A Way of Life

This film blindsided me with it's authentic and powerful portrayal of life lived on the fringes of society. I recently saw this film at the Toronto International Film Festival and I was in awe of just how real and raw the performances were, by essentially first time actors. This was also the director's first feature film and it was as assured a piece of film making as I've seen. The story and direction reminded me very much of a Mike Leigh film. The story follows a young single mother struggling to survive in a society that has all but forgotten her. Along with her brother and his hooligan friends, they continue to make one bad decision after another. Their attempt to break the vicious cycle seems a near impossible task, but, director Amma Assante finds a way to empathize with her characters so that we see that ultimately we all have choices in our lives and must try to battle through the harsh and cruel realities that life throws our way. This story of tough street kids struggling to overcome both their environment and the people they have become is a harrowing and ultimately tragic story of forgotten youth.

Makes some trenchant and powerful points about racism, and the way the poor are often turned against each other. Nicely shot, and mostly well acted.

That said, it's become a fairly familiar story, and this reminded me of a lot of other films.

Also, as good as the performances often were, I kept being naggingly aware I was watching actors doing a very good job 'acting like' poor, uneducated people. Especially with the young lead, -- I felt just the slightest hint she was playing 'down' to her character.

I did appreciate the lack of softening the edges of these characters to make them 'likable'.

I'll still take this kind of socially aware, intense film over 99% of what's out there, even with any flaws.

Whoever stated this movie was the worst they had seen and was utter poo doesn't know much about movies and maybe the fact the characters are so racist touched a nerve with them. It is brilliant - much like 'Ladybird, Ladybird' and 'Secrets and Lies' with thought-provoking themes and a depth of study of prejudice and racism that we need to be aware of. Miscommunication, misunderstanding...you name it. Great acting and the accents generally good. Good script, good subject matter and something we all need to see in a multicultural society. It is in fact very realistic - anyone who has lived or worked in estates and community situations such as portrayed would agree. Only those with their heads buried in sand would rate the movie negatively. Great work - well done.

Leigh-Anne is 17, and the mother of a 6-month old baby, Rebecca. She lives in a run-down council flat in Cardiff and her life is filled with bleakness and insecurity. She is convinced her neighbour Osman is trying to get Social Services to take her daughter away. Enlisting the help of three friends she aims to ensure Osman does not undermine her. Little does she realise the consequences of her actions.

Incredibly powerful and emotional story. Harrowing ordeal, showing the lives of people in poorer echelons of society, and how they live their lives. Shows the traps and cycles they fall into, as well as how their situation shapes their behaviour.

Also explores themes like racism and paranoia.

Superb movie.

The tag line for this film is "In real life there are no happy endings" but to be honest you don't need to wait till the end of the film to find a lack of happiness because it is all through this story. In a coastal Welsh town, Leigh-Anne lives below the poverty line with her new baby. Her "partner" is around but not contributing and her day-to-day life involves hanging around with her equally jobless friends and trying to get enough money to afford the basics. As she hangs round with her friends, her frustration at her situation spills over into hatred and aggression at those around her.

I'm not quite sure what she is doing now but when this film came out a few years ago Amma Asante was hailed as part of a new wave of British talent. Eventually getting to see this film for myself I can understand why because it is an excellent piece of work with only a few weaknesses that bugged me. The plot does have a narrative flow but ultimately it is about the characters and, as such it is a convincing and engaging film because the characters are very well written. It is not a happy watch of course because it does pain a depressing picture of those on the lowest rungs of society – full of anger looking for an outlet and frustrated to the point where they seem unable to even aspire to more than their lot. It is very convincing for the most part although at times some of the touches or detail did have the ring of "film reality" rather than reality because although Asante does seem to understand her characters, she does occasionally give them moments of self-awareness that I wasn't convinced by.

As director she is also good but with a few issues. The opening beating is intense for one example – the camera gliding round the library was also well done and increased the tension later in the film. Outside of moments like these, the direction is still very good, with strong cinematography but ye intimately shot. I wasn't sure about the score though. I've nothing against the use of David Gray because it did work quite well at times but it was rather overused I thought. Asante's direction of her cast is good and she is rewarded by good performances. James is excellent in the lead and makes a very convincing character. Her self-pity is there but she keeps it from being useful and instead did a good job of showing her frustrations at her self being turned outwards. To me she is the film and again it is impressive that she carries it so well. Support is good from the rest of the cast though, all of whom fit into this world convincingly with turns from Haden, Wong, Sheppeard, Gregory and Blethyn (who's character may not be big but I suspect she was important in regards funding and distribution, so credit to her for that support).

Overall then a very strong and engaging film. It is not cheerful and it is not perfect but Asante's writing shows she understands her characters and can translate that into words and actions that mostly ring true. As director she produces some great shots but also creates an intimacy without losing the effect of being cinematic. A very good British film that deserves an audience bigger than it has so far been given.