Nachdem er entführt und 15 Jahre lang eingesperrt worden war, wird Oh Dae-su plötzlich entlassen, jedoch nur um zu erfahren, dass er in 5 Tagen seinen Kidnapper finden muss.Nachdem er entführt und 15 Jahre lang eingesperrt worden war, wird Oh Dae-su plötzlich entlassen, jedoch nur um zu erfahren, dass er in 5 Tagen seinen Kidnapper finden muss.Nachdem er entführt und 15 Jahre lang eingesperrt worden war, wird Oh Dae-su plötzlich entlassen, jedoch nur um zu erfahren, dass er in 5 Tagen seinen Kidnapper finden muss.
- Auszeichnungen
- 43 Gewinne & 28 Nominierungen insgesamt
Ji Dae-han
- No Joo-hwan
- (as Dae-han Ji)
Oh Tae-kyung
- Young Dae-su
- (as Tae-kyung Oh)
Yoo Yeon-seok
- Young Woo-Jin
- (as Ahn Yeon-Seok)
Zusammenfassung
Reviewers say 'Oldboy' is celebrated for its intricate plot, shocking twists, and emotional impact. Many praise its cinematography, direction, and Choi Min-sik's compelling performance. However, some critics argue the violence is gratuitous and the twist unconvincing, leading to mixed reactions. Despite the controversy, 'Oldboy' is often hailed for its bold storytelling and significant place in modern cinema.
Empfohlene Bewertungen
10bur_007
To start off; This is the one and only film that kept me quiet for a whole 5 mins after seeing it. I literally couldn't close my mouth, and yet there wasn't any sound coming out of it. Oldboy had such an impact on me that words are too little to describe that impact. Therefore this film is definitely in my top 3 films ever made. It belongs there because it has a massive ingredient that a lot of films seem to miss out on; a divine plot. Even though the acting and screenplay are world class, the plot is really the cherry on the cake.
When it comes to screenplay Park Chan-Wook is unique (at least for western standards) in his way of filming. The colours are so vivid and it seems like he wanted every shot to be a piece of art. One tip: If you like the shooting in 'Oldboy', have a look at 'Sympathy for Lady Vengeance', the third part in Park's revenge-trilogy. It's even superior to the camera-work in 'Oldboy'. Don't, however, expect a story like Oldboy's, because you would be very disappointed.
When it comes to acting and the music, this film is also one of the better films ever made. The music sticks in your head and every time I put in my Oldboy-DVD and the theme-song comes up, I'm just flooded with good memories (even though the plot doesn't have a single reason to be happy about). The characters are also presented very well by the outstanding cast. Especially Choi Min-Sik and Yu Ji-Tae set a very convincing performance.
I really appreciate this film being respected as it should be, by having a place in the top 250. If, however, it was up to me it would be even higher in the ranking. I don't see why films like 'The Usual Suspects' or 'Memento', which are fantastic pieces of film-making and which without a doubt deserve a place in the top 250, are higher in the top 250 than 'Oldboy'. They serve the same cause; a fantastic plot. But those plots can't stand in the shadow or even come close to the plot of 'Oldboy'. The one and only reason is that those two films are better known and from a western production company. If we were all living in Asia, no doubt 'Oldboy' would be in the top 20 of all time.
My advice to people who haven't watched this film yet: Go see it! This is definitely a must- see. If you have a weak stomach, pull yourself together and still watch it. Don't be as shallow as a lot of people here tend to be. Look beyond the violence and see the things I mentioned before: world class acting, cinematography, music and last but certainly not least the plot. Once you've opened yourself up you'll find a whole new world of cinema. Enjoy!
When it comes to screenplay Park Chan-Wook is unique (at least for western standards) in his way of filming. The colours are so vivid and it seems like he wanted every shot to be a piece of art. One tip: If you like the shooting in 'Oldboy', have a look at 'Sympathy for Lady Vengeance', the third part in Park's revenge-trilogy. It's even superior to the camera-work in 'Oldboy'. Don't, however, expect a story like Oldboy's, because you would be very disappointed.
When it comes to acting and the music, this film is also one of the better films ever made. The music sticks in your head and every time I put in my Oldboy-DVD and the theme-song comes up, I'm just flooded with good memories (even though the plot doesn't have a single reason to be happy about). The characters are also presented very well by the outstanding cast. Especially Choi Min-Sik and Yu Ji-Tae set a very convincing performance.
I really appreciate this film being respected as it should be, by having a place in the top 250. If, however, it was up to me it would be even higher in the ranking. I don't see why films like 'The Usual Suspects' or 'Memento', which are fantastic pieces of film-making and which without a doubt deserve a place in the top 250, are higher in the top 250 than 'Oldboy'. They serve the same cause; a fantastic plot. But those plots can't stand in the shadow or even come close to the plot of 'Oldboy'. The one and only reason is that those two films are better known and from a western production company. If we were all living in Asia, no doubt 'Oldboy' would be in the top 20 of all time.
My advice to people who haven't watched this film yet: Go see it! This is definitely a must- see. If you have a weak stomach, pull yourself together and still watch it. Don't be as shallow as a lot of people here tend to be. Look beyond the violence and see the things I mentioned before: world class acting, cinematography, music and last but certainly not least the plot. Once you've opened yourself up you'll find a whole new world of cinema. Enjoy!
10Xstal
Imagine what you'd do, when you wake from a bad dream, to find you're held by four square walls, for as long as someone deems, no idea why you're trapped, what you've done, why you're kidnapped, just a ceaseless line of dumplings going down your gyoza hatch. Now some fifteen years have passed, every question has been asked, and you're suddenly set free, can start your own avenging spree, before you do you need to feed, by eating something that's in need, so an octopus is ordered, and head first you cross the borders. But things aren't what they might seem, tied and tethered and undreamed, as the puppet master hovers, manipulates what you'll discover.
Some films you cannot watch too often and this is one of the greatest pieces of cinematic brilliance ever created.
Some films you cannot watch too often and this is one of the greatest pieces of cinematic brilliance ever created.
The first time I watched "Old-boy", I was half-amazed, half-disgusted. I wasn't quite sure how to rate the movie in general. I knew 2 things: 1. From a visual point of view, it's one of the best movies I have ever seen. Cinematography & scenography are nothing short of perfection. 2. I had problems with the plot, some holes in it, and a general feeling of injustice, as crime seemed to be pretty lightweight compared with the punishment.
2nd time was a weird situation. A girl I knew tried to get into the film school, and the day before her exam she asked me to supply her with some movies that were interesting visually. 2 films we watched were "Natural Born Killers" and "Old-boy", and, especially the 2nd 1 was a revelation.
Knowing the plot, it was easy for me to concentrate on the visual side, and my friend always consumes the movies this way. Results of paying attention to the tiniest of details were stunning. I don't think there's 1 scene in there shot without an idea, without something happening in the background, or without an image responding to the theme of the scene.
Don't be a baby crying about violence - camera turns away in key moments. Don't be a smartarse, picking on the shortcomings of the plot - think about Hitchcock or Chaplin and how they gave a flying f... about plot. Appreciate the work of the whole crew, and for best effects watch it a couple of times. It's worth it.
2nd time was a weird situation. A girl I knew tried to get into the film school, and the day before her exam she asked me to supply her with some movies that were interesting visually. 2 films we watched were "Natural Born Killers" and "Old-boy", and, especially the 2nd 1 was a revelation.
Knowing the plot, it was easy for me to concentrate on the visual side, and my friend always consumes the movies this way. Results of paying attention to the tiniest of details were stunning. I don't think there's 1 scene in there shot without an idea, without something happening in the background, or without an image responding to the theme of the scene.
Don't be a baby crying about violence - camera turns away in key moments. Don't be a smartarse, picking on the shortcomings of the plot - think about Hitchcock or Chaplin and how they gave a flying f... about plot. Appreciate the work of the whole crew, and for best effects watch it a couple of times. It's worth it.
I read the review for "Oldboy" a few years ago and have since read praise about the movie from IMDb posters. Often times movies with that kind of hype tend to fall short and is a major disappointment. I don't know anything about Korean cinema so I had fairly low expectations. I had expected it to be a simplistic revenge film, shot in bad film stock. Well I have to say that I'm glad I was wrong, and even gladder still that I actually watched this film.
The basic story is that a man named Oh Dae-Su is kidnapped and held captive for 18 years and then released. He has no idea who or why this is being done to him. While in captivity he readies himself for the day when he gets out and take revenge on those who imprisoned him, and to find out why he was imprisoned. So far it sounds just like any old revenge martial art flick and up to this point it pretty much is, but it's incredibly well crafted. I have to admit I have not paid much attention to Asian martial arts films since Bruce Lee died and maybe I should now. Mainly because this movie doesn't have the jumpy camera work, or bad editing of those old flicks. This movie is a crisply shot as any Scorcese film. That alone elevates this movie to a higher plateau.
Once he is released, Oh Dae-Su goes on a quest to find what happened to his family and to find the identity of those who had him captured. During the quest for the bad guys, the movie played out like an old fashioned detective movie. The search wasn't rushed and neither was it boring. I suppose the set up made us want to go on this quest with Oh Dae-Su which sounds like Odysseus, and just as Odysseus went on one incredible quest so did Oh Dae-Su.
It's when he finds the man who had him held captive that the movie truly departs from being an average revenge film to something that is extra ordinary and extraordinarily disturbing. It's at this point that I have to say that the less said the better. It's something totally out of the ordinary and something that I think will repulse some viewers, but at the same time one can't help have sympathy for all the characters even the man who ordered Oh's incarceration.
The acting in the movie is excellent. I had no idea that Korean cinema has such skillful actors. They all really played their part incredibly well. Min-sik Choi, who played Oh Dae-Su was incredible. He goes through the rigors of being a desperate captive, to being a determined man on a mission. Along the way he runs through the gamut of so much emotion and not once did he hit a false note.
Overall I have to say that this movie is incredibly well crafted and as good as everybody say, however I find it a little disturbing so I can't give this movie a ten. But don't let my not giving the film a ten scare you away it's a good, enjoyable film.
The basic story is that a man named Oh Dae-Su is kidnapped and held captive for 18 years and then released. He has no idea who or why this is being done to him. While in captivity he readies himself for the day when he gets out and take revenge on those who imprisoned him, and to find out why he was imprisoned. So far it sounds just like any old revenge martial art flick and up to this point it pretty much is, but it's incredibly well crafted. I have to admit I have not paid much attention to Asian martial arts films since Bruce Lee died and maybe I should now. Mainly because this movie doesn't have the jumpy camera work, or bad editing of those old flicks. This movie is a crisply shot as any Scorcese film. That alone elevates this movie to a higher plateau.
Once he is released, Oh Dae-Su goes on a quest to find what happened to his family and to find the identity of those who had him captured. During the quest for the bad guys, the movie played out like an old fashioned detective movie. The search wasn't rushed and neither was it boring. I suppose the set up made us want to go on this quest with Oh Dae-Su which sounds like Odysseus, and just as Odysseus went on one incredible quest so did Oh Dae-Su.
It's when he finds the man who had him held captive that the movie truly departs from being an average revenge film to something that is extra ordinary and extraordinarily disturbing. It's at this point that I have to say that the less said the better. It's something totally out of the ordinary and something that I think will repulse some viewers, but at the same time one can't help have sympathy for all the characters even the man who ordered Oh's incarceration.
The acting in the movie is excellent. I had no idea that Korean cinema has such skillful actors. They all really played their part incredibly well. Min-sik Choi, who played Oh Dae-Su was incredible. He goes through the rigors of being a desperate captive, to being a determined man on a mission. Along the way he runs through the gamut of so much emotion and not once did he hit a false note.
Overall I have to say that this movie is incredibly well crafted and as good as everybody say, however I find it a little disturbing so I can't give this movie a ten. But don't let my not giving the film a ten scare you away it's a good, enjoyable film.
I feel compelled to defend this film from some quite frankly unwarranted criticism. Although it isn't without its flaws, and all films have a few,it certainly isn't a one star film.What this film has is the ability to be sublime, shocking, ridiculous, mildly amusing and visually stunning which is some feat for any film.The sheer scale of the comments here suggests that here is a film that gets to you in one way or another. This film is as far away from Maborosi as you can get yet both films are up there as great pieces of cinema. I wont divulge the plot or end this comment with a Latin quote to reinforce my self importance i'll just say go and watch it, preferably if you're not too squeamish and don't mind subtitles.This film left me thinking about it the following day which is normally a good thing (atleast it shows my memory is working!)
Wusstest du schon
- WissenswertesChoi Min-sik trained for six weeks and lost twenty pounds to get in shape for the role of Dae-su, and did most of his own stunt work.
- Patzer(at around 29 mins) Main character states that lack of sunlight has left him depleted of Vitamins A and E. These are obtained through diet. Sunlight is only responsible for the production of Vitamin D. Thus, the character should only be depleted of Vitamin D.
- Zitate
Woo-jin Lee: Remember this: "Be it a rock or a grain of sand, in water they sink as the same."
- Alternative VersionenPark Chan-wook stated on his solo DVD commentary that there is an edited version for television broadcast. It omits some of the more extreme violence and the love scene between Oh Dae Su and Mi-do.
- VerbindungenEdited into 365 days, also known as a Year (2019)
- SoundtracksBring My Love
by Starsailor
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Cinco días para vengarse
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 3.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 2.458.200 $
- Eröffnungswochenende in den USA und in Kanada
- 68.957 $
- 27. März 2005
- Weltweiter Bruttoertrag
- 17.617.021 $
- Laufzeit
- 2 Std.(120 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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