Spartan

This one better than most of David Mamet's later films and this is just as good as House of Games and Homicide. This movie stars Val Kilmer as a government agent who is called in to help with the search of the president's missing daughter. Val is willing to do just about anything to get her back and the less you know about the plot, the better you're off. I'm surprised that i never even heard of this movie until it came in theaters. I saw no previews for it or any ads anywhere. The first place i heard about was when Val Kilmer was on The Daily Show to promote the movie. I only went to go see it was that it was written and directed by David Mamet. It would be a good thing to not read any reviews before you see it.

David Mamet ("Heist", "The Spanish Prisoner") has a deserved reputation as a non-traditional writer/director whose singular style indelibly marks all of his work. With his latest movie, "Spartan", Mamet again proves his quirkiness with a unique mysterious thriller.

Although more ambitious than most plots, the premise is not extremely out of the ordinary. The collegiate First Daughter has gone missing, and black ops government agents must track her down before the press unearths the story that could harm her. Val Kilmer plays the soldier of the manhunt, the talented military worker bee who takes orders from a variety of recognizable faces such as William H. Macy, Ed O'Neill, and Clark Gregg. In their search for the girl, Kilmer and company weave through a (perhaps too) winding maze of half-truths that have come to characterize Mamet works.

Because Kilmer, in the lead role, rarely knows more about the investigation than his direct task, the audience sits in a similar situation, never ahead of the story. This ignorance glues the viewer to the screen and causes the hour and forty minutes to zip by at a surprisingly smooth and quick pace. However that same ignorance also prevents the film from making what could have been a deeper connection. With little to no background information on virtually all the characters, there is no emotional investment in anyone. What happens is more important than to whom it happens. The fact that the film still compels despite this is a testament to Mamet's taut script.

His signature almost-but-not-quite-stilted dialogue is less dominant and more accessible than in other pictures, perhaps because of the high-strung nature of the government operations. In common situations though, Mamet's semi-formal words still shine. There is very little cliché dialogue, even in common situations, and what triteness exists is often swallowed by the surrounding originality. Kilmer occasionally falls prey to the easily entangling awkwardness, although that stumbling is not significantly out of character. The supporting cast, many of whom previously worked with Mamet, are stellar in their delivery, particularly Macy and Gregg.

"Spartan", like many of Mamet's movies, is fully entertaining but due to the slightly off-kilter nature of his work, fails to fully suck in the viewer, piquing interest without engrossing. You truly want to know what happens, but you don't care greatly.

Bottom Line: Call it 7 of 10 for a good but not great film.

Oh boy, where to start on this confusing convoluted thriller from ace screenwriter and director Mamet. Val Kilmer does his best to add some real spark to a story about the apparent accidental kidnapping of the President's daughter. Kilmer is a super duper special forces agent who will do anything, and I mean anything to succeed at his assignment. Accidental I say, because it turns out she was kidnapped by Middle Eastern white slave trade marketers who deals with young blonds, after a security lapse that left the President's daughter vulnerable in a sleazy Boston club. Now keep in mind, the slave traders do not know who she is, at least that's how the story goes. But wait a minute, just after we learn all of this and the evidence is pointing in that direction, a HUGE plot twist develops that puts all of that to bed. Or does it??? I'll leave the spoilers out because what I've told you is just the beginning of the movie. David Mamet is a king of twisting confusing sometimes plots, being borderline ridiculous, and this one is no exception. But Val Kilmer saves the day as he does with a lot of movies, and his performance alone is worth seeing this Mamet thriller. I'm a huge Kilmer fan and it's always a joy to see him perform, no matter how far out the role. And this IS a pretty far out role. The supporting cast includes such standouts as William Macy (one of his worst roles ever), Derek Luke as Kilmer's novice partner, cameo-like appearance by Ed O'Neill, Kristen Bell as the kidnap victim. Despite its shortcomings, I enjoyed the movie and would recommend it for thrillers that have that giant leap of logic. The ending is pretty exciting, again with logic totally turned off, but what the hell, there's a lot of action, several twists and turns and I'll take that anytime over the mindless fluff that is coming out of Hollywood lately.

Well i was starting to wonder whether Val would get his career back on track after seeing him in mishaps like Mindhunters (Cheesey but fun) and his brief role in The Missing (Boring boring boring). I haven't seen Wonderland yet so i can't judge him on that one just now.

This is the guy that starred in films such as Willow, Heat and Tombstone (His best role to date), he should be starring in bigger films these days and making a better reputation for himself you would think. But up until now this hasn't happened. So thank god for Spartan....

The trailer looked quite average so i wasn't expecting much, but it starred Kilmer and Macy so i was hoping to be pleasantly surprised somehow. Which i was.

The reason why this film hit the right note for me was its pace. It flowed really well and i thank Mamet the director for that. The first thirty minutes to forty five are fantastic and didn't let go of the audiences attention at all. It did dip through the middle but again picked up to my delight after that patchy spell.

I've already commented on Kilmer enough and he does a great job in his role of Agent Scott. He is backed up by rookie partner Curtis played by Derek Luke. This is the first time i have seen this guy and he did a great job with the screen time that he had.

My one disappointment is William H Macy's character Stoddard. There was no development whatsoever to his character and he was restricted to very tight screen time. The best actor in this film restricted to a few lines is very harsh. I'm sure a few people will agree with me there.

By the way i loved the fact that they didn't relate to the girl as the 'presidents daughter' once throughout this film. Simple but effective

A gem of a film.

This is a competent political thriller written and directed by the talented David Mamet with a strong central performance from Val Kilmer as an American secret agent with a direct and brutal style of operation. From the opening sequence of a woman running through woods (like "Silence Of The Lambs"), this is a taut tale which never lets up the pace, with strong violence and a number of plot twists along a road with plenty of blood and betrayal, and the music by Mark Isham adds real atmosphere. But there are no great action sequences or memorable lines of dialogue to lift the film to a higher level. Nevertheless the movie deserves a higher profile that it is receiving so far.