IMDb-BEWERTUNG
7,2/10
12.861
IHRE BEWERTUNG
Die Geschichte von Amedeo Modiglianis bitterer Rivalität mit Pablo Picasso und seiner tragischen Romanze mit Jeanne Hebuterne.Die Geschichte von Amedeo Modiglianis bitterer Rivalität mit Pablo Picasso und seiner tragischen Romanze mit Jeanne Hebuterne.Die Geschichte von Amedeo Modiglianis bitterer Rivalität mit Pablo Picasso und seiner tragischen Romanze mit Jeanne Hebuterne.
- Auszeichnungen
- 2 Nominierungen insgesamt
Peter Capaldi
- Cocteau
- (as Peter Capadli)
Dan Astileanu
- Diego Rivera
- (as Dan Astilean)
Eva Herzigova
- Olga
- (as Eva Herzigová)
Empfohlene Bewertungen
The story of Modigliani is well-known. However, this film gives it life with a wonderful script, amazing cinematography, and mind-blowing performances by Andy Garcia and Elsa Zylberstein, a little-known French actress. I was glued to the screen from start to finish and have recommended it to everyone. If this film, Garcia, and Zylberstein don't receive Academy Award nominations, there's something wrong with Hollywood... at least more than is already wrong with it.
Run don't walk to the nearest theatre showing "Modigiliani". Forget the mega-publicized studio films being released now (Winter 2004-2005). See it while you can. It's a true find, and one that will stay with you long after you left the theatre.
Run don't walk to the nearest theatre showing "Modigiliani". Forget the mega-publicized studio films being released now (Winter 2004-2005). See it while you can. It's a true find, and one that will stay with you long after you left the theatre.
Colorful and engaging, albeit, self-important lengthy Bio-Pic. Acting values range from screaming to sublime. Artist portrayals are always difficult to convey on the screen, and in this case, a painter, comes across as self-serving, ultimately unsympathetic but full of great art. His oeuvre speaks volumes but his lifestyle, littered with latch key kid lacking, results in some sad and destructive behavioral patterns that he never could outgrow. Backstory handled effectively and the anti-semitic storyline brutally honest but ham-fisted by the script. The debauched artists are overwhelmed by pistols, pity and the tortured artist syndrome. The scenes between the Big M and Pablo Picasso are the most interesting because of the tension created by the actors in each of the scenes; but Diego Rivera is reduced to bows and grunts. Excessive use of blood overstates some of the violence and one of the characters spends all his time yelling, about anything and everything. The "age" of the baby bothered my gal-pal ("M's" lover is seven months pregnant and carrying a three month old in her arms...say what?!) and the bad guys are straw-men with blackjacks to wield. Although there are scenes of "M" studying the bone structure of his subjects and checking out the rain on his window pane his artistic inspiration may be too subtle for the cinema to effectively embrace, without including his bouts with booze and hash. Keep this guy away from mommy's purse, he's a man on binge mission. Of course how do you portray inspiration? That's a puzzle. Too bad, too, because ultimately "M" left me mostly unmoved and wanting to take a trip to The Prado; rather than watch a vain and valiant Andy Garcia doing his Leaving Las Vegas cocktail chug-a-lug tumble down the auteur hole of dipsomania and consumption. Not a pretty slide. Not since Steven Boyd sucked his last gasp in Ben Hur has a character expelled air with such profound pathos. The women are pretty pawns in the directors hand's and the Salon Artist Paint-off "Contender" sequence rivals March Madness in frustration, respect and triumph. The euro trash tune-age is redolent of Cirque Du...and the salon scenes are gaudy but filled to the brim with odd balls and period patches.
Has the film a USA distributor? And for who is the pic targeted? The Hitch and Robots crowds will have a hard time pronouncing the title let along paying ten bucks to walk through the doors of the local multiplex to catch this one. Wait till DVD, rent it; and then go to an art gallery.
Has the film a USA distributor? And for who is the pic targeted? The Hitch and Robots crowds will have a hard time pronouncing the title let along paying ten bucks to walk through the doors of the local multiplex to catch this one. Wait till DVD, rent it; and then go to an art gallery.
It is a good biographical movie, even if it is obviously overdramatized. Andy Garcia again plays a charismatic , yet having abuse problems, which makes me wonder how he is in real life. Anyway, he did a great role.
Worth mentioning, the movie was shot in Romania, with a lot of Romanian actors. It was funny hearing "Ionel, Ionelule" sung in French, since it was all supposed to be happening in Paris.
Now, about the movie. It showed an overly emotional world of artists, highly competitive, yet in owe of one another. Being a rather technical, introverted guy, I cannot sympathize with any of the characters. They all did really stupid things for reasons I didn't understand. Yet the movie was definitely a good movie, although I guess it would have a greater impact on women and artists.
It is, after all, a drama, so don't expect a nice little film with a happy ending.
Worth mentioning, the movie was shot in Romania, with a lot of Romanian actors. It was funny hearing "Ionel, Ionelule" sung in French, since it was all supposed to be happening in Paris.
Now, about the movie. It showed an overly emotional world of artists, highly competitive, yet in owe of one another. Being a rather technical, introverted guy, I cannot sympathize with any of the characters. They all did really stupid things for reasons I didn't understand. Yet the movie was definitely a good movie, although I guess it would have a greater impact on women and artists.
It is, after all, a drama, so don't expect a nice little film with a happy ending.
This film must be considered an "Art" film - not a commercial film and you must watch it with different eyes.
Taking that tone - It was throughly enjoying and the sets, costumes and art direction were done extremely well. The casting and acting was excellent and believable but some scenes
were too drawn out. If the editing was a little better we would have a real winner. However I can recommend this film to anyone who loves art and painting. It really portrays the feelings of the artists and how they lived.
Go See It - You'll enjoy it!
Taking that tone - It was throughly enjoying and the sets, costumes and art direction were done extremely well. The casting and acting was excellent and believable but some scenes
were too drawn out. If the editing was a little better we would have a real winner. However I can recommend this film to anyone who loves art and painting. It really portrays the feelings of the artists and how they lived.
Go See It - You'll enjoy it!
This movie is very much a mixed bag.. it's a good film. It's nice to watch, the acting is good, the direction is good and the story is engaging. But I feel it doesn't capture the real spirit of the era and the Paris artist community. It focuses too much on the immoral behavior and madness of the artists and leaves out the way these people viewed the world and their concepts of beauty. It's good the film tries to show the grittiness of it all, but there was so much more... i'd really would've liked to see more about what drove modigliani to paint as he did and what exactly drove him to destruction. This film only just touches on that...
it tries too much to please the American audience in their quest for standardized Hollywood stories, but on the other hand it tries to have a certain "artsy" flair that remains just polish because it lacks depth. Add to that some production-decisions that are a bit unfortunate, like the for any European obviously fake accents. They should've taken the original languages (french, Italian, Spanish, German) or English. Not this lame compromise..
Still you gotta see this. Not for an actual representation of modiglianis life or that era, just for it being a good film, dealing with passion, loyalty, madness, love and hate. See it for the atmosphere ,which although not accurate, is beautiful. See it for the good acting and the wonderful chemistry between modi and picasso. It could've been so much more but it is what it is.. good, intelligent entertainment.
it tries too much to please the American audience in their quest for standardized Hollywood stories, but on the other hand it tries to have a certain "artsy" flair that remains just polish because it lacks depth. Add to that some production-decisions that are a bit unfortunate, like the for any European obviously fake accents. They should've taken the original languages (french, Italian, Spanish, German) or English. Not this lame compromise..
Still you gotta see this. Not for an actual representation of modiglianis life or that era, just for it being a good film, dealing with passion, loyalty, madness, love and hate. See it for the atmosphere ,which although not accurate, is beautiful. See it for the good acting and the wonderful chemistry between modi and picasso. It could've been so much more but it is what it is.. good, intelligent entertainment.
Wusstest du schon
- WissenswertesModigliani's first name was Amedeo. It translates to "Lover of God." Mozart had the same first name, although Modigliani's name is the Italian version, while Mozart's is the Latin.
- PatzerIn the movie, Frida Kahlo, the wife of Diego Riviera appears. But Frida was born in 1907, so in 1920 she would have been 13, while in the movie she is portrayed as an adult. She married Diego only in 1929.
- Zitate
Amedeo Modigliani: Tell me, Pablo, how do you make love to a cube?
- Crazy CreditsThe opening title card includes a disclaimer that any paintings shown are not actual works by the artists depicted, but the Picasso portrait of Modigliani, central to the plot line, is a near perfect copy, if not the actual original.
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
- How long is Modigliani?Powered by Alexa
Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprache
- Auch bekannt als
- Modigliani - Ein Leben in Leidenschaft
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 12.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 205.165 $
- Eröffnungswochenende in den USA und in Kanada
- 32.360 $
- 15. Mai 2005
- Weltweiter Bruttoertrag
- 1.547.008 $
- Laufzeit2 Stunden 8 Minuten
- Farbe
- Sound-Mix
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen