Spartan

Oh boy, where to start on this confusing convoluted thriller from ace screenwriter and director Mamet. Val Kilmer does his best to add some real spark to a story about the apparent accidental kidnapping of the President's daughter. Kilmer is a super duper special forces agent who will do anything, and I mean anything to succeed at his assignment. Accidental I say, because it turns out she was kidnapped by Middle Eastern white slave trade marketers who deals with young blonds, after a security lapse that left the President's daughter vulnerable in a sleazy Boston club. Now keep in mind, the slave traders do not know who she is, at least that's how the story goes. But wait a minute, just after we learn all of this and the evidence is pointing in that direction, a HUGE plot twist develops that puts all of that to bed. Or does it??? I'll leave the spoilers out because what I've told you is just the beginning of the movie. David Mamet is a king of twisting confusing sometimes plots, being borderline ridiculous, and this one is no exception. But Val Kilmer saves the day as he does with a lot of movies, and his performance alone is worth seeing this Mamet thriller. I'm a huge Kilmer fan and it's always a joy to see him perform, no matter how far out the role. And this IS a pretty far out role. The supporting cast includes such standouts as William Macy (one of his worst roles ever), Derek Luke as Kilmer's novice partner, cameo-like appearance by Ed O'Neill, Kristen Bell as the kidnap victim. Despite its shortcomings, I enjoyed the movie and would recommend it for thrillers that have that giant leap of logic. The ending is pretty exciting, again with logic totally turned off, but what the hell, there's a lot of action, several twists and turns and I'll take that anytime over the mindless fluff that is coming out of Hollywood lately.

David Mamet first caught my attention when he did a small grifter film called House of Games. It was released three years prior to The Grifters and I am quite certain that The Grifters took a lot of inspiration from House of Games. The Grifters had a high priced cast and more money was spent on the production but it was not quite as good as Mamet's masterpiece. Later, I would learn that Mamet would go on to write some of the best dialogue in all of film with movies like The Untouchables (just like a Wop, brings a knife to a gunfight), The Heist ( everyone loves money, that's why they call it money) and my favourite Mamet film, Glengarry Glenross ( I make $900,000 a year, that's why...). Mamet has a gift for the way people sound and the way they might deliver a line. Spartan continues his trend of interesting and crisp dialogue and fascinating characters. I have to agree with Roger Ebert when he says that this is Val Kilmer's best performance since Tombstone. He nails the character Scott, to a tee. Where as many action thrillers are about guns and explosions and certain bad acting, this is more about the characters. I am not saying that dumb action thrillers aren't fun sometimes, because they are. But if you like films that treat you like you already know what you need to know, and then proceed to show you things that you don't, then Spartan, like The Bourne Identity, is a film that you should enjoy.

Val Kilmer plays perhaps a member of the Secret Service, or perhaps he is just one of those covert operatives that is so good at what he does that he is just an invisible spook who shows up to do a job that others have trouble with. Mamet has given us a character that is so exemplary and pensive and good at what he does that he is the paradigm that all others in his line of work should emulate. There is no hesitation with him. He is driven and he is serious and like The Terminator, he will not stop, ever, until he has finished the job.

In this film, that job is to rescue the president's daughter, who was kidnapped while the Secret Service agent watching over her claims he was sleeping while she disappeared. But what the real reason is we may never know. There is the possibility that her disappearance may have political ramifications that would go as high up as the President himself. It is learned that Laura Newton may have been kidnapped in a scheme that involves an international sex trade with American women. The kidnappers do not know they have the president's daughter. And that may complicate things.

What makes Kilmer's character so fascinating is the way Mamet writes him. This is a man who has seen much and done much and when the time calls for it, he does not hesitate to use whatever force is necessary to acquire information. He hunts down bar owners, prostitution ring leaders and terrorists. He kills death row inmates to get information, he roughs up middle aged women who hold keys to the case and he holds an extreme form or prejudice towards anyone who may be a link in solving the case. This is a job to Scott and he treats it like that. I think this is the fundamental difference in a film like Spartan and many other less intelligent films that try to glamorize political espionage thrillers. This film talks and sounds like you are literally witnessing what happens behind closed doors. It gives you the feeling that what are witnessing is everything that does not get reported in the papers. This is about as raw as it gets and Mamet can take full credit for writing and directing the film as beautifully as he did and Val Kilmer can be proud of what he brought to the table.

This is one of the best films of the young 2004 and while it will be forgotten soon enough, when it comes out on video, it is a film that must be seen.

9/10

Well i was starting to wonder whether Val would get his career back on track after seeing him in mishaps like Mindhunters (Cheesey but fun) and his brief role in The Missing (Boring boring boring). I haven't seen Wonderland yet so i can't judge him on that one just now.

This is the guy that starred in films such as Willow, Heat and Tombstone (His best role to date), he should be starring in bigger films these days and making a better reputation for himself you would think. But up until now this hasn't happened. So thank god for Spartan....

The trailer looked quite average so i wasn't expecting much, but it starred Kilmer and Macy so i was hoping to be pleasantly surprised somehow. Which i was.

The reason why this film hit the right note for me was its pace. It flowed really well and i thank Mamet the director for that. The first thirty minutes to forty five are fantastic and didn't let go of the audiences attention at all. It did dip through the middle but again picked up to my delight after that patchy spell.

I've already commented on Kilmer enough and he does a great job in his role of Agent Scott. He is backed up by rookie partner Curtis played by Derek Luke. This is the first time i have seen this guy and he did a great job with the screen time that he had.

My one disappointment is William H Macy's character Stoddard. There was no development whatsoever to his character and he was restricted to very tight screen time. The best actor in this film restricted to a few lines is very harsh. I'm sure a few people will agree with me there.

By the way i loved the fact that they didn't relate to the girl as the 'presidents daughter' once throughout this film. Simple but effective

A gem of a film.

A political thriller that manages to be both logical and surprising. Dialogues are smart and every character is given an important role in this military puzzle film. It shows, in an unconventional way, the hidden world of intelligence service at all its levels (the highest and the lowest). This movie was unnoticed by the general public because of its being somehow simple (with no special effect) but it's for sure genuine and of high quality; it has surprise twists, tough guys and some great action scenes. Furthermore what makes this flick special is not only the story but also the original way David Mamet chose to tell it; Val Kilmer acted in a very mature and professional manner and deserves many compliments for that.

If you go by the plot, or by the casting (Val Kilmer's done his share of stupid actioners), you might well go into this expecting guns, explosions, and improbably ninja-esquire super-agents who parachute around and kill things with their teeth.

But this is Mamet, so what you get instead is a sort of weird emotional flatland for almost two hours of film, with Kilmer doing an excellent (Val KILMER? Whoa!) job of portraying what top-level soldier/drones are like: emotionally neutral, physically economical, and not always all that bright.

If you're looking for somebody hoisting a bazooka and wisecracking before he blows up the compound and saves the girl in the bikini while smashing the drug smuggling ring, this ain't your film, friend. It's very well written and extremely well acted, but also quiet, murky, and deliberately understated.

Don't expect whiz-bang excitement or crackerjack dialogue. If you can shelve that and put yourself in the frame of mind of a Kurosawa samurai movie, where contemplation and futility take equal time with action and excitement, you'll find this movie a lot more rewarding.