spigot. The clerk would push the handle back for a pressurized squirt to mix the clear seltzer and syrup then would pull the handle forward to fill the glass.
    • Zitate

      Tally Spruill: [after taking a bath in the lake] You saw me, didn't you Luke?

      Luke Chandler: Yes

      Tally Spruill: That's Ok, I'm not mad.

      Luke Chandler: You're Not?

      Tally Spruill: No.

      Luke Chandler: I guess it's only natural, you know... for boys to look at girls

    • Verbindungen
      Edited into Hallmark Hall of Fame (1951)
    • Soundtracks
      Canta Y No Llores
      Mexican folksong

      Sung by migrant workers

    Top-Auswahl

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    Details

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    • Erscheinungsdatum
      • 27. April 2003 (Vereinigte Staaten)
    • Herkunftsland
      • Vereinigte Staaten
    • Offizieller Standort
      • Official CBS Page
    • Sprache
      • Englisch
    • Auch bekannt als
      • Hallmark Hall of Fame: A Painted House (#52.3)
    • Drehorte
      • Lepanto, Arkansas, USA
    • Produktionsfirmen
      • CBS
      • Hallmark Hall of Fame Productions
      • McGee Street Productions
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Technische Daten

    Ändern
    • Laufzeit
      • 1 Std. 37 Min.(97 min)
    • Farbe
      • Color
    • Sound-Mix
      • Stereo
    • Seitenverhältnis
      • 1.85 : 1

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