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Ju-on: The Grudge

Originaltitel: Ju-on
  • 2002
  • 16
  • 1 Std. 32 Min.
IMDb-BEWERTUNG
6,7/10
50.909
IHRE BEWERTUNG
Ju-on: The Grudge (2002)
Home Video Trailer from Lionsgate
trailer wiedergeben1:28
2 Videos
56 Fotos
Übernatürlicher HorrorHorror

Ein mysteriöser und rachsüchtiger Geist markiert und verfolgt jeden, der es wagt, das Haus zu betreten, in dem er sich befindet.Ein mysteriöser und rachsüchtiger Geist markiert und verfolgt jeden, der es wagt, das Haus zu betreten, in dem er sich befindet.Ein mysteriöser und rachsüchtiger Geist markiert und verfolgt jeden, der es wagt, das Haus zu betreten, in dem er sich befindet.

  • Regie
    • Takashi Shimizu
  • Drehbuch
    • Takashi Shimizu
  • Hauptbesetzung
    • Megumi Okina
    • Misaki Itô
    • Misa Uehara
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,7/10
    50.909
    IHRE BEWERTUNG
    • Regie
      • Takashi Shimizu
    • Drehbuch
      • Takashi Shimizu
    • Hauptbesetzung
      • Megumi Okina
      • Misaki Itô
      • Misa Uehara
    • 235Benutzerrezensionen
    • 76Kritische Rezensionen
    • 48Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 1 Gewinn & 1 Nominierung insgesamt

    Videos2

    Ju-on
    Trailer 1:28
    Ju-on
    Ju-on
    Trailer 1:28
    Ju-on
    Ju-on
    Trailer 1:28
    Ju-on

    Fotos56

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    Topbesetzung35

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    Megumi Okina
    Megumi Okina
    • Rika Nishina
    Misaki Itô
    Misaki Itô
    • Hitomi Tokunaga
    Misa Uehara
    Misa Uehara
    • Izumi Tôyama
    Yui Ichikawa
    Yui Ichikawa
    • Chiharu
    Kanji Tsuda
    Kanji Tsuda
    • Katsuya Tokunaga
    Kayoko Shibata
    • Mariko
    Yukako Kukuri
    • Miyuki
    Shuri Matsuda
    • Kazumi Tokunaga
    Yôji Tanaka
    • Yûji Tôyama
    • (as Yoji Tanaka)
    Yoshiyuki Morishita
    Yoshiyuki Morishita
    • Keibiin
    Hideo Sakaki
    • Fukushi Sentâ Jimuin
    Takashi Matsuyama
    • Takeo Saeki
    Yuya Ozeki
    • Toshio
    Takako Fuji
    Takako Fuji
    • Kayako
    Chikara Ishikura
    • Hirohashi
    Chikako Isomura
    • Sachie
    Chiona Ôkuni
    Chiona Ôkuni
    • Erebêtâ no Onna
    Miho Fujima
    • Joshi Ana
    • Regie
      • Takashi Shimizu
    • Drehbuch
      • Takashi Shimizu
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen235

    6,750.9K
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    Empfohlene Bewertungen

    9BrandtSponseller

    Occasionally awkward, but very good overall

    Rika Nishina (Megumi Okina) works for a social services agency in Tokyo, although she's never seen any clients. When a new case comes in and they're short on staff, her boss has to send her out. Her first case is a doozy. When she enters the client's home, no one seems to be there, and the house is a mess. She hears scraping on a door--the old woman she is to care for is there, but in a semi-catatonic state. Soon after, she learns that there is much more wrong than bad housekeeping and a neglected old woman. There just may be threatening supernatural forces behind the scenes.

    This film is really the third in the Japanese Ju-On series. I won't usually watch a series out of order, but this is the only Ju-On film officially and thus easily available in the U.S. I was very anxious to watch the American remake, The Grudge (2004), and actually watched it the day before watching this film.

    The first 40-something minutes are closest to the American remake, but it was surprising that this film is much more linear. It's also more episodic. Neither of those facts are negative here, and both lend to a somewhat easier understanding of the broader mythology behind the Ju-On "monsters", which is presented much more clearly in this film. However, the episodic nature also means that the viewer has to pay attention to the various characters and their names, or there is a good chance that one will get lost--this story touches on many different people, in many different scenarios. Occasionally, there are characters brought into each other's episodes, sometimes as subtly as a name mentioned in a news report. These cross-references, which can also slightly break the linear timeline, are effective if one is alert.

    There are things that writer/director Takashi Shimizu does better in this version, and things he does better in the American version. In this version, I loved the brutal opening sequence. Although it's somewhat present towards the end of the American version, it is much more effective here. I enjoyed the more traditional Japanese home--this film was shot on location in an actual house, whereas the American remake was shot on a house constructed on a soundstage. The Japanese house is more claustrophobic. On the other hand, the soundstage house was a bit grungier, which works nicely in the context of the remake. I liked this film's transition in the famous "stair crawling" scene (although I thought the flashbacks weren't necessary), and I also loved some of the more dissonant music here.

    The biggest differences occur after the first forty minutes, when Shimizu expands the number of monsters. The film seems to threaten a Romero-like plague that I'd like to see explored more in other Ju-On films (if that hasn't been done already).

    The bottom line though is that this is a nicely atmospheric horror film, with a creepy scene per minute. There were a couple very minor flaws--occasionally awkward performances or editing being the primary one, but overall this is highly recommended. It earned a 9 out of 10 from me.
    7ShanTeaTime

    Do Not Watch American Remakes of Asian Horror!

    A Japanese horror film part of an ongoing series. A mysterious and vengeful spirit marks and pursues anybody who dares enter the house in which it resides.

    I cannot believe I've never seen this film until now, seeing as Asian horror is my thing! I haven't seen the two shorter films before this one, but it didn't feel like it was necessary anyway. I followed the story throughout, even with its non-linear storytelling. I love ghost story films and I really enjoyed this film! It's atmosphere was perfectly done and it was definitely giving me shivers down my spine at parts. It didn't need jumpscares, it had tension.

    The multiple story lines made the film so interesting! If it was just one character experiencing these terrifying hauntings happening it wouldn't of flowed so well. It felt really fast, which is good because too much tension can grow to be boring. The acting was all really well done as well! In the American remake (I know, we don't talk about it but I will anyway) it just didn't flow as well. The fact that it was Americanized with it's casting ruined it from the start, but this felt authentic. So I won't be checking out any of the American sequels, seeing as the original remake was lackluster.

    I also have no real drive to watch the sequels to this film, though I may watch them just out of curiosity if it's just the same story over and over again.
    9mickeythechamp

    An iconic classic for a reason

    A horror classic and for all the right reasons. I am a huge fan of this movie and really appreciate what it does. This is my third time watching it and it only gets better.

    We follow a group of people all hit by a curse. The curse dose all in it's power to kill anyone who comes into contact with it. It is a pure evil that doesn't discriminate.

    The movie can have a cheap feel to it with it's effects, makeup and camera work, but I find this inspirering. It can feel a bit student filmish and it's clear the creators used the budget well. The team clearly had to be inventive with everything and it inspires a guy like me that would love to make a movie myself. The movie is still well done and still works amazingly for me.

    The movie is well shot from a camera perspective and creates some iconic frames and moves. It works more like a fly on the wall instead of the chatecters POV. Showing us things we don't want to see that it would scare us. It does this very effectively. There is some wierd camera moves here and there but overall I find it really well shot.

    The acting seems good without me having a great knowledge about the Japanese language. The preformances seem good and believable. There is some amazing scream queens in this movie, and the actors that plays the spirits do brilliantly. They stay in charecter and sell the lost spirits really well.

    The sets are so well done because they look like the everyday world. They don't look produced like the typical American set, and invites you into peoples homes and something familiar to the viewer. It feels like an intrusion on the private and makes you want to check your hallways a second time before going to bed. The sets are also well thought-out, with details you'll notice after a second watch.

    The evil in this movie is pure. It feels pointless to fight it and that it can't be stopped. You feel as hopeless as the chatecters and having an unstoppable evil is dreadful and depressing. The movie shows us all the affected and how they die and the evil seems unstoppable no matter what. Young or old, it doesn't discriminate, it's just evil.

    The movie is full of iconic frames and sequences. From the stairs scene towards the end, to the elevator scene, the bed scenes and the wheelchair reveal. All are perfectly made, iconic and scary scenes.

    The movie is tied well together but could easily also be wieved as an anthology movie. All the different segments are thier own mini-movie that all are well crafted on their own. No segments feels overshadowed and Works all on their own. The overall ties works great too though and towards the end you learn more and more about the curse.

    Now here is probably the hardest sell about the movie but an aspect I liked. The movie is told out of chronological order and can be hard to follow the first time watching. I had problems following the plot the first time I'll gladly admit. But I appreciate watching it the second time and the third, I could apeiciate the movie even more. The movie really helps you to follow it's narrative though. It tells you early on that it's out of order and eases you through the different chatecters and tells and shows you how they are all connected. Don't be on your phone during this movie, pay attention and you'll have an easier time following the narrative.

    If you couldn't tell I love this movie. I find it scary, well done and really depressing in it's subject matter. It is an iconic movie for a reason, it dares to do a lot and gets away with it. I would highly recommend it.
    7jj805282

    Very fine horror tale

    It's hard for me to actually be frightened by movies. They have to be realistic in a way that I could believe it would happen to me, and this film "Ju-On: The Grudge" is one realistic movie. This is a haunted house tale with a twist, nothing like "The Changeling," "The Innocents," or films of that caliber, this movie is haunting on a higher level. Everyone who comes in contact with the house gets attacked by the blue ghost of a boy who's mother was murdered. The ghosts in this movie are very realistic and very scary. Definitely recommended.
    7view_and_review

    Wasting No Time

    I watched the American version of "The Grudge" with Sarah Michelle Gellar some years ago and liked it a lot. Today I got a chance to see the Japanese original. Even though I saw it second and it doesn't have the same production value as the American version, I still liked it.

    "Ju-On" bucked the trend a bit that you see with just about every movie dealing with hauntings or poltergeists; they jumped to level ten with the ghosts. 99% of horror movies involving a specter start off very slowly like the ghost is working up the nerve to fully scare the victim. In "Ju-On," because there are multiple victims, the tortured soul wastes no time. You have to appreciate a ghost who wants to get things done promptly.

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    Handlung

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    • Wissenswertes
      This film is actually the third installment of the Ju-on series, and the first to get a wide theatrical release. It was preceded by two low budget films from 2000 known as (Ju-on (2000) and Ju-on 2 (2000)), whose storylines are continued in this sequel.
    • Patzer
      (at around 1h 18 mins) When Rika wakes up in bed to a room full of yowling black cats, several of the cats are obviously statues. Some of them are even clearly replicas of the same statue.
    • Zitate

      [repeated line]

      Hirohashi: Thanks for the effort.

    • Alternative Versionen
      In the Technical Specifications link for the film, there are two versions of this film listed, one with a runtime "1 hr 32 min (92 min)" and another clocking in at "1 hr 43 min (103 min) (original cut)".
    • Verbindungen
      Featured in Nightmares in Red, White and Blue: The Evolution of the American Horror Film (2009)
    • Soundtracks
      Kagi ga akanai
      Music by Hiroyuki Hamamoto

      Lyrics by Kei Noguchi

      Performed by Suitei Shôjo

      Courtesy of Epic Records Japan

    Top-Auswahl

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    Details

    Ändern
    • Erscheinungsdatum
      • 25. Januar 2003 (Japan)
    • Herkunftsland
      • Japan
    • Offizieller Standort
      • Official site
    • Sprache
      • Japanisch
    • Auch bekannt als
      • Ju-on
    • Drehorte
      • Nerima, Tokio, Japan
    • Produktionsfirmen
      • Pioneer LDC
      • Nikkatsu
      • Oz Company
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

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    • Budget
      • 3.500.000 $ (geschätzt)
    • Bruttoertrag in den USA und Kanada
      • 325.680 $
    • Eröffnungswochenende in den USA und in Kanada
      • 25.446 $
      • 25. Juli 2004
    • Weltweiter Bruttoertrag
      • 3.660.116 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      • 1 Std. 32 Min.(92 min)
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Digital
      • DTS-Stereo
    • Seitenverhältnis
      • 1.85 : 1

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