Johnny ist ein erfolgreicher Banker, der mit seiner Verlobten Lisa glücklich in einem Haus in San Francisco lebt. Eines Tages wird sie seiner aus unerklärlichen Gründen überdrüssig und besch... Alles lesenJohnny ist ein erfolgreicher Banker, der mit seiner Verlobten Lisa glücklich in einem Haus in San Francisco lebt. Eines Tages wird sie seiner aus unerklärlichen Gründen überdrüssig und beschließt, seinen besten Freund Mark zu verführen. Von da an ist nichts mehr so wie zuvor.Johnny ist ein erfolgreicher Banker, der mit seiner Verlobten Lisa glücklich in einem Haus in San Francisco lebt. Eines Tages wird sie seiner aus unerklärlichen Gründen überdrüssig und beschließt, seinen besten Freund Mark zu verführen. Von da an ist nichts mehr so wie zuvor.
- Auszeichnungen
- 1 wins total
- Denny
- (as Phillip Haldiman)
- Claudette
- (as Carolyn Minnot)
- Mike
- (as Mike Scott)
- Party Member #2
- (as Kari McDermont)
- Party Member #3
- (as Jen Vanderbliek)
- Party Member #4
- (as Bennet Dunn)
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It is also funny how many people actually see this as a real movie, and take the acting, story, and dialogue seriously. It's a sad testament to the state of intelligence of some, but that doesn't detract from the movies awful redemption.
There was no way this was made as a 'black comedy' on purpose. The ineptness present in ALL aspects of the film could only come about through an attempt to put Tommy's own high-school angsty experiences (probably) on tape. When the reviews trashed the movie, he pulled a Paul Ruebens "I meant to do that". The denial of the films obvious serious beginnings add even more hilarity. Tommy, we are laughing at you, not with you. Thank you for that.
Whether it's the made-up-by-fifth-graders dialogue, the deer-in-headlights performances, or the positively icky sex scenes (love those smushed rose petals on the chubby girl's back), you'll be howling from start to finish.
This movie has already amassed a cult of people who know what to yell at the screen and when; for a movie that's being self-distributed, this rates as some kind of crap-movie miracle.
Keep an eye out for the pointless insert shots of San Francisco, which give the idea of time passing even when it doesn't: one party scene, for example, features eight of these cut-aways.
You really can't believe how terrible THE ROOM is, but at least it's entertaining, albeit in ways that the lazy-eyed, odd-bodied, English-mangling auteur never imagined. Not to be missed.
Why you may ask? Well, if you watch this with a couple of friends or strangerrs, this can be quite the experience. It's not about quality here (certainly not acting or script, the amount of repetition is suffocating and obnoxious to say the least), but about an experience with others about a really bad movie, that was meant to be a drama. Well I guess it's still a Drama, but not in the conventionnal sense.
Tommy is really bad and it seems he has to be dubbed at times. There are quite a few "What the ..." moments. Tommys laugh is ... curious? Definitely very unique. There's no real story and there are 3 to 4 sex scenes in the first 20 minutes of the movie. But worry not (or do?), it changes pace from there. But there is nudity applenty, especially Tommys bare behind, and a strange position to have actual intercourse is being revealed too. Or at least a anatomically incorrect penetration spot if you want to call it that. Now that may sound just crazy, but some will find this very amusing.
You can obviously watch just Highlights of this, but you will never know how bad it really is, if you don't watch it fully, to get the full experience of things. The closest to that, without going through the whole thing, is the Honest Trailer from Screen Junkies ...
Other filmmakers play with similarly surreal concepts - David Lynch for example - but this film lacks anything resembling artistic refinement, insight or self awareness placing it far from comparison. It's kind of like watching a train crash in slow motion - random, incoherent, disastrous, accidental and ultimately painful. The sense of alienation emanating from this film places the audience extremely far from being able to relate to what's happening on screen, which leaves a lot of room for uncontrollable laughter given the right circumstances.
The camera work and production techniques would not be out of place in many daytime soap operas, nor would the script and plot, but there is an undefinable quality which separates this movie from the sense mediocrity often found in such shows and instead casts it deep into the abyss of tragically bad film making where it will be forever trapped along with Wiseau's artistic integrity. This really is a new frontier.
It is truly awful, but I cannot recommend it enough.
Wusstest du schon
- WissenswertesAccording to Greg Sestero, Tommy Wiseau submitted the film to Paramount Pictures, hoping to get them on board as distributor. Usually, it takes about two weeks to get a reply from such a studio. This movie, however, was rejected within 24 hours.
- PatzerMark asks Lisa "what's going on" with "the candles [and] the music", but neither music nor candles are present.
- Crazy CreditsCraft Service - L.A. & S.F. Fast Food
- Alternative VersionenIn the DVD and theatrical versions of the film, when Johnny throws his TV out the window in the climax, it is obvious that it is daytime when the TV smashes to the ground despite taking place at night. However, in the Blu-ray transfer, a partial "day for night" filter was added.
- VerbindungenFeatured in Tim and Eric Awesome Show, Great Job!: Tommy (2009)
- SoundtracksYou're My Rose
Performed by Kitra Williams
Written by Kitra Williams and Wayman Davis
Music written and arranged by Wayman Davis for Nu-Rhythmn
Top-Auswahl
Details
Box Office
- Budget
- 6.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 549.602 $
- Weltweiter Bruttoertrag
- 5.263.945 $
- Laufzeit
- 1 Std. 39 Min.(99 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1