IMDb-BEWERTUNG
6,5/10
1348
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuThe closing of a local restaurant concerns a number of employees who've dedicated their lives to the eatery.The closing of a local restaurant concerns a number of employees who've dedicated their lives to the eatery.The closing of a local restaurant concerns a number of employees who've dedicated their lives to the eatery.
- Auszeichnungen
- 5 Nominierungen insgesamt
Craig muMs Grant
- Ali
- (as muMs)
Frantz Cineotra
- Frantz
- (as Frantz St. Louis)
Iris Little Thomas
- Erin's Mother
- (as Iris Little-Thomas)
Empfohlene Bewertungen
One of the most genuine and sincere filmic representations of human life that I've seen in recent months. I originally thought that it was overly ambitious, as the director focuses on the lives of upwards of a dozen characters during a course of the day, attempting to share their individual struggles and paint an accurate picture of their personalities. Directors often encounter difficulties in breathing life into one character, but somehow this film manages to show the inner substance of all of these people.
The story revolves around the decision to close a diner in Brooklyn due to economic shortfalls. It looks at everyone: the ethical conflicts of the restaurant owner, the hard-edged competitiveness of the businessman behind the deal, and even the ex-junkie dishwasher's story. It makes a point of avoiding, perhaps even negating, stereotyping based on racial backgrounds, gender, age and every other social factor.
The world shown in Everyday People is a world of problems and hardships with no direct solution - it merely offers the viewer an understanding, something which is extremely undervalued. There is a certain bleakness that arises from this postmodern realism, but McKay doesn't leave you with the sense of futility and sadness. Rather he helps break down the sense of social alienation in the viewer through this truly compassionate and impartial gaze.
Everyday People is comparable to Spike Lee's Do the Right Thing (1989), but I would argue that it's more subdued and mature exploration. Do the Right Thing has a more progressive story that builds up to and revolves around a central intense climax, whereas Everyday People is merely a snapshot of these people's lives with some minor character growth. Also, I feel that Do the Right Thing is also heavily biased in its initial premises, which Everyday People is generally free of.
Solid script, solid acting, (all the actors are more or less "unknowns") and an amazing final product. This is one of those movies that will never get the recognition it deserves.
The story revolves around the decision to close a diner in Brooklyn due to economic shortfalls. It looks at everyone: the ethical conflicts of the restaurant owner, the hard-edged competitiveness of the businessman behind the deal, and even the ex-junkie dishwasher's story. It makes a point of avoiding, perhaps even negating, stereotyping based on racial backgrounds, gender, age and every other social factor.
The world shown in Everyday People is a world of problems and hardships with no direct solution - it merely offers the viewer an understanding, something which is extremely undervalued. There is a certain bleakness that arises from this postmodern realism, but McKay doesn't leave you with the sense of futility and sadness. Rather he helps break down the sense of social alienation in the viewer through this truly compassionate and impartial gaze.
Everyday People is comparable to Spike Lee's Do the Right Thing (1989), but I would argue that it's more subdued and mature exploration. Do the Right Thing has a more progressive story that builds up to and revolves around a central intense climax, whereas Everyday People is merely a snapshot of these people's lives with some minor character growth. Also, I feel that Do the Right Thing is also heavily biased in its initial premises, which Everyday People is generally free of.
Solid script, solid acting, (all the actors are more or less "unknowns") and an amazing final product. This is one of those movies that will never get the recognition it deserves.
10Ronin47
Jim McKay ("Our Song", "Girls Town") directs this provocative yet optimistic slice-of-life film set in Brooklyn, which recently premiered on HBO.
Covering the events of one long day in the lives of several people in and around a popular neighborhood restaurant that is set to shut its doors soon, "Everyday People" is pretty much all talk. But like "Smoke", another character-driven, slice-of-life film set in Brooklyn (and one of my all-time favorite movies), the talk is fascinating, and the characters' stories weave together in a way that is truly satisfying.
Someone once said (I think it may have been Gene Siskel, but I'm really not sure) that the true test of a good movie is whether it feels like the characters were alive before the movie started and go on living after it ends. Well, "Everyday People" passes that test with flying colors. Though there are far too many characters for each of them to be fully developed, this is an extremely well-written and acted film, and each character feels very real.
Also, McKay deserves credit for not tying up the film with a pretty bow. It ends on a note that feels good, but he leaves several characters' destinies up in the air. After all, most problems aren't solved in a day, and it's nice that McKay understands that.
An added bonus: it features lots of new music by one of America's most brilliant and underappreciated singer-songwriters, Marc Anthony Thompson, a.k.a. Chocolate Genius (pick up 1998's "Black Music" if you need proof).
Covering the events of one long day in the lives of several people in and around a popular neighborhood restaurant that is set to shut its doors soon, "Everyday People" is pretty much all talk. But like "Smoke", another character-driven, slice-of-life film set in Brooklyn (and one of my all-time favorite movies), the talk is fascinating, and the characters' stories weave together in a way that is truly satisfying.
Someone once said (I think it may have been Gene Siskel, but I'm really not sure) that the true test of a good movie is whether it feels like the characters were alive before the movie started and go on living after it ends. Well, "Everyday People" passes that test with flying colors. Though there are far too many characters for each of them to be fully developed, this is an extremely well-written and acted film, and each character feels very real.
Also, McKay deserves credit for not tying up the film with a pretty bow. It ends on a note that feels good, but he leaves several characters' destinies up in the air. After all, most problems aren't solved in a day, and it's nice that McKay understands that.
An added bonus: it features lots of new music by one of America's most brilliant and underappreciated singer-songwriters, Marc Anthony Thompson, a.k.a. Chocolate Genius (pick up 1998's "Black Music" if you need proof).
is something real, and rarely depicted so well; there is no melodrama; just people trying to survive. Besides the fact that there are many excellent, underexposed actors; Reg E. Cathey, as Akbar; as well as many of the younger cast members. The movie holds the interest of the audience, because each character is well-developed and believable.
The setting is a deli/restaurant in Brooklyn, which is being taken over by developers; this means that all the employees are out of a job, and the owner also struggles with his conscience as he realizes that: Yes, what he does has an affect on other people. This is a very pertinent story; especially in today's economy; where one either works for a "multi-national corporation" and sells out, as one character tells her mother, or pursues their dream, if they are able.
You will totally enjoy this movie, as it is something most people can relate to, and while it portrays cold reality, there is also a hopeful and positive ending.
As an addendum I would also say that I hope the writer is considering a follow-up to this story, many people who have seen this movie relate to the characters, and hope to see what happens in the future; movies like this are few and far between, substance and character, not slick Hollywood "trash for cash"; which most people tire of after age 20.
The setting is a deli/restaurant in Brooklyn, which is being taken over by developers; this means that all the employees are out of a job, and the owner also struggles with his conscience as he realizes that: Yes, what he does has an affect on other people. This is a very pertinent story; especially in today's economy; where one either works for a "multi-national corporation" and sells out, as one character tells her mother, or pursues their dream, if they are able.
You will totally enjoy this movie, as it is something most people can relate to, and while it portrays cold reality, there is also a hopeful and positive ending.
As an addendum I would also say that I hope the writer is considering a follow-up to this story, many people who have seen this movie relate to the characters, and hope to see what happens in the future; movies like this are few and far between, substance and character, not slick Hollywood "trash for cash"; which most people tire of after age 20.
The ensemble cast of relatively unknown actors did a fine job and this is quite an enjoyable movie. This was about a restaurant in New York City owned by a jewish man; his patrons are largely black. He decides to close down the restaurant due to declining receipts, and this is about the impact his decision has on all of the people involved. Sounds a lot like Barbershop, but a little more true to life.
This is an ensemble story of the employees of a diner about ready to be closed. The reactions of the people are varied as are their individual stories. That's what makes this movie. I was interested in all of the people, even if I didn't completely understand their motivations and reactions. This is an exceptionally well-written story and well worth the time to watch it.
I enjoyed this movie, but the direction and pacing were slow. The editing contained a few too much stock footage. While a bit slow, the characters maintained my interest in the movie overall.
I like movies that aren't scripted "tight". We don't know all of the choices that all of the characters make in their lives after the credits roll. While that is a turn off to those weaned on Hollywood movies, I find that adds to the intrigue of a movie.
If you like character-driven movies as I do, this one is any enjoyable way to spend 90 minute. (Rating 8/10)
I enjoyed this movie, but the direction and pacing were slow. The editing contained a few too much stock footage. While a bit slow, the characters maintained my interest in the movie overall.
I like movies that aren't scripted "tight". We don't know all of the choices that all of the characters make in their lives after the credits roll. While that is a turn off to those weaned on Hollywood movies, I find that adds to the intrigue of a movie.
If you like character-driven movies as I do, this one is any enjoyable way to spend 90 minute. (Rating 8/10)
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- Laufzeit
- 1 Std. 31 Min.(91 min)
- Farbe
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