Der Fremde

I liked the movie. The characters matched the setting perfectly. The characters are shifty and edgy and not quite right as is the decaying off season amusement park where they hover. The movie was possibly too violent at the end but the viewer could see that the rot would never come to a peaceful resolution.Their Low life dreams were well described. I liked the bleakness of the unused boardwalk, the sounds of the rides being tested, the rain bucket which catches water from a leak that would have been there for years. Mary Poppins would not like this neighborhood . And the characters who cling there dream small time dreams...small scores which they think are big but the viewer knows are not worth the effort.

I had the honor to see this movie at its debut at the Hollywood Film Festival. Ironically the big studio premiere that week was The Ten Commandments. Ironic in that this dark and compelling movie also portrays the Commandments .... or more accurately the consequences of breaking them.

The intense and occasionally unnerving action is played out in a run down seaside town with its decrepit roller coaster as the lasting motif. Writer & director Jevon O'Neill's fertile imagination (fired perhaps by his Blackpool roots) is complimented by excellent performances from an eclectic cast : notably a rejuvenated Dennis Hopper as Harry the old time crook who craves one last chance at redemption; a hot Gina Gershon as Eileen the perfectly manicured femme fatale; and 'a butter wouldn't melt' Dominique Swain as Kelly the ingénue.

But it is the next in line of Hollywood star quality eccentric Irish actors - David Murray – whose performance as Simeon is the most memorable. Simeon's downhill slide from petty theft, blackmail and ultimately to murder seem to flaunt gratuitously all of those Commandments. He exudes power, terrorizes all around him … He is the hate figure. And yet his vulnerability and neuroses also evoke our sympathy … there but for the grace of god ?

The superb system at the Arclight Theater also brought out the movie's excellent sound track – the haunting choral piece over the movie's dramatic dénouement is particularly effective.

Congratulations to all involved with Out of Season and good luck with promoting the movie

Screenwriter and director Jevon O'Neill has brought us a modern morality film for the age, worthy of its medieval stage predecessors. Themes of lust, money, sadism, scheming and religion fuel this gravity ride of a finely detailed plot to its inevitable conclusion.The film begins its full circle with drifter Pierre looking out to sea toward the light. Indeed, the use of light, darkness and grayness can be seen as a further metaphor throughout, and is exquisitely crafted. Harry soon develops into Pierre's clichéd mentor, but without giving too much away it can be said that Dennis Hopper's performance as the film progresses redeems more than just the development of Harry as a character. Likewise, fairground owner Michael (Jim Carter) begins with a curiously unconvincing mid-Atlantic accent, which mellows as the plot unfolds. His scheming daughter and sadistic wife are well casted as Gina Gershon and Dominique Swain. Simeon's complex motives are the key to understanding the plot, and David Murray's drawing of the character detail is a screen masterpiece. Out of Season is unlikely to achieve mainstream success, but could conceivably become a cult classic in the footsteps of, say, The Wicker Man.

"You can take your chances on the other rides, this is the nearest to being alive."- Richard Thompson

Pierre wants to be a thief- Dennis Hopper takes him under his wing with the backdrop of an out of season amusement park as their home base. There are a few moments that are OK but for the most part the acting is flat and the story very dull. This is a movie that is severely lacking in a lot of elements and it will leave you wanting the time you spent watching it back. Dennis Hopper plays a better role than usual, but that's only because his usual level of acting lately is so poor. So when he plays an average role it seems like a big deal these days. Bottom line, miss this movie it is dumb and flat. The most appealing thing in this film is the villain, who I wound up rooting for because I was sick of the dumb characters.

What a flat, boring, unnecessarily drawn-out storyline, complete with equally as baneful acting. Every concept surrounding the characters and the storyline is typical "dark" cliché, and very poorly done at that. Oh, it has its share of typical, exhausted characters: the demented religious zealot, the femme fatale, so on and so on...they are all essentially dull and static. Dominique Swain is totally obnoxious as Kelly, and leaves one wishing that she was the subject of the murder plot. Pierre is hands-down the most boring character in the entire film; he serves as little more than someone to stand there and wait for action in the storyline to come to him. And that clown? I won't even go there. So "there's no happy ending." Yawn. Big deal. What an original concept. It's only been done a thousand times before, and by far better actors and directors. About the only thing this film is good for is curing insomnia. Utterly atrocious.