The Nest of the Cuckoo Birds

The Nest of the Cuckoo Birds (1965) is yet another epic restoration project overseen by the visionary Nicolas Winding Refn. Bert Williams, primarily known as an extra in films, directed this, his sole cinematic endeavor. Reading the synopsis, I anticipated a weighty Southern drama, but the film turned out to be a prime example of trash cinema at its finest.

Beyond the subpar acting and technical flaws, the film boasts a surprisingly bizarre cinematic language, simultaneously immersing the viewer in the events while also keeping them at a distance as a witness.

This film, which I had eagerly added to my Mubi watchlist, took me by surprise. It taught me, at the very least, to never question Nicolas Winding Refn's taste. The director's penchant for the unconventional shines through in his choice to resurrect this forgotten gem.

While the film may not appeal to everyone, its sheer audacity and unabashed embrace of its low-budget aesthetic make it a fascinating watch. The performances, though amateurish, exude a raw energy that is strangely captivating. The plot, while meandering at times, is punctuated by moments of unexpected humor and surrealism.

Technically, the film is rough around the edges, with grainy visuals and inconsistent sound quality. Yet, this only adds to its charm, giving it a gritty, authentic feel that is often lacking in more polished productions.

"The Nest of the Cuckoo Birds" is not a film for the faint of heart. It is a challenging, often uncomfortable viewing experience. But for those willing to venture into the depths of cinematic obscurity, it offers a unique and unforgettable journey.

Definitely a precursor to Texas Chainsaw Massacre and more as well as outside of film with a song: Title, music and Lyrics that influenced The Cramps... How could you go wrong?

Available through Nicolas Winding Refn's site (for free!) "bynwr"

A great analogy for life on the island and the inn is just like neighborhoods and a lot of cities...

Some absolutely witty lines and set ups that caused me to loudly laugh out loud, enjoyed this with wide eyes not sure what was coming next. When I thought I had it, a twist I didn't see coming.

Loved it! Killer Soundtrack for a Killer Movie where every one might just be a...

If you tell me that a film is extremely rare &/or was lost for decades and miraculously resurfaced or got resurrected, chances are that this will equate to some immediate interest. This one turned out to not ultimately work as a mystery thriller, but still proved to be worth a look. Just have to add that if the character Harold's beard was fake, it has to have been one of the worst in the history of makeup, but if it was real that would be even more disturbing.

When I watch a super-low budget, amateur movie like "The Nest of the Cuckoo Birds," I try to view it as if it were an amateur play at the local playhouse. My primary question: Did I enjoy it. The answer here is, yes, I (mostly) enjoyed it.

With that out of the way, the basic story line to "Nest" is pretty clever. (And director Bert Williams does just enough to hold the viewer's interest through to the very end where he ties things together.) The basic story line concerns undercover government revenue agent "Johnson" who has his cover blown and escapes into the everglades to avoid certain death. After an "interesting" encounter with a knife-wielding female, Johnson further escapes to an island housing the titular Cuckoo Bird Inn. The Inn is owned by religious fanatic, Mrs. Pratt, who is accompanied by caretaker, Harold, and Mrs. Pratt's daughter, Lisa. When he arrives, he is the only guest in the Inn. The balance of the film remains concerned with events at the Inn.

Now, if there is a defect here it is in the dialogue, which (not surprisingly) fills up quite a lot of the 1:20ish running time and can get rather sluggish at times. This movie would have suffered nothing by trimming its run time by 10 to 15 minutes. However, there are discernible plot points that move the action along. These center on Johnson's continued "snooping" of the restricted areas of the Inn and its surrounding property (much to the chagrin of Harold and Mrs. Pratt). What he eventually finds indeed qualifies the movie as a "horror" movie, though we get most of that in the last 20 or so minutes of the film.

Florida during the 1960s and early 1970s gave us some really strange gems, including "Two Thousand Maniacs!" (1964) "Miss Leslie's Dolls" (1972) and "Blood Freak" (1972). I will add this to my collection of Sunshine State curios.

The premise for this film was really interesting. The result is a sort of hazy, but not really satisfying dream-like blurb of overly theatrical acting, tv-banal camera work, and at times an obvious lack of budget.

This being said, the film still gets you going. You want to know what's going to happen, nothing is really predictable, which I liked. The heat. Sweat, nigh time, and thunderstorm filled ambiance was real fun. Ambiance is a thing too often neglected in films nowadays, where more attention is placed on cheap tension.

There are a lot of unexplored themes, or themes that are barely present, which got me wondering, are some parts of the film missing? Then again, it might be voluntary, to add more suspense. The plot goes into some kind of texas chainsaw massacre meets jesus camp thing. Overall, this movie would deserve a good remake. The one thing a remake should really imitate though is the music. I found the slow surf guitar, drums, and occasional choir chanting to be really awesome. Even the half-cheap sound quality of some of the music present just added to the mix really well. Sometimes switching in music wasn't well timed, but eh, oh well. In general, the music really added to the film.