Lisbela e o Prisioneiro

Once again Guel Arraes and Jorge Furtado did it !

Lisbela e o Prisioneiro tells a story in the fifties of a young girl that loves american movies and a trevelling popular artist. Lisbela dreams with hollywood love stories and her story goes like this. Lisbela shows to the audience all movies clichés, but it doesn't mind, the audience loves clichés.

Smart dialogues, fast editing (more than 2200 cuts) and superb acting makes this film a real enjoyment for everyone.

Highly recommended

Lisbela e o Prisioneiro is a good comedy, it will certainly make you have a very good time when you see it. However, this movie is downsized by two factors: it looks like a made-for-TV feature and Débora Falabella, who plays Lisbela, is not convincing, even with the awful accent she tries to speak. The rest of the cast is excellent, a very good team of actors with an outstanding comedic timing. The screenplay (from a play by Osman Lins) has astonishing metalinguistic ideas and inserts several little black-and-white movies inside the movie, as the soundtrack is very vibrating. Quite good. 7/10

In the country of Northeast of Brazil, Leléu (Selton Mello) is a nomad rascal, traveling through different small towns, cheating people and having one night stand with the local women. While escaping from Inaura (Virgínia Cabendish), who has felt in love with him after a brief affair, and her cuckold husband, the hit man Frederico Evandro (Marcos Nanini), who wants to kill him, Leléu arrives in a small town. There, he meets Lisbela (Débora Falabella), the daughter of Tenente Guedes (André Mattos) and a romantic film lover, who is engaged of Douglas (Bruno Garcia) and is going to get married with him, and, like in a movie with happy end, they fall in love for each other.

"Lisbela e o Prisioneiro" is a delightful romantic comedy, supported by funny characters, situations, expressions and sayings very typical in the country of Brazil. I am not sure whether foreigners would appreciate or understand the richness of our national culture in this movie, but the story certainly reaches persons of different social classes in my country. The cast and direction are excellent and the music score is outstanding, highlight the song "Você não me Ensinou a te Esquecer" ("You Have not Taught me How to Forget You"), of Caetano Veloso. My vote is seven.

Title (Brazil): "Lisbela e o Prisioneiro" ("Lisbela and the Prisoner")

Having seen other movies by Guel Arraes, I thought this felt a little too long. He has not used the great Selton Mello to his full potential, and therefore the movie suffers a little. It was a very funny movie, don't get me wrong, but it could be shorter, more to the point. The scenes from the old movies, IMO, instead of helping the storytelling ended up boring the audience. It is definitely worth watching, if for nothing else then for Selton Mello's acting.

The Brazilian film industry is growing fast, bringing to the audience outstanding stories and visuals. Lisbela e o Prisioneiro is an example of this growth. It is a hilarious "northeastern" comedy, with great performances from Selton Mello and Debora Falabella. The script also helped the actors in their performances, which is full of very funny lines. The director Guel Arraes did a superb job directing the cast and choosing his camera angles. The editing was also fast, adding a good pace to the whole movie. Another great choice was the soundtrack. It fits the story and the characters like a glove. It is definitively a must-see comedy.