Die Geschichte von James Braddock, einem angeblich angeschwemmten Boxer, der in den 1930er Jahren zurückkehrte, um Champion und Inspiration zu werden.Die Geschichte von James Braddock, einem angeblich angeschwemmten Boxer, der in den 1930er Jahren zurückkehrte, um Champion und Inspiration zu werden.Die Geschichte von James Braddock, einem angeblich angeschwemmten Boxer, der in den 1930er Jahren zurückkehrte, um Champion und Inspiration zu werden.
- Für 3 Oscars nominiert
- 16 Gewinne & 45 Nominierungen insgesamt
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But this one has Russell Crowe in it. And that makes all the difference.
It is not that Renee Zellwegger and Paul Giamatti, Paddy Considine, Bruce McGill and Craig Bierko, among others, give less than stellar performances: they all live up to their justifiably great reputations. You have to believe they are at the top of their game. But for all of Russell Crowe's reputation for being "difficult", it is hard to think of actors who can equal his personal force on the screen. He is brilliant.
Ron Howard has made of the real life of Depression-era prize-fighter James J. Braddock a work of art. The camera work is phenomenal. Without using violins or cliché' pull-back shots showing the numbers of people homeless and in soup lines, Howard makes the Depression a visceral reality with scenes of near-hopeless men at the docks, pleading for a day's work; a stolen salami; Crowe's giving his daughter his breakfast piece of bologna, telling her he dreamed he was full. The bleakness of the times is the graininess and the sepia/greyness of the camera shots; the images are stark but completely descriptive. Crowe as Braddock with hat in hand and tears in his eyes, begging for twenty dollars so he can get his children back into his home, is the personification of pride sacrificed to desperation. But when Braddock is later asked at a press conference why he is fighting at his age and after so many poor showings, all he has to say is "milk" to be supremely eloquent.
Doubtless many people know the history of James Braddock, and know the outcome of his fights, including the championship bout with Max Baer, who had already killed two men in the ring. If you don't know, DON'T look it up before you see the movie, and if you DO KNOW, DON'T TELL, but go. Analogous to watching Howard's film "Apollo 13", you may know the outcome, but there's wonderful suspense in the details. These were among the most exciting last twenty minutes I've seen on film. I didn't expect to be able to watch, but like Braddock's terrified wife Mae, I was unable to tear myself away.
The audience was like a prize fight audience, cheering, booing, gasping, groaning during the fights. We applauded Braddock's wins, suffered his defeats. It is a great movie, with authentic heart. Solid A.
Jim Braddock was a depression-era boxer who everybody thought was down for the count. Though there is a lot of boxing in this film, this is not a boxing movie, but rather his story and the story of the family that inspired him to fight back against prejudice and hopelessness, to rise to heights that would inspire a nation. Braddock is portrayed in a moving and powerful manner, with remarkable performances all around, one of the best scripts I can remember in recent years, and occasionally brutal action.
Those who have run into my reviews may note that this is one of my shortest. Please understand that I really don't think there's much to say about this simple, beautiful and very human story, besides - see it!
As for the NON-Baer parts of the film, they are great. The look of the 1930s is exceptional--much more realistic than you often see in films. Also, the acting is terrific, the film VERY engaging and the story of Braddock very compelling. Without the misrepresentation of Baer's in the story, I would have given this one a 10. Really....it's that compelling and they did a great job. The acting, direction, designs...everything but the writing was perfect.
By the way, this isn't so much a complaint as an observation. In this movie, like practically EVERY other boxing movie, there is hardly any defense (such as blocked shots) in the boxing matches--punch after punch that lands on the opponent. If fights REALLY were like this, they'd rarely go beyond the first round!
The story of a family in the midst of the Great Depression was as compelling as the boxing story. The solid family man played by Russell gives us a much needed role model. The historical and socio-economic background was powerfully shown and greatly added to the audience's involvement and is particularly relevant to today. This is a classic film.
Wusstest du schon
- WissenswertesTo film the final fight, the seats were filled with 15,000 blow-up dummies with masks and hats.
- PatzerThe receipt that Jimmy Braddock gives at the welfare office is about $50 off from the actual amount that Braddock had borrowed. Russell Crowe pointed this out to the director who decided to 'leave it in to prove that it's just a movie'.
- Zitate
Jim Braddock: You think you're telling me something? Like, what, boxing is dangerous, something like that? You don't think working triple shifts and at night on a scaffold isn't just as likely to get a man killed? What about all those guys who died last week living in cardboard shacks to save on rent money just to feed their family, 'cause guys like you have not quite figured out a way yet to make money off of watching that guy die? But in my profession - and it is my profession - I'm a little more fortunate.
- Crazy CreditsBefore the title appears the following: "In all the history of the boxing game, you'll find no human interest story to compare with the life narrative of James J. Braddock." - Damon Runyon (1936)
- VerbindungenFeatured in HBO First Look: Cinderella Man (2005)
- SoundtracksShim-Me-Sha-Wabble
Written by Spencer Williams
Performed by Miff Mole and His Molers
Courtesy of Columbia Records
By arrangement with Sony BMG Music Licensing
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- El luchador
- Drehorte
- Maple Leaf Gardens, Toronto, Ontario, Kanada(boxing scenes)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 88.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 61.649.911 $
- Eröffnungswochenende in den USA und in Kanada
- 18.320.205 $
- 5. Juni 2005
- Weltweiter Bruttoertrag
- 108.539.911 $
- Laufzeit
- 2 Std. 24 Min.(144 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1