Füge eine Handlung in deiner Sprache hinzuFollowing the suicide of his wife, an Israeli intelligence agent is assigned to befriend the grandchildren of a Nazi war criminal.Following the suicide of his wife, an Israeli intelligence agent is assigned to befriend the grandchildren of a Nazi war criminal.Following the suicide of his wife, an Israeli intelligence agent is assigned to befriend the grandchildren of a Nazi war criminal.
- Auszeichnungen
- 4 Gewinne & 10 Nominierungen insgesamt
- Menachem
- (as Gidon Shemer)
- Iris
- (as Natali Szylman)
Empfohlene Bewertungen
The clash between gay and hetro men. The Israeli-Arab conflict. Bringing Natzi criminals to justice. All this and more while undergoing a sight-seeing tour north and south of Israel with its beautiful scenery.
To summerise... A must see film. Not your usual expected Hollywood drama but a true multi-cultural story with dynamic and evolving characters.
This is a film about life and about people. It is about forgiving and forgetting. It's about "getting over it." It is about acceptance of others regardless of their national origin or sexual orientation.
This film is full of surprises and it is how people deal with those surprises that is what is so fascinating about it. It is about generational differences and how the same thing affects the young and old.
If you are interested in Holocaust films or Israeli-Palestinaian relations, then this is a film you will certainly enjoy.
Eyan poses as a tour guide and is quickly accepted by Axel, the grandson and Pia his sister. Eyan spends most of his time with the charming, spontaneous and open Axel but starts forming a friendship with both grandchildren.
Between his emotions over the death of his wife and his growing feelings for the two grandchildren Eyan has a crisis of conscience. Can he violate the trust the two have placed in him? Can he kill again?
Overall this is a well written; many faceted story, remarkably well told. I personally didn't care for the ending but I can't explain too much without giving away what happens.
This film takes on a multitude of social issues, some of them very superficially. However, because it has a solid plot, excellent character development, and top-notch acting, I found myself engrossed in the film.
The only downside of the film is that it asks many many questions, but only really examines one or two of them. It might have been better to not confuse the theme of the film by introducing so many issues. But, for whatever reason, it works.
This film touches on Israeli-German relations, Israeli-Arab relations, homosexual relationships, heterosexual relationships, marriage and family life, terrorism-counterterrorism, and generational conflict. Of these, it really examines Israeli-German relations and homosexual relationships in most detail and leaves a lot of open questions on the other issues.
If you're thinking at this point that the film sounds like it might be a bit too heavy, think again. It does a good job of providing you with an entertaining experience while masterfully weaving in each of these issues. I would highly recommend it.
The characters are interesting and compelling. The story is engaging and I feel connected to the movie the way very few movies make me. I recognize the places I've been to and I've come to love and to dream of seeing them again and again. The film starts in Istanbul, Turkey on the boat over the Bosphor and the guide talks about the bridge between Europe and Asia. I've been on the boat like that and I saw the bridge. Then the action takes place in Israel and I was happy to recognize Tel Aviv, Jerusalem, The Sea of Galilee (Kinereth), The Dead Sea where one just floats without swimming, the desert.
The plot moves from Israel to Berlin where Eyal is visiting with his new friend's family. Alex's and Pia's father celebrates his anniversary and for the first time, a helpless dying old man arrives to Berlin, the Nazi criminal, Axel's and Pia's grandfather, Eyal's target. The film explores the moral dead ends of the modern society full of hostility and old unpaid debts. Eyal remembers the history of his country and its people, he knows not from the books about Holocaust. He is a soldier and must be merciless but he has to learn something about understanding from his young German friend. Film attracts by the non-standard approach to the familiar themes of religious prejudices, homophobia, neo-fascism, newest terror and other sources of the hatred, which destroys the world. It would not surprise me to find out that the film has many detractors in Germany, Palestine, and in Israel. The final is a little too neat and belongs to the modern fairy tale genre. I see it as the director's dream that he wanted to come true - the people with different backgrounds, mentalities, history, and preferences would understand one another and would come toward one another with the open hearts and clean thoughts. Dreams, dreams...
Wusstest du schon
- WissenswertesCaroline Peters, who plays Pia, revealed in an interview on Israeli television that her actual grandfather was a Nazi, just like her character's grandfather in the film
- PatzerWhen Eyal visits Menachem's Berlin hotel, a shot down its hall reveals that all the rooms have Mezuzot on the doorframes. At the door to Menachem's room, the only room without a Mezuzah, there is a clearly visible unpainted patch from which the Mezuzah had been removed just for that shot. A Mezuzah is a small box filled with bible passages (Deuteronomy 6:4-9 and 11:13-21). Jews put them on the doorframes of houses and other buildings. Their presence reveals that the filmmakers used an Israeli location for that hotel instead of a German one.
- Zitate
Axel Himmelman: [tries to walk on the sea and falls in]
Eyal: [sarcastically] Bravo. You did it.
Axel Himmelman: You don't understand. You can't just come to the Sea of Galilee and start walking on water. If you could, everybody would be doing it. You need to prepare yourself.
Eyal: And how would you do that? Please enlighten me.
Axel Himmelman: Well, you need to completely purify yourself. Your heart needs to be like it's clean from the inside: no negativity, no bad thoughts.
Eyal: And then?
Axel Himmelman: And then you can walk on water. I'm sure of it.
- VerbindungenFeatured in 2005 Glitter Awards (2005)
- SoundtracksCinderella-Rockefella
Written by Mason Williams and Nancy Ames
Performed by Esther Ofarim and Abi Ofarim
Top-Auswahl
- How long is Walk on Water?Powered by Alexa
Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprachen
- Auch bekannt als
- Walk on Water
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 2.713.932 $
- Eröffnungswochenende in den USA und in Kanada
- 60.465 $
- 6. März 2005
- Weltweiter Bruttoertrag
- 4.444.265 $
- Laufzeit1 Stunde 43 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1