Whirlygirl

The movie adopts the classic story of a good boy falling for the bad girl and turning her around from her misguided life. The action is very similar to the movie "The Girl Next Door", doesn't have many strong differences. Anyway it's still a fun-to-watch movie.

On a larger description, this young guy who's studying very hard on a good university falls for a strip dancer when she comes to dance for their little party and kisses him (stealing his watch in the same time). He goes in New York to find her to get his watch back and from from them on she drags him trough many adventures which almost cause him to be expelled out of the university. I won't mention the end not to spoil the movie experience for those who read my comment, but I'll say this, he manages to turn her around but it happens the other way around also. Watch it, it's not a waste of time.

Whirlygirl is one of those comedies that's greatly hurt by its marketing and its own DVD cover, which makes it look like another senseless, vulgarian comedy that was destined to go straight to the bargain bins of Wal-Mart. It's very similar in story and in general to the underrated film The Girl Next Door in 2004, which was greatly hurt by a marketing campaign that wanted to exploit the perceived sexiness rather than the touching human elements that lied within. Whirlygirl, on the other hand, tackles the heartbreaking idea of falling in love with someone who is difficult or impossible to be in love with, a concept that few films dare explore in a world where mawkish, overblown romance films are so beloved.

The film revolves around James Edwards (Julian Morris), a student at the prestigious Walden Academy, an all male prep school. Due to campus fun being depressingly minimal, James's friend Raol (J.A.Q.) contacts a mysterious woman known as "The Whirlygirl" (Monet Muzur), a fabled exotic dancer that travels to all-male schools to put on a show at fraternities. When she arrives at Walden, the boys are instantly smitten with the woman, as she makes each one of them feel like they're the perfect man at various times during her performance. Before she concludes her show, she passionately kisses James and then takes off in a flash.

The next morning, James realizes his late father's watch is missing and believes the only person who could've realistically taken it was The Whirlygirl. He calls a cab and tracks down her home with the help of the driver before confronting her accordingly. The Whirlygirl, who's real name is Alice, winds up revealing to James that she's a conwoman as well as an erotic dancer, living alone in a small loft, estranged from her mother and performing at fraternities and tending to the needs of a sugar daddy for some stable sense of income. While it may not be a glamorous life, it's one she's content with. James can't fathom why Alice, a beautiful and clearly street-smart young woman, would put herself through these kinds of terrible situations, and Alice can't fathom why James, after what she did and how her life looks at the moment, would still gradually push closer towards her.

The fact that James falls in love with Alice despite her unattractive features makes this a messy situation all around, and writer Pete McCormack doesn't sugarcoat the sadness at hand. James is a young man, clearly kept in line by his academics and the drudgery of constantly doing the right thing, with no woman in his life to speak of until The Whirlygirl comes along and gives him a reason to be excited. In addition, director Jim Wilson wisely doesn't make the first kiss between The Whirlygirl and James too cinematic or too romantic; it's the kind of kiss that we can see makes the two parties feel something, but not in the overblown way films tend to dramatize that special kiss. It's a beautifully understated tactic.

Furthermore, McCormack explores the real sadness of loving someone who is in capable or momentarily unable to love the other person back. James isn't a stupid character; he knows that Alice dances and strips for a living, lives a life predominately on her own, and places herself in dangerous situations regularly; the beautiful thing, however, is that he still tries to be there for her when she's being impossible to love. Whether she's passing out because of the pills she took or being put in grave danger at a frat party, James watches over her and desperately tries to save her from herself because he knows the kind of woman she really is - a woman that's above all that she puts herself through. He desperately wants things to work between the two, in addition to making an attempt to understand why Alice puts herself in the situations that she does when she's so much brighter than that.

If it's not obvious already, Whirlygirl strikes a very personal chord with me. I've lived through an experience similar to Jim's and still am affected by it to this day. This film explores the idea of impossible love with a tender focus and with much more respect for its characters than its narrow-minded, pandering DVD cover suggests. Of course, there are elements of incredulity in the characters' actions, such as the hearing at Walden Academy near the end, but there is an unshakable sincerity to the characters here that few comedies are willing to explore. Most of them get too wrapped up in the idea of being vulgar and crass, checking the heart and wit at the door. Here is a comedy that has ample amounts of humor, serious amounts of sadness and real-world troubles, and an ending that comes so, so very close to discarding all of that but, instead, takes a quietly tragic route. There's something so humbly subversive about this film that it makes you wish more comedies were this wise and sensitive.

Starring: Julian Morris, Monet Muzur, and J.A.Q.. Directed by: Jim Wilson.

Whirleygirl stars Julian Morris as a student athlete at a prestigious academy who falls for a stripper who comes to the school to perform. Morris is the straight laced student who figures out how to get a stripper on the grounds to perform. As she is dancing she notices him and gives him a kiss and steals a valuable memento off of him. He actually tracks her down to retrieve his belongings and romance ensues. This is definitely a take off of "Risky Business" but is nice in its own way. Monet Mazur plays the stripper and she does a good job. Morris also does a good job as the good guy torn by his attraction to the free spirted "whirley girl". This is an OK drama and worth viewing.

Whirlygirl isn't terrible, but it's definitely not memorable. (It's not even engaging, had I not been working on some tedious hand tasks while it was on I would have shut it off.)

If I were 14 I might have thought Whirlygirl was pretty swell. At its core the film is essentially the standard fantasy storyline of a plain boy's life being transformed by an encounter with the exotic.

In Whirlygirl the exotic is the "whirlygirl" herself, an exotic dancer (she doesn't exactly strip) whose erotic dancing skills are legendary. (That seems a ridiculous plot device, even more so considering the film is set in contemporary times.) Boy goes after girl and adventures of one typical type and another ensue.

The adventures in Whirlygirl never really feel all that exciting. The various self discoveries don't feel revealing. The scenes of abandoning yourself to the moment feel like imitations of better films.

Whirlygirly doesn't feel like a story from someone's life, it feels like a film. Setup, plot device, plot device, plot device, cliché supposedly dramatic conclusion. The End.

Despite dipping its toes into drama Whirlygirl is really just a feel good film that's not sickeningly sweet. As such it's a fine film to watch while sick on the couch or stuck in a hotel room that has free HBO.

"Whirlygirl" is a unique film in one major respect. The misadventures of university student James (Julian Morris) are not that special. Some of the banter between James and his university friends is fun to watch, but those scenes are few and far in between. Instead the film gambles on the appeal of Monet Mazur's main character, the mysterious "Whirlygirl," who is supposed to be so enchanting and irresistible to us (as she is to James) that we can excuse and even overlook the lack of plot in this entire film. Whirlygirl is meant to represent every guy's image of an irresistible beauty from high school or university who makes our hearts flutter and every moment of our existence electrifying and profoundly meaningful. This film's main ambition and its great gamble is to accomplish that very feat with Monet Mazur's "Whirlygirl."

Yet the gamble, for the most part, does not pay off. Monet Mazur gives only a capable performance as the "Whirlygirl," when she needs to give us an extraordinary one that matches up to her character's legendary reputation as a mysterious, intriguing and enchanting beauty. For a film that relies so much on character for its appeal, Monet Mazur's "Whirlygirl" is surprisingly lacking in the kind of character that can leave us with a lasting impression. This failure can be attributed partly to Monet Mazur's only capable acting (when she really needed to be extraordinary) and also to the fact that the script does not give her much to do.

Perhaps if another actress was given the part of the "Whirlygirl" and if the screenplay writers gave more thought to further developing the "Whirlygirl" character, then this film would actually be good. Instead, "Whirlygirl" has the potential of a great film, but falls short of realizing it.