A Dirty Shame

I had fun watching this movie, but, it went on about the same thing forever. Never in my dedicated history of watching John Waters movies was I ever bored. (Incidentally, I haven't seen Cecil B. or Pecker) I could barely watch the last 1/2 hour of this. I kept wondering when it would finally be over.

I applaud this film maker for tackling taboo subjects. Ullman was good+ but, not performing her own material (where I believe she would have excelled).

It was fun and I'm thankful for something other than mindless dreck, but, it left me pining for "desperate living" and "female trouble" which had so much more to offer in the way of outlandish entertainment and featured no big stars (alright, several of them were reaaaally big)!

I miss cuddles.

Tracey Ullman does some priceless double-takes in this John Waters comedy, playing uptight wife and mother in a Baltimore suburb who gets a rap on the noggin and becomes a sex addict. A shabby-looking enterprise with scrappy editing, this would seem amateurish even for a first-time director, but Waters certainly doesn't seem to mind. As a filmmaker, he is gleefully puckish, with a heightened sense of the ridiculous, and as usual he gets his cast to ride right along on his coattails. Selma Blair is Ullman's daughter, who has "mutilated her mammaries"; Chris Isaak is Tracey's husband who also gets a knock on the head and dreams of musclemen posing; Johnny Knoxville is a sex guru/auto mechanic; Suzanne Shepherd is Ullman's mother, Big Ethel, who runs the Park and Pay. Relatively short film isn't compact (the final reel is just a lot of hamming and running around) but the first-half has some laugh-out-loud moments and the whole picture benefits from Ullman's work--she's a stitch. **1/2 from ****

John Waters' satirical 2004 release "A Dirty Shame" was the controversial film that attained an NC-17, and basically was unable to be edited for an R-rating. Waters' film is very disgusting at times, sometimes even vile in its matter-of-fact portrayal of various sexual fetishes (some of which are admittedly fun-looking, while others are just plain foul and hilarious), which to be honest is expected of his films. And oddly, the characters are all well-played and likable. This is a film I have trouble rating. It isn't his best film, but it is ultimately enjoyable, despite some serious flaws.

Tracy Ullman stars as Sylvia, a "neuter" (someone who is repressed sexually) in a small town that is obvious very repressed and uptight. However, within the community exists a growing group of people who have experienced a sexual awakening (mainly due to head injuries), and are very open with their fantasies. When Sylvia experiences a head injury and is awakened, she meets with "sex saint" Ray-Ray (Johnny Knoxville) who introduces her to the world of open sexual fetishes, as he and his followers search for the ultimate fetish.

The film is very much a sexual cartoon, and often is full of exaggerated ideas, dialog and imagery. Waters employs all sorts of tactics (everything from gags, on-screen subtitles, suggestive set dressing, etc.) to illustrate a town that is repressed while still being exposed to sexuality, and the characters are all very interesting. I didn't even mention Selma Blair as Ullman's daughter- a woman who has enormous implants that are practically bigger than the rest of her body.

The film is also quite funny (particularly a scene that will make you look at the "Hokey-Pokey" in a whole new way), with some great gags and hilarious dialog, as well as trademark over-the-top jokes. A lot of "queasy" laughs are also brought in by the descriptions of various fetishes (many of which are real) and occasionally by seeing them played out by our "awakened" characters. Although this is one of the problems- the film does go overboard at times, and a lot of the gags don't quite fit in, and interrupt the flow.

In addition, it isn't made particularly well- certain effects give themselves away, the plot does get sloppy, and after a while, the content will weigh on your patience. You will wish that more "plot" would happen.

That being said, there is still a lot of fun to be had, just don't expect this to be Waters' masterpiece. I give it a slightly above average 6 out of 10.

I'm a follower of John Waters but this newest entry in the Baltimore auteur's canon is strictly for true blue fans - and even I kept thinking that his DVD commentary would be more interesting than the actual film. There are plenty of laughs in DIRTY, for sure. And Ullman is just as terrific as Kathleen Turner was in SERIAL MOM - hysterical! Johnny Knoxville and Chris Isaac do well, too. But half-way through the film, Waters abandons his well-cast characters in favor of a far-out concept that equates promiscuity with religious fervor. Therein lies the film's downfall. Ullman's personal plight (a concussion that causes her to become a sex fiend, much to the dismay of most of her family) is put on the back burner in favor of a larger canvas - just the same way that Cecil B. DeMented got lost in his kooky band of film misfits and shutterbug Pecker disappeared into the sycophantic New York art scene. The ultimate fadeout is confusing and unsatisfying but if you leave before the last half hour you might have time to rush to Blockbuster to rent DESPERATE LIVING, an earlier Waters cheapie that pushes many of the same buttons, but seems infinitely better.

Depressed puritanical housewife Sylvia Stickles (Tracey Ullman) with a nice but horny husband (Chris Isaak) and a HUGE breasted kid (Selma Blair) is hit on the head one day. It immediately turns her into a raving sex addict and she finds there's a whole group of people like her led by Ray Ray Perkins (Johnny Knoxville).

First off I should mention I saw the 84 minute R rated cut and not the 89 minute NC-17 one. Some of the cuts were obvious as were the voice overdubs but I don't think it changed the movie a lot. What I saw was a typically strange John Waters film with plenty of good moments but it didn't totally work. The main problem is the script is all over the place! The first half of the movie is coherent but the film totally derails during the second half. Complications come on fast and furious and it all ends up not making a lot of sense. The movie is chockful of dialogue discussing frank sexual acts and some incredibly unsubtle imagery. Some of it works but, more often than not, it just doesn't hit its mark. A cameo by David Hasselhoff particularly makes no sense and isn't funny at all. Also the pacing here is atrocious--but that's not uncommon in a Water film. Acting really helps this one. Ullman is fearless here considering some of her very sexually explicit lines and costumes. Blair deserves a lot of credit for wearing these HUGE breasts and making the character sympathetic and believable. Isaak is given little to do but he's good. Best of all is Knoxville who has a real difficult role to play--and pulls it off. So, it has its moments but not enough of them. I can only give this a 5.