IMDb-BEWERTUNG
7,1/10
8947
IHRE BEWERTUNG
Ein verwaister Gepard wird zum besten Freund eines kleinen Jungen.Ein verwaister Gepard wird zum besten Freund eines kleinen Jungen.Ein verwaister Gepard wird zum besten Freund eines kleinen Jungen.
- Auszeichnungen
- 1 wins total
Alex Michaeletos
- Xan
- (as Alexander Michaletos)
Empfohlene Bewertungen
"Nature breaks through the eyes of the cat." Irish proverb
With the emergence of digitized everything, photography of the actual thing is now the amazement. Splendid is everything visualized in Duma, the story of a young South African boy, Xan (Alex Michaeletos) who brings up an orphaned cheetah, Duma, to the day when his father (Campbell Scott) decides it is perilously close to the time when Duma couldn't survive in the wild.
And so, about the time they are to return Duma to his world, Xan becomes a sort of orphan himself because dad dies and leaves Xan and his mother with a big ranch to tend. As predictable as the right of passage story that ensues with Xan taking Duma back, there is a freshness of simplicity and beauty, joy and sorrow that overwhelms the clichés and makes you eager to go back to animal stories of early film, like Old Yeller, where the pets are as human than their masters and make real the abstract idea of Nature.
An unusual care for lens and animal is palpable from director Carroll Ballard and cinematographer Werner Meritz, unforgettable even. The four cheetahs used for Duma are as often lensed close up as they are in long shots, beautifully stretching their sixty-mile an-hour legs.
With the consistency director Carroll Ballard showed in the acclaimed Fly Away Home, he weaves the theme of abandonment and reconciliation into every major scene: Even the enigmatic intruder Rip (Eamon Walker) has exiled himself from his tribe and is now returning home, cruising the river with Xan like Huck and Jim. That eventually animals and humans must take up their responsibilities is also present almost from the first frame.
Nothing new here, just a good old-fashioned pet tale, which never is boring for me, a perpetual boy with an English major's tendency to see poetry in a landscape or a cheetah's eye.
"Nature never did betray the heart that loved her." Wordsworth
With the emergence of digitized everything, photography of the actual thing is now the amazement. Splendid is everything visualized in Duma, the story of a young South African boy, Xan (Alex Michaeletos) who brings up an orphaned cheetah, Duma, to the day when his father (Campbell Scott) decides it is perilously close to the time when Duma couldn't survive in the wild.
And so, about the time they are to return Duma to his world, Xan becomes a sort of orphan himself because dad dies and leaves Xan and his mother with a big ranch to tend. As predictable as the right of passage story that ensues with Xan taking Duma back, there is a freshness of simplicity and beauty, joy and sorrow that overwhelms the clichés and makes you eager to go back to animal stories of early film, like Old Yeller, where the pets are as human than their masters and make real the abstract idea of Nature.
An unusual care for lens and animal is palpable from director Carroll Ballard and cinematographer Werner Meritz, unforgettable even. The four cheetahs used for Duma are as often lensed close up as they are in long shots, beautifully stretching their sixty-mile an-hour legs.
With the consistency director Carroll Ballard showed in the acclaimed Fly Away Home, he weaves the theme of abandonment and reconciliation into every major scene: Even the enigmatic intruder Rip (Eamon Walker) has exiled himself from his tribe and is now returning home, cruising the river with Xan like Huck and Jim. That eventually animals and humans must take up their responsibilities is also present almost from the first frame.
Nothing new here, just a good old-fashioned pet tale, which never is boring for me, a perpetual boy with an English major's tendency to see poetry in a landscape or a cheetah's eye.
"Nature never did betray the heart that loved her." Wordsworth
Duma - A story about an orphaned Cheetah and a boy who rediscovers his life after an unfortunate tragedy - A journey that ends with a new beginning.
I often watch films made in America and by American directors that depict African scenes in their movies, and they can never truly portray the African way of life.
Carroll Ballard is one of the first to successfully portray this properly - well, almost :-) He still used the word "Gas" instead of the word "Petrol". Us South Africans never say gas. He also changed the geography of the journey quite dramatically, and at times Xan jumped miraculously 500 km from the East of Botswana to the west of South Africa, and suddenly 5 min later, he jumped 500 km north to the Central North West of Botswana (The Okavango Delta).
But please don't think I am bad mouthing the movie. Everyone is allowed the use of poetic license, and the way that Carroll Ballard did this showcased some of the most beautiful places in Southern Africa, and the world, including Augrabies Falls in South Africa, Sowa Pan and Kubu Island (Part of the largest salt pans in the world, the Magadigadi Pans), the Okavango Delta and many more...
The story is blissfully simple, allowing young children to enjoy this film without asking questions, as well as allowing adults to marvel at the scenes being shown to them.
The photography as far as the filming of the cheetahs goes as well as the African wilderness, was magnificent, as well as the sound effects...they were not artificial, unlike many of the other films made today, which use completely unnatural sound effects for the animals.
A must see for anyone who appreciates a good, heartwarming story, the African wilderness and good, honest, down to earth film making 9/10
I often watch films made in America and by American directors that depict African scenes in their movies, and they can never truly portray the African way of life.
Carroll Ballard is one of the first to successfully portray this properly - well, almost :-) He still used the word "Gas" instead of the word "Petrol". Us South Africans never say gas. He also changed the geography of the journey quite dramatically, and at times Xan jumped miraculously 500 km from the East of Botswana to the west of South Africa, and suddenly 5 min later, he jumped 500 km north to the Central North West of Botswana (The Okavango Delta).
But please don't think I am bad mouthing the movie. Everyone is allowed the use of poetic license, and the way that Carroll Ballard did this showcased some of the most beautiful places in Southern Africa, and the world, including Augrabies Falls in South Africa, Sowa Pan and Kubu Island (Part of the largest salt pans in the world, the Magadigadi Pans), the Okavango Delta and many more...
The story is blissfully simple, allowing young children to enjoy this film without asking questions, as well as allowing adults to marvel at the scenes being shown to them.
The photography as far as the filming of the cheetahs goes as well as the African wilderness, was magnificent, as well as the sound effects...they were not artificial, unlike many of the other films made today, which use completely unnatural sound effects for the animals.
A must see for anyone who appreciates a good, heartwarming story, the African wilderness and good, honest, down to earth film making 9/10
This film was a rare pleasure to behold, much like the joy I experienced in September 1993 at the Toronto International Film Festival screening of "SIRGA: L'infant Lion" (yet to be released on DVD in North America although released in Germany a few years ago). There are deeper messages here and these are truly welcome, unlike so much of the swill that passes for family entertainment these days. As much as I enjoyed "Two Brothers" (Jean-Jacques Annaud) recently, I do prefer this film by a director whose last film I enjoyed at the Toronto Festival some 8+ years ago - "Fly Away Home".
The journey taken by the 12 year old boy reminds me somewhat of the journey taken by a slightly younger lad and his sister in the also-compelling early 70s Nicholas Roeg film "Walkabout" which I also highly recommend if you like nature-type films (or should I say "au natural" type films ... ha ha). I rate this one 9 out of 10.
Anyway make sure you get to see this once it comes to your part of the world either theatrically or, likelier on DVD.
The journey taken by the 12 year old boy reminds me somewhat of the journey taken by a slightly younger lad and his sister in the also-compelling early 70s Nicholas Roeg film "Walkabout" which I also highly recommend if you like nature-type films (or should I say "au natural" type films ... ha ha). I rate this one 9 out of 10.
Anyway make sure you get to see this once it comes to your part of the world either theatrically or, likelier on DVD.
I have no idea why this movie got such a small-scale cinema release. It certainly can't have anything to do with the quality of the film. I was surprised by Duma, because it's an extremely well-directed film which treats its audience with far more respect and intelligence than a lot of so-called "family" fare available. Also, as opposed to many films with animal protagonists, Duma doesn't treat them as objects of half-witted hokey slapstick fun, but instead makes the entire friendship between human and animal seem extremely touching and authentic.
In a way there is something almost Miyazaki -esque about this movie, in that it draws you into the narrative not with half-baked nudge nudge wink wink references which only adults will understand, but through its intelligence and excellent sense of drama alone; not to mention the great performances by Eamonn Walker and Alexander Michaeletos - two names to look out for in the future if their performances here are anything to go by. At any rate, Duma is one of the few cases where the possibly over-used moniker "A film for all ages" definitely applies. Recommended if you can find it.
In a way there is something almost Miyazaki -esque about this movie, in that it draws you into the narrative not with half-baked nudge nudge wink wink references which only adults will understand, but through its intelligence and excellent sense of drama alone; not to mention the great performances by Eamonn Walker and Alexander Michaeletos - two names to look out for in the future if their performances here are anything to go by. At any rate, Duma is one of the few cases where the possibly over-used moniker "A film for all ages" definitely applies. Recommended if you can find it.
Being used to today's explosion-filled, fast-paced movies being churned out on a weekly basis for the sake of selling tickets, Duma is what I'd like to say a slap in the face for all of us who get excited over the mediocrity that has brought out "The Interpreter," "Stealth," and what else is playing now...? A movie that I would definitely recommend for an entire family to watch together, there's nothing in here that would make you want to cover your kids' eyes or ears up at anytime. Instead you'd want for them, and for yourself, to sit up and pay attention to this smooth, smart movie.
Don't wait for any explosions. There is a story being told in this movie, and its being told with a fresh touch of poetry which I haven't seen in a long time.
I gave this movie an 8/10 because of one reason: Although the movie is set in Africa, its really hard to tell until halfway through the movie. In fact, the place looked whiter than Little Rock, Arkansas! But it got an 8/10 because of the story, the storytelling, and the smooth pace at which the movie flows.
Don't wait for any explosions. There is a story being told in this movie, and its being told with a fresh touch of poetry which I haven't seen in a long time.
I gave this movie an 8/10 because of one reason: Although the movie is set in Africa, its really hard to tell until halfway through the movie. In fact, the place looked whiter than Little Rock, Arkansas! But it got an 8/10 because of the story, the storytelling, and the smooth pace at which the movie flows.
Wusstest du schon
- WissenswertesDuma is played by 6 different Cheetahs. All orphaned or poached Cheetahs themselves; were hand raised in different parts of Africa.
- SoundtracksRhaliweni (Railway)
Traditional Shangaan Song
Arranged by Philip Miller
Performed by Sun Glen
Courtesy of Worldgoround Records
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- Erscheinungsdatum
- Herkunftsland
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- Duma
- Drehorte
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Box Office
- Budget
- 12.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 870.067 $
- Weltweiter Bruttoertrag
- 994.790 $
- Laufzeit1 Stunde 40 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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