Ein historisches Hotel in Hollywood birgt ein übernatürliches Übel. Es wurde jahrzehntelang unterdrückt, doch als die Renovierungsarbeiten beginnen, kommt es zu einer Reihe von Morden.Ein historisches Hotel in Hollywood birgt ein übernatürliches Übel. Es wurde jahrzehntelang unterdrückt, doch als die Renovierungsarbeiten beginnen, kommt es zu einer Reihe von Morden.Ein historisches Hotel in Hollywood birgt ein übernatürliches Übel. Es wurde jahrzehntelang unterdrückt, doch als die Renovierungsarbeiten beginnen, kommt es zu einer Reihe von Morden.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Gewinn & 2 Nominierungen insgesamt
- Luis Saucedo
- (as Marco Rodriguez)
- Coffin Baby
- (as Chris Doyle)
- Philip Sterling
- (as Allan Polonsky)
- Daisy Rain
- (as Sheri Moon)
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This new version stars Bettis as Nell as she and her husband move into the Lusman Arms apartment complex in Los Angeles. The complex in under an extensive renovation and is a complete mess, but they have a doorman. The story feels like a lost film from Roman Polanski, drawing a lot from the themes of "Rosemary's Baby" and "The Tenant". The story also throws in a bit of old Hollywood noir, as the apartment building was the former residence of the infamous Black Dahlia victim Elizabeth Short. The building is a character in itself as a dark and foreboding presence. The movie was shot at the old Ambassador Hotel which has a pretty storied past in itself. The Lusman Arms is the place where young actors come with dreams of making it big. Although Nell is a school teacher and her husband Steve and med student.
From the first scene of the movie we know that there is a ski masked maniac in the building who is killing off the resident and things seem to point towards Ned the quiet and creepy young maintenance man who kind of looks like Jack White. Like the original film he kills his victims with various tools in his toolbox, so yeah the title is pretty self explanatory.
Nell immediately gets the creeps about the place, but its so affordable since they have to live in a construction zone. We get to know a lot of the residents from an old man who has lived there for 60 years, to the young couple that is always fighting, and the middle aged couple with a teenage son. After hearing a bunch of screaming from next door Nell calls the cops, but they find nothing. She is all alone with her mind allowed to wonder and with the paper thin walls she can't get a moment of silence. As the terror and suspense increases Nell starts to investigate the history of the Lusman Arms. Acting on a tip from the Old Man she find that each floor is missing a room and that something sinister lurks within the walls.
This is a fun little movie that is all about Angela Bettis and her character Nell as she fights for not only her life but for her sanity. The "Toolbox Murders" DVD is available online or from Netflix and includes a couple of commentary tracks and some deleted scenes. So I guess you should put the Hot Pocket down and go watch this movie.
My Rating: 7/10.
When I first heard Hooper was remaking TOOLBOX MURDERS, I thought he had hit a new low. The director of THE Texas CHAINSAW MASSACRE is making a remake of a movie that was in many ways a rip-off of CHAINSAW? I didn't think I'd bother.
Then I started hearing some internet buzz that the movie was actually pretty good, so I picked up the DVD at a horror convention. I was pleasantly surprised. It's a throwback to Hooper's earlier movies like CHAINSAW, EATEN ALIVE and THE FUNHOUSE, with a similar atmosphere of dementia and claustrophobic terror. The performances are excellent and the screenplay is very good (written by the same team that wrote Hooper's previous film, CROCODILE). Also top notch are the expressionistic cinematography and editing.
Hooper's previous movies reeked of TV movie blandness (possibly due to his having slowly moved into that realm over the years), but TOOLBOX MURDERS has a healthy dose of grindhouse grit to go with the slick, professional quality of his hired hand work. The result is a movie that is as technically well-made as SCREAM or WRONG TURN, but with the guts of a 70s drive-in shocker.
While the killer finds some creative ways to kill people with various hardware items, and the action takes place in a single apartment building, this movie has little to do with the original TOOLBOX MURDERS. It's actually more similar in plot to Lucio Fulci's HOUSE BY THE Cemetery. However, despite its remake status and its borrowing plot points from a few previous movies, it has a surprisingly fresh and original feeling to it.
I'll go out on a limb and say Tobe Hooper's TOOLBOX MURDERS is one of the better horror movies I've seen in quite some time. It leaves the CHAINSAW remake in the dust. It's better than most so-called horror movies I've seen in the last few years.
I highly recommend this to horror fans, but especially to admirers of Hooper who thought he would never crawl out of his rut. Well, he's back, and with a vengeance!
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- WissenswertesChristian Bale stated in an interview that he tried hard to contact Tobe Hooper for the role of Steven Barrows and even personally recorded and sent a screen test of himself, but was never called back. He instead focused on scoring the role of Bruce Wayne/Batman in Batman Begins (2005).
- PatzerWhen the killer reappears through the window he enters making a spectacular jump, even there is not enough space behind the window to execute it, as it is shown after he falls down.
- Zitate
Nell Barrows: Were you aiming for Dante's Third or Fourth Circle of Hell?
Steven Barrows: It was just bad timing.
Nell Barrows: Honey, "bad timing" is arriving late for dinner. This is fire-bombing the restaurant.
- Crazy CreditsEvery years thousands of people come to Hollywood to pursue their dreams. Some succeed. Some move back home... And some just disappear.
- Alternative VersionenThe US release was heavily censored to get an "R" rating rather than an "NC-17". The following scenes were edited:
- The "drill kill" of the girl in the apartment was about 20-30 seconds longer, showing much more blood fly out of the back of her head, and the drill going all the way through her mouth. After the killer retracts the drill, he then begins drilling again into her head. Also, this scene is well-lit as opposed to the darkened version in the "R" rated cut.
- The man getting his head sawed in half; this scene was much longer. More blood and grue flies out as the killer saws, and the aftermath of the top half of the man's head being ripped off was shown, and the camera lingers longer on it when it hits the ground.
- The man being strapped to the table and killed was a bit longer. There were more hits with the hammer, more screams from the man, and a better view of the powder being poured on his head. A more grisly after-view of the man's lye-laden head was present afterward.
- VerbindungenFeatured in Cinemassacre Video: Top 10 Worst Top 10s (2013)
- SoundtracksCalifornia (Back To Hell)
by Shithead
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- Weltweiter Bruttoertrag
- 187.910 $
- Laufzeit
- 1 Std. 35 Min.(95 min)
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- 1.85 : 1